This Christmas, 'hand yourself over to be enchanted' (Guardian) by the English genius behind witchcraft classic Lolly Willowes. 'Worth GBP9.99 for the book jacket alone (trust Faber) ... It's exquisite and shivery, just like the stories within ... By turns creepy, melancholy, horrifying, tragic and beltingly romantic.' Sunday Times 'One of our finest writers.' Neil Gaiman 'One of the most shamefully under-read great British authors of the past 100 years.' Sarah Waters 'Diminutive masterpieces ... Hand yourself over to be enchanted.' Guardian 'Extraordinary, lucid wildness.' Helen MacDonald 'Glinting perfection' The Times Decades after her divorce, a lady returns to the village of her tumultuous marriage. A railway carriage hosts a charged schoolboy encounter. A murder raises fears of blackmail. A woman waits anxiously in a cafe before eloping to Paris. Another steals a friend's kitchen knife. In these bittersweet tales, the author of Lolly Willowes reveals her mastery of the short story, celebrated by the New Yorker for decades. Sylvia Townsend Warner is a tragicomic chronicler of the heart's entanglements, from marriages and affairs to widowhood; and a champion of outsiders, whether single women, the elderly or wartime refugees. Witty and subversive, her stories meld tradition and transgression, with secret sins and fetishes as much a feature of English life as eccentric aunts, country houses and parish churches.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Lolly Willowes, so gentle and accommodating, has depths no one suspects. When she suddenly announces that she is leaving London and moving, alone, to the depths of the countryside, her overbearing relatives are horrified. But Lolly has a greater, far darker calling than family: witchcraft. 'The book I'll be pressing into people's hands forever is Lolly Willowes . . . Starting as a straightforward, albeit beautifully written family saga, it tips suddenly into extraordinary, lucid wildness' Helen Macdonald

'One of the great British novels of the twentieth century: a narrative of extraordinary reach, power and beauty' Sarah Waters The nuns who enter a medieval Norfolk convent are told to renounce the world, but the world still finds ways to trouble them, whether it is through fire, floods, pestilence, a collapsing spire, jealous rivalries, a priest with a secret or a plague of caterpillars. As we follow their daily lives over three centuries, this masterpiece of historical fiction re-creates a world run by women. 'As an act of imagined history this novel has few rivals. Also, as it happens, a work of high, frequent comedy' George Steiner, The Times Literary Supplement 'Spellbinding . . . One starts rereading as soon as one has reached the last page' Sunday Times 'Magnificent' Philip Hensher, Daily Telegraph

'A great shout of life and individuality ... an act of defiance that gladdens the soul' Guardian Lolly Willowes, so gentle and accommodating, has depths no one suspects. When she suddenly announces that she is leaving London and moving, alone, to the depths of the countryside, her overbearing relatives are horrified. But Lolly has a greater, far darker calling than family: witchcraft. 'The book I'll be pressing into people's hands forever . . . It tells the story of a woman who rejects the life that society has fixed for her in favour of freedom ... tips suddenly into extraordinary, lucid wildness' Helen Macdonald 'Witty, eerie, tender ... her prose, in its simple, abrupt evocations, has something preternatural about it' John Updike

'A novel of love, war and death; brilliantly entertaining and far ahead of its time' Guardian 'She is my husband's mistress - and here am I, taking her out to dinner' Sophia Willoughby of Blandamer House, upstanding Victorian matriarch, has packed her errant husband off to Paris with his mistress Minna. But when tragedy throws her life off balance Sophia goes to seek him out, and instead finds herself intensely attracted to the charismatic, bohemian Minna, who leads her on a wild, chaotic adventure through a city in the throes of revolution. 'One of the great under-read British novelists of the twentieth century. This is my favourite of her novels' Sarah Waters 'Every page contains something brilliant, arresting or amusing, and one comes away from it staggered' Claire Harman

The first "Collected Poems" of Sylvia Townsend Warner (1893-1978) was published by Carcanet in 1982. Since then, more of her work has come to light, including some of the most moving and personal poems she ever wrote. Claire Harman, the original editor and author of the prize-winning biography of the poet, has substantially revised the earlier edition, including over ninety previously uncollected and unpublished poems, with expanded notes, a chronology and an authoritative new introduction. When Harman's Life was published, it restored Warner, one critic said, to her real place as 'second only to Virginia Woolf among the women writers of our century'. With this collection, the extent of Warner's achievement as a poet can be appreciated.

'A comic masterpiece' Patrick Gale, Guardian Pillar of society and stern upholder of Victorian values, god-fearing Norfolk merchant John Barnard presides over a large and largely unhappy family. This is their story - his brandy-swilling wife, their hapless offspring and their changing fortunes - over the decades. Sylvia Townsend Warner's last novel, The Flint Anchor gloriously overturns our ideas of history, family and storytelling itself. 'A novel created with solidity and subtlety of feeling, a fusion of warmth, wit and quietly biting shrewdness that are reminiscent of Jane Austen' Atlantic Review 'As a sustained work of historical imagination, it has few rivals ... one of the most acute and intelligent writers of her age' Claire Harman

'She has a talent amounting to genius' John Updike Don Juan, that notorious libertine, has disappeared. Has he been dragged down to hell by demons, as rumoured - or has he escaped? Dona Ana, the woman he tried to seduce, will stop at nothing to discover the truth. Set in a rural eighteenth-century Spain rife with suspicion and cruelty, and featuring a glorious cast of peasants, aristocrats and vengeful ghosts, this moving, surprising tragicomedy is also Sylvia Townsend Warner's response to the dark days of the Spanish Civil War. 'The kind of novelist who inspires an intense sense of ownership in her fans' Sarah Waters

'The kind of novelist who inspires an intense sense of ownership in her fans ... her sympathies tended naturally to the marginal, the vulnerable, the exploited, the obscure' Sarah Waters Sukey Bond, a sixteen-year-old orphan, is sent to work as a servant at a farm on the remote Essex Marshes. There she falls in love with gentle, unworldly Eric, the son of the rector's wife, only for them to be separated when their relationship is discovered. But nothing will deter Sukey in her quest to be reunited with her true love, even if it means seeking the help of Queen Victoria herself. 'One of our most idiosyncratic, courageous and versatile writers' Hermione Lee 'One can't be too thankful that Miss Townsend Warner has lived to discover the alchemist's secret of transmuting the past into pure gold' Hilary Spurling

This is a new release of the original 1926 edition.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

Essays foreshadowing the great themes of Remembrance of Things Past Beginning with the remarkable essay Contre Saint-Beuve, this surprising and stimulating critical collection presents Proust's views on the contemporary writing of his era, on painting and painters, and on such literary masters of the nineteenth century as Tolstoy, Goethe, and Stendhal. The whole volume is an impassioned plea by Proust himself . . . it will enlighten readers of Remembrance of Things Past.--New York Times Book Review

'Witty, poetic, clairvoyant' John Updike The Reverend Timothy Fortune, ex-clerk of the Hornsey branch of Lloyds Bank, has found his vocation: to convert the inhabitants of the remote tropical island of Fanua to Christianity. Even when everyone except for a young boy called Lueli remains indifferent to his preaching, Mr Fortune's good spirits cannot be dampened - until one day his faith is put to a terrible test. 'This quizzical tale is so intensely moving' Gillian Beer, New Statesman 'Original, elegant and hypnotically strange' Miranda Seymour, The New York Times 'Sylvia Townsend Warner pursues the psychology of the story with beautiful accuracy' John Carey