The Spanish Empire is famous for being, at its height, the realm upon which "the sun never set." It stretched from the Philippines to Europe by way of the Americas. And yet we know relatively little about how Spain managed to move that crucial currency of governance--paper--over such enormous distances. Moreover, we know even less about how those distances were perceived and understood by people living in the empire. This book takes up these unknowns and proposes that by examining how documents operated in the Spanish empire, we can better understand how the empire was built and, most importantly, how knowledge was created. The author argues that even in such a vast realm, knowledge was built locally by people who existed at the peripheries of empire. Organized along routes and centralized into local nodes, peripheral knowledge accumulated in regional centers before moving on to the heart of the empire in Spain.
The study takes the Kingdom of Guatemala as its departure point and examines the related aspects of documents and distance in three sections: part one looks at document genre, and how the creation of documents was shaped by distance; part two looks at the movement of documents and the workings of the mail system; part three looks at document storage and how archives played an essential part in the flow of paper.

The award-winning debut novel that abrings to mind the atmosphere and tension of Gabriel GarcA-a MArquez.a( Katharine Weber, author of "The Little Women")
NA-tido AmAn knows he was born in Guatemala, but he doesnat know why his family left. Raised in the States by his immigrant parents, they never talked about it. When NA-tido loses his father to Alzheimeras disease, his despondent mother grows increasingly silent and NA-tido realizes that his links to the past are disappearing.
Seeking answers, NA-tido travels to Guatemala against his motheras wishes. Upon his arrival in the small town of RA-o Roto, he is mistaken for the new priest, and decides to play the part. From his parishioners, he catches tantalizing and frightening glimpses of the buried history heas aching to know. In a place shrouded in secrets, NA-tido is at once determined and frightened to unearth the unnamed horrors it has seen.
With her elegant, hypnotic prose, this marks Sellers- GarcA-aas arrival as a distinctive new voice in fiction.

A true story of violence, punishment, and a transformative moment in Guatemalan history that "deftly ranges across Italian iconography, Maya cosmovision, casta paintings, Enlightenment urbanism, conceptions of death, masculinity, gender violence, crime and punishment, and the growth of the state." (Laura Matthew, Hispanic American Historical Review) On the morning of July 1, 1800, a surveyor and mapmaker named Cayetano Diaz opened the window of his study in Guatemala City to find a horrific sight: a pair of severed breasts. Offering a meticulously researched and evocative account of the quest to find the perpetrator and understand the motives behind such a brutal act, The Woman on the Windowsill pinpoints the last decade of the eighteenth-century as a watershed moment in Guatemalan history, when the nature of justice changed dramatically. Sylvia Sellers-Garcia reveals how this bizarre and macabre event came with an increased attention to crime that resulted in more forceful policing and reflected important policy decisions not only in Guatemala but throughout the Spanish Empire. This engaging true crime story serves as a backdrop for the broader consideration of the forces shaping Guatemala City at the brink of the modern era.

Imagining Histories of Colonial Latin America teaches imaginative and distinctive approaches to the practice of history through a series of essays on colonial Latin America. It demonstrates ways of making sense of the past through approaches that aggregate more than they dissect and suggest more than they conclude. Sidestepping more conventional approaches that divide content by subject, source, or historiographical "turn," the editors seek to take readers beyond these divisions and deep into the process of historical interpretation. The essays in this volume focus on what questions to ask, what sources can reveal, what stories historians can tell, and how a single source can be interpreted in many ways.