Description: These poems--selected from the award-winning poet's output over four decades--more explicitly than any of his prior volumes address the centrality of Christian vision to his aims and aspirations. Lea looks unflinchingly at all that may challenge his faith: the cruelties of both natural and human worlds, the attractions of jolly, good-hearted secularism, the distortions of doctrinaire religiosity, the seeming pointlessness of untimely deaths; but his faith in Christian redemption shines through even the bleakest of his poems. Endorsements: ""The life in Sydney Lea's poems is entirely local, whether the locale is Italy, Montana, or his home in Vermont . . . The making of the soul that occurs in Sydney Lea's poems is intimately connected with the place where the making occurs . . . Sydney Lea's poems show us that all spirituality is local spirituality. He is our preeminent poet of the soul's making among local places and people."" --Mark Jarman Author of Bone Fires: New and Selected Poems ""Sydney Lea's heartbreaking and heartening poems look, with the utmost honesty, at 'what we may or may not be / here on earth.' . . . These] urgent poems give us back the depth of our existence. With intelligence, passion, and humility, Lea embraces the task he has been given: to record those 'warming recollections' of parents, friends, wife and children, and to acknowledge how this 'splendid universe subsumes . . . his small dumb witness' into a 'hymn of grateful praise.'"" --Robert Cording Author of Walking with Ruskin ""In this book Sydney Lea invites us to take a spiritual journey . . . By the end of Six Sundays, the narrator and the reader step together into radiant light. What is so moving about Six Sundays is not only its wrestling with spiritual questions, but also Lea's affirmation that life is a spiritual journey and that this journey is of paramount importance."" --Jeanne Murray Walker Author of A Deed to the Light ""From his experience of doubt to his affirmation of the Mystery, the poet's faith shows through honest and eloquent language . . . Lea's unique gift of language opens up the most ordinary detail of village life in northern Vermont and raises it to universal significance. His compassionate gaze at suffering and loss is balanced by his embrace of nature in all its forms and by moments of ecstatic revelation."" --Robert Siegel Author of A Pentecost of Finches: New and Selected Poems About the Contributor(s): Sydney Lea lately retired after more than forty years of teaching at Dartmouth, Yale, Wesleyan, and Middlebury Colleges, as well as at several European universities. Lea was a Pulitzer finalist for his volume of poems Pursuit of a Wound, and won the 1998 Poets' Prize. He holds the doctorate in Comparative Literature from Yale. Recipient of fellowships from the Guggenheim, Rockefeller, and Fulbright Foundations, he founded and for thirteen years edited New England Review, one of the nation's leading literary quarterlies. This is his tenth volume of poems; he is also author of a novel, A Place in Mind, and two collections of naturalist essays, Hunting the Whole Way Home and A Little Wildness. He is currently the poet laureate of the state of Vermont.

“So good it hurts to read.”—Annie Proulx Set against a backdrop of the remote northern Maine wilderness, Now, Look is a novel about second chances and missed chances. Fishing, hunting, and the pleasures of outdoor life bring together a mismatched pair of friends—weaving back and forth between past and present, it follows the friendship of ivy-league educated George Mayes and semi-literate woodsman and logger Evan Butcher. George, a drunk from his college days has a critical, life-changing moment of insight, and begins postgraduate life, however improbably, as a reckless school bus driver. After getting clean and sober, he develops a successful school transportation business. Having taken a number of trips to the north woods, he has come to know and revere Evan. At the story’s opening, Evan is a store of knowledge, decency, and even of wisdom. But after a series of horrendous family tragedies he begins to succumb to alcohol himself.

In Sydney Lea's poems, purest joy and woe flash amid the mundane, and beauty knows the full range of nature - from the plumed tension of a newborn child twisting away from the ready breast to bright birds lying dead on the winter lawn. Many of these poems are backward looking, savoring the gentle pause at summer's end, recalling with fledgling hope former victories of spring, seeking in the woeful host of memory something that has held its charge.

One of the most influential modern poets, Anthony Hecht (1923-2004) was awarded virtually every major American prize for poetry, including the Pulitzer and the Bollingen. Written mostly by other poets, in styles ranging from the informal to the scholarly, these essays explore Hecht's image and poetic devices, his debts to other poets, and his place in the study of modern poetry. The Burdens of Formality presents varied perspectives that demonstrate the extensive influence that Hecht has commanded on the work of modern poets and the study of verse.

"Singer of stories, lyric raconteur, Sydney Lea has evolved--through a long, rich career--into one of America's most harrowing and honest poets. "Ghost Pain" is his most eloquent and wrenching book."--T.R. Hummer

""Ghost Pain" is a remarkable book, which takes his work to a new level."--Stephen Dunn

The eighth poetry collection by the founder of "New England Review" explores addiction, alcoholism, violence and the uses and inadequacies of art.

A collection of 130 poems contributed by Frost Place residents, many of whom have risen to prominence. Some contributors' poems were written during their tenures on the farm. Such poets as Robert Hass, Gary Miranda, Mary Jo Salter, Cleopatra Mathis, Denis Johnson and Stanley Plumly explore the depth and breadth of their time spent in Frost's New Hampshire. Eminent poet Donald Hall wrote the foreword and includes a cache of Frost's poems from Mountain Interval.