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Showing 1 - 7 of 7 matches in All Departments
The gold standard anthology for anyone who wants to understand the development and current state of literary theory. Offering 191 pieces by 157 authors, The Norton Anthology of Theory and Criticism, Third Edition, is more comprehensive and more varied in its selection than any other anthology. Forty-eight NEW selections-concentrated mostly on the twentieth and twenty-first centuries-make the book not only the best overview of the history of theory, but also a remarkably up-to-date portrait of the state of theory today.
In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life, and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom's Cabin to The Help. In the book, Ikard explodes the fiction of a post-racial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.
Black French Women and the Struggle for Equality, 1848-2016 explores how black women in France itself, the French Caribbean, Goree, Dakar, Rufisque, and Saint-Louis experienced and reacted to French colonialism and how gendered readings of colonization, decolonization, and social movements cast new light on the history of French colonization and of black France. In addition to delineating the powerful contributions of black French women in the struggle for equality, contributors also look at the experiences of African American women in Paris and in so doing integrate into colonial and postcolonial conversations the strategies black women have engaged in negotiating gender and race relations a la francaise. Drawing on research by scholars from different disciplinary backgrounds and countries, this collection offers a fresh, multidimensional perspective on race, class, and gender relations in France and its former colonies, exploring how black women have negotiated the boundaries of patriarchy and racism from their emancipation from slavery to the second decade of the twenty-first century.
In "Black France / France Noire," scholars, activists, and
novelists from France and the United States address the untenable
paradox at the heart of French society. France's constitutional and
legal discourses do not recognize race as a meaningful category.
Yet the lived realities of race and racism are ever-present in the
nation's supposedly race-blind society. The vaunted universalist
principles of the French Republic are far from realized. Any claim
of color-blindness is belied by experiences of anti-black racism,
which render blackness a real and consequential historical, social,
and political formation. Contributors to this collection of essays
demonstrate that blackness in France is less an identity than a
response to and rejection of anti-black racism. "Black France /
France Noire "is a distinctive and important contribution to the
increasingly public debates on diversity, race, racialization, and
multicultural intolerance in French society and beyond.
"Black Venus" is a feminist study of the representations of black
women in the literary, cultural, and scientific imagination of
nineteenth-century France. Employing psychoanalysis, feminist film
theory, and the critical race theory articulated in the works of
Frantz Fanon and Toni Morrison, T. Denean Sharpley-Whiting argues
that black women historically invoked both desire and primal fear
in French men. By inspiring repulsion, attraction, and anxiety,
they gave rise in the nineteenth-century French male imagination to
the primitive narrative of Black Venus.
"Black Venus" is a feminist study of the representations of black
women in the literary, cultural, and scientific imagination of
nineteenth-century France. Employing psychoanalysis, feminist film
theory, and the critical race theory articulated in the works of
Frantz Fanon and Toni Morrison, T. Denean Sharpley-Whiting argues
that black women historically invoked both desire and primal fear
in French men. By inspiring repulsion, attraction, and anxiety,
they gave rise in the nineteenth-century French male imagination to
the primitive narrative of Black Venus.
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