An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetry Szilard Borbely, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbely's verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context. Restless, curious, learned, and alert, Borbely weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection "a blasphemous and fragmentary prayer book ... that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions."

A literary sensation on its original publication in Hungary, this hypnotic, hauntingly beautiful first novel from the acclaimed, award-winning poet and author Szilard Borbely depicts the poverty and cruelty experienced by a partly-Jewish family in a rural village in the late 1960s and early 1970s. "No one has ever written so beautifully and at the same time so without pity about the suffering in the isolated provincial villages of Hungary...His sentences have a surgical precision, and their sustained rhythm only reinforces the power of what they evoke."-Nicole Henneberg, Frankfurter Allgemeine Zeitung In a tiny village in northeast Hungary, close to the Romanian border, a young, unnamed boy warily observes day-to-day life and chronicles his family's struggles to survive. Like most of the villagers, his family is desperately poor, but their situation is worse than most-they are ostracized because of his father's Jewish heritage and his mother's connections to the Kulaks, who once owned land and supported the fascist Horthy regime before it was toppled by Communists. With unflinching candor, the little boy's observations are related through a variety of narrative voices-crude diatribes from his alcoholic father, evocative and lyrical tales of the past from his grandparents, and his own simple yet potent prose. Together, these accounts reveal not only the history of his family but that of Hungary itself, through the physical and psychic traumas of two World Wars to the country's treatment of Jews, both past and present. Drawing heavily on Borbely's memories of his own childhood, The Dispossessed is an extraordinarily realistic novel. Raw and often brutal, yet glimmering with hope, it is the crowning achievement of an uncompromising talent.

An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetry Szilard Borbely, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbely's verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context. Restless, curious, learned, and alert, Borbely weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection "a blasphemous and fragmentary prayer book ... that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions."