Essays on philosophy and intellectual history, focusing in particular on John Locke. This collection of essays by well-known international scholars working in the history of philosophy and intellectual history honours the distinguished career of John Yolton, their subjects reflecting many of his central interests,particularly John Locke. Topics include Locke and his idea of thinking matter; the recovery of Locke's library; his understanding of the Law of Nature and its implications; Berkeley's philosophy and his conception of common sense; the connection between reason and revelation in some early eighteenth-century writers; and the post-modernist crude misrepresentation of the Enlightenment. G.A.J. ROGERS is Professor of Philosophy at Keele University; SYLVANA TOMASELLIis a former research fellow of Newnham College, Cambridge. Contributors: SYLVANA TOMASELLI, FRANCOIS DUCHESNEAU, RICHARD H. POPKIN, G.A.J. ROGERS, PETER LASLETT, MICHAEL AYRES, GENVIEVE BRYKMAN, M.A. STEWART, ARTHUR WAINWRIGHT, JOHN STEPHENS, JOHN P. WRIGHT, SHADIA B. DRURY

First published in 1989, The Dialectics of Friendship explores the ideals and paradoxes of friendship against the backdrop of other relationships. The book begins with an introduction to the subject of friendship in its historical and cultural setting. Following chapters explore the ideal of friendship in classical Greece, and the richness and ambiguities of friendship in the Christian tradition. The social dimensions of friendship are discussed, including among children, between men, between women, and between humans and animals, and the wider historical and political aspects of friendship are examined. The Dialectics of Friendship will appeal to those with an interest in the sociology, psychology, and history of friendship, as well as psychoanalysis, literary criticism, and classics.

A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book's format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as "Painting," "Music," "Memory," "Property and Appearance," and "Rank and Luxury," Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil-and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft's approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790). Written as a reply to Edmund Burke's Reflections on the Revolution in France (1790), this is an important text in its own right as well as a necessary tool for understanding Wollstonecraft's later work. This edition brings the two texts together and also includes Hints, the notes which Wollstonecraft made towards a second, never completed, volume of A Vindication of the Rights of Woman.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790). Written as a reply to Edmund Burke's Reflections on the Revolution in France (1790), this is an important text in its own right as well as a necessary tool for understanding Wollstonecraft's later work. This edition brings the two texts together and also includes Hints, the notes which Wollstonecraft made towards a second, never completed, volume of A Vindication of the Rights of Woman.

A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book's format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as "Painting," "Music," "Memory," "Property and Appearance," and "Rank and Luxury," Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil-and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft's approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now.

The Ego in Freud's Theory and in the Technique of Psychoanalysis, 1954–1955

Edited by Jacques-Alain Miller; translated by Sylvana Tomaselli; with notes by John Forrester

"The Seminar books I and II have a special place because of their value as an introduction to Lacan. . . . [They] are a sure path of entry into Lacan's critique of ego psychology. . . . Lacan's work underscores that part of Freud's message that is most revolutionary for our time. The individual is 'decentered.' There is no autonomous self. What sex was to the Victorians, the question of free will is to our new Fin-de-Siecle." —Sherry Turkle, London Review of Books

"A rare opportunity to experience Lacan as a teacher. . . . The publication of these two early seminars . . . may allow Lacan's work to do what it does most remarkably: shed light on, and expand, the theoretical implications of psychoanalysis, but also train a new generation of psychoanalysts by asking again and again: what exactly do we do when we do psychoanalysis?" —Lisa Kennedy, Voice Literary Supplement