John Asher writes and directs this comedy spoof based on the Liam Neeson 'Taken' franchise. Bryan Millers (Lee Tergesen) is a mall cop who possesses many special skills. When his life is threatened by his arch-enemy Brown Finger (Margaret Cho), Millers joins forces with his ex-CIA mother (Joyce Bulifant) to fight back.

Human rights is often claimed as the 'idea' of our time. However, although considerable time, energy and resources have been invested in the idea, and extravagant claims are often made about progress in providing machinery for the protection of human rights, there are few signs that violations are any less common than in the past. This book argues that while the USA was instrumental in establishing the 'idea' of human rights as a dominant theme in the day-to-day rhetoric of international relations, powerful economic and political interests succeeded in ensuring that a strong international regime for the protection of human rights did not emerge.

To succeed in the world today, students need an education thatequips them to recognize current trends, to be creative andflexible to respond to changing circumstances, to demonstrate soundjudgment to work for society's good, and to gain the ability tocommunicate persuasively. This book argues for returning to theclassical liberal arts educational system so that students areprepared for lifelong learning.

This book analyzes how poor eighteenth-century London women coped when they found themselves pregnant, their survival networks and the consequences of bearing an illegitimate child. It does so by exploring the encounters between poor women and the parish as well as London's lying-in hospitals and the Foundling Hospital. It suggests that unmarried mothers did not constitute a deviant minority within London's plebeian community. In fact, many could expect to find compassion rather than ostracism a response to their plight. All poor mothers, left without the support of their child's father, shared similar strategies of survival and economies of makeshift.

In this major 1993 work, Lloyd Evans provides an integrated view of the domestication, adaptation and improvement of crop plants, bringing together genetic diversity, plant breeding, physiology and aspects of agronomy. Considerations of yield and maximum yield provide continuity throughout the book. Food, feed, fibre, fuel and pharmaceutical crops are all discussed. Cereals, grain legumes and root crops, both temperate and tropical, provide many of the examples, but pasture plants, oilseeds, leafy crops, fruit trees and others are also considered. After the introductory chapter, the increasing significance of crop yields to the world's food supply is highlighted. The next three chapters consider changes to crop plants over the last ten thousand years, including domestication, adaptation and improvement. Aimed at research workers and advanced students in crop physiology and ecology, agronomy and plant breeding, this book also reaches conclusions of relevance to those concerned with developmental policy, agricultural research and management, environmental quality, resource depletion and human history.

First published in 1999, this original and entertaining sociological study takes a comprehensive and critical view of opera as unique cultural artefact as loss making 'industry', as institution with a 'museum' culture, and as consumed commodity of rare distinction and elaborate ritual. Specific chapters deal with opera within the contexts of musicological analysis, auratic art and fetishized taste: opera as business and as 'museum': singers' opera: producers' opera and audiences' opera. There is also a chapter on 'opera': popular, commercialised fragments of opera outside the opera house, consumed by and through all manner of reproduced means: CD, video, Three Tenors concerts: film and TV soundtracks: advertising jingles etc. Despite the supposed popularisation and successful commercial exploitation of 'opera' during the past decade or so, this study concludes that opera remains an art-form, institution and ritual of relative inaccessibility and exclusiveness. The commercial interest in and profitability of 'opera' do not translate into new 'popular' audiences in the opera house. The increased dependency of opera companies on corporate funding in the face of retreating government subsidies may have brought a new 'elite' audience into the expensive seats, pandered to by the introduction of surtitles etc., but the traditional 'elite' has succeeded in closing down entry to opera in other select venues where opera continues to confirm and maintain their select identity and prestige of their life-style.

First published in 1999, this original and entertaining sociological study takes a comprehensive and critical view of opera as unique cultural artefact as loss making 'industry', as institution with a 'museum' culture, and as consumed commodity of rare distinction and elaborate ritual. Specific chapters deal with opera within the contexts of musicological analysis, auratic art and fetishized taste: opera as business and as 'museum': singers' opera: producers' opera and audiences' opera. There is also a chapter on 'opera': popular, commercialised fragments of opera outside the opera house, consumed by and through all manner of reproduced means: CD, video, Three Tenors concerts: film and TV soundtracks: advertising jingles etc. Despite the supposed popularisation and successful commercial exploitation of 'opera' during the past decade or so, this study concludes that opera remains an art-form, institution and ritual of relative inaccessibility and exclusiveness. The commercial interest in and profitability of 'opera' do not translate into new 'popular' audiences in the opera house. The increased dependency of opera companies on corporate funding in the face of retreating government subsidies may have brought a new 'elite' audience into the expensive seats, pandered to by the introduction of surtitles etc., but the traditional 'elite' has succeeded in closing down entry to opera in other select venues where opera continues to confirm and maintain their select identity and prestige of their life-style.

Evidence and knowledge are fundamental in professional practice. A key skill for social workers is understanding how to use the range of sources available. Being able to explain the evidence underpinning decisions and the knowledge base of professional interventions is not just good practice: it's essential in partnership working and in acting accountably. This innovative book recognizes and builds on the complex nature of social work practice. It challenges the view that there is one best form of knowledge which applies equally to all aspects of practice. Tony Evans and Mark Hardy outline key debates and put forward approaches to evidence and knowledge that encourage readers to use a range of different forms of knowledge to inform and develop their professional practice. This helpful book also supports reflection and learning by including case studies, activities and tasks alongside the main text."Evidence and Knowledge for Practice" is essential reading for social work students, qualified social workers and other readers with an interest in social work practice.

Key biogeochemical events in the ocean take place in less than a second, are studied in experiments lasting a few hours, and determine cycles that last over seasons or even years. Models of the controlling processes thus have to take into account these time scales. This book aims at achieving consensus among these controlling processes at all relevant time scales. It helps understand the global carbon cycle including the production and breakdown of solved organic matter and the production, sinking and breakdown of particles. The emphasis on considering all time scales in submodel formulation is new and of interest to all those working in global ocean models and related fields.

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This book analyzes how poor eighteenth-century London women coped when they found themselves pregnant, their survival networks and the consequences of bearing an illegitimate child. It does so by exploring the encounters between poor women and the parish as well as London's lying-in hospitals and the Foundling Hospital. It suggests that unmarried mothers did not constitute a deviant minority within London's plebeian community. In fact, many could expect to find compassion rather than ostracism a response to their plight. All poor mothers, left without the support of their child's father, shared similar strategies of survival and economies of makeshift.

The global automotive industry has become one of the most important and strongest drivers of economic stability. Innovation and diverse models, global appeal and fuel efficiency are just some of the major strengths of the global auto industry. Furthermore, the automobile is possibly the most massively manufactured sophisticated product among those produced in mechanical engineering. More than 60 million automobiles are produced each year. A number of countries were discussed in this book and the historic evolution, modular unification and globalization of the integral manufacturing industry were examined. Furthermore, the increasing use of polymeric materials, rubbers and chemical fluids, like mineral oils or brake fluids in the automotive industry, demands analytical techniques for the identification of high molecular weight organic compounds. This book describes application examples of gas chromatography/mass spectrometry and pyrolysis in the failure analysis for the identification of those chemical materials used in automobiles. Finally, the last chapter discusses the use of discrete event simulation as a tool to aid decision making for the integration of RFID [Radio Frequency Identification] in a manufacturing system such as with automobiles.