In "A Hundred Himalayas," Sydney Lea has collected a group of essays written over 30 years, representing what he refers to as the persistence of preoccupations and the absence of theory---a group of speculations, each one a single Himalaya, together a great elevation achieved in small increments. His musings on his own "favored genius," Robert Frost, his own approach to literary criticism, imagination, the American nature essay, rural life, the process of writing a poem, and fitting writing into everyday life all combine to create a picture of the things that interest Lea. "If there is grandeur at all in this volume," he says, "then, it must come in small increments." All of his small increments of gentle and insightful writing combine to create a collection that is, indeed, grand.

In Sydney Lea's poems, purest joy and woe flash amid the mundane, and beauty knows the full range of nature - from the plumed tension of a newborn child twisting away from the ready breast to bright birds lying dead on the winter lawn. Many of these poems are backward looking, savoring the gentle pause at summer's end, recalling with fledgling hope former victories of spring, seeking in the woeful host of memory something that has held its charge.

Description: These poems--selected from the award-winning poet's output over four decades--more explicitly than any of his prior volumes address the centrality of Christian vision to his aims and aspirations. Lea looks unflinchingly at all that may challenge his faith: the cruelties of both natural and human worlds, the attractions of jolly, good-hearted secularism, the distortions of doctrinaire religiosity, the seeming pointlessness of untimely deaths; but his faith in Christian redemption shines through even the bleakest of his poems. Endorsements: ""The life in Sydney Lea's poems is entirely local, whether the locale is Italy, Montana, or his home in Vermont . . . The making of the soul that occurs in Sydney Lea's poems is intimately connected with the place where the making occurs . . . Sydney Lea's poems show us that all spirituality is local spirituality. He is our preeminent poet of the soul's making among local places and people."" --Mark Jarman Author of Bone Fires: New and Selected Poems ""Sydney Lea's heartbreaking and heartening poems look, with the utmost honesty, at 'what we may or may not be / here on earth.' . . . These] urgent poems give us back the depth of our existence. With intelligence, passion, and humility, Lea embraces the task he has been given: to record those 'warming recollections' of parents, friends, wife and children, and to acknowledge how this 'splendid universe subsumes . . . his small dumb witness' into a 'hymn of grateful praise.'"" --Robert Cording Author of Walking with Ruskin ""In this book Sydney Lea invites us to take a spiritual journey . . . By the end of Six Sundays, the narrator and the reader step together into radiant light. What is so moving about Six Sundays is not only its wrestling with spiritual questions, but also Lea's affirmation that life is a spiritual journey and that this journey is of paramount importance."" --Jeanne Murray Walker Author of A Deed to the Light ""From his experience of doubt to his affirmation of the Mystery, the poet's faith shows through honest and eloquent language . . . Lea's unique gift of language opens up the most ordinary detail of village life in northern Vermont and raises it to universal significance. His compassionate gaze at suffering and loss is balanced by his embrace of nature in all its forms and by moments of ecstatic revelation."" --Robert Siegel Author of A Pentecost of Finches: New and Selected Poems About the Contributor(s): Sydney Lea lately retired after more than forty years of teaching at Dartmouth, Yale, Wesleyan, and Middlebury Colleges, as well as at several European universities. Lea was a Pulitzer finalist for his volume of poems Pursuit of a Wound, and won the 1998 Poets' Prize. He holds the doctorate in Comparative Literature from Yale. Recipient of fellowships from the Guggenheim, Rockefeller, and Fulbright Foundations, he founded and for thirteen years edited New England Review, one of the nation's leading literary quarterlies. This is his tenth volume of poems; he is also author of a novel, A Place in Mind, and two collections of naturalist essays, Hunting the Whole Way Home and A Little Wildness. He is currently the poet laureate of the state of Vermont.

One of the most influential modern poets, Anthony Hecht (1923-2004) was awarded virtually every major American prize for poetry, including the Pulitzer and the Bollingen. Written mostly by other poets, in styles ranging from the informal to the scholarly, these essays explore Hecht's image and poetic devices, his debts to other poets, and his place in the study of modern poetry. The Burdens of Formality presents varied perspectives that demonstrate the extensive influence that Hecht has commanded on the work of modern poets and the study of verse.

A collection of 130 poems contributed by Frost Place residents, many of whom have risen to prominence. Some contributors' poems were written during their tenures on the farm. Such poets as Robert Hass, Gary Miranda, Mary Jo Salter, Cleopatra Mathis, Denis Johnson and Stanley Plumly explore the depth and breadth of their time spent in Frost's New Hampshire. Eminent poet Donald Hall wrote the foreword and includes a cache of Frost's poems from Mountain Interval.