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Showing 1 - 5 of 5 matches in All Departments
Gentle Ealing comedy about childhood, guilt and half-truths starring a young James Fox (then known by his real name, William Fox) as Johnny Brent, a mischievous boy who tricks a younger boy (Keith Robinson) into giving him his magnet in return for an 'invisible' clock. Having successfully obtained the magnet, Johnny immediately starts to feel guilty about his swindling behaviour. His guilt sparks a chain of misplaced assumptions that lead to a search being mounted for the boy, who has run away after becoming convinced that he is wanted for murder.
Collection of three films from Britain's Ealing Studios all starring Alec Guinness. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the aristocratic family he counts as relations, the D'Ascoynes. The family cast his mother out when she decided to marry a 'commoner', Louis's father, and on her death refuse to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a Dukedom? In 'The Lavender Hill Mob' (1951) Guinness stars as a mild-mannered bank clerk whose sudden compulsion to rob the bank he works for causes all manner of chaos. Henry Holland (Guinness) has been trusted with delivering gold bullion for 20 years and is considered a safe pair of hands by his employers. However, Henry harbours dreams of becoming rich and hatches a plan to steal the gold when he makes the acquaintance of the artist, Alfred Pendlebury (Stanley Holloway). The pair realise that if Alfred melts the stolen gold into miniature statues of the Eiffel Tower, it could be smuggled safely to France and sold on. However, things go awry when the gold statues become mixed in with a group of ordinary statues, leading to a frantic chase as Henry and Alfred try to recover the gold without their crime being detected. The film features a brief cameo from a young Audrey Hepburn. In 'The Man in the White Suit' (1951) eccentric Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.
Three classic films adapted from novels by Charles Dickens. In 'A Tale of Two Cities' (1958), Sydney Carton (Dirk Bogarde) is a frivolous London barrister, hopelessly in love with Lucie (Dorothy Tutin), even after she marries Charles Darnay (Paul Guers), who is descended from an unpleasant French aristocrat. Darnay is lured back to France as the Revolution gets into swing where he is arrested and awaits execution. Sydney, seeing Lucie's despair, goes to France, frees Charles and takes his place in the queue for the guillotine. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumble (Francis L. Sullivan). After becoming an apprentice to an undertaker Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). Finally, in 'Great Expectations' (1946), orphan Pip (Anthony Wager) befriends an escaped convict before being elevated to higher circles as the companion of mad Miss Havisham (Martita Hunt) and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (John Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible.
Triple bill of war dramas set at sea. In 'For Those in Peril' (1943), Pilot Officer Rawlings (Ralph Michael) is turned down by the RAF for air service on medical grounds and instead joins Air Sea Rescue, helping to pull downed Allied airmen out of the sea. Rawlings is initially resentful of his new job, but gradually comes to appreciate its importance. When the crew of a Boston bomber become stranded at sea in a dinghy, Rawlings and his colleagues become involved in a race against time - and the elements - to save their lives. 'San Demetrio, London' (1943), set in 1940 during the battle of the Atlantic, is based on a true story. The crew of the petrol tanker San Demetrio are left with a near impossible task when she is torpedoed by the Germans. The crew are forced to abandon ship in three lifeboats. Two are picked up by other ships in the convoy, but the third drifts for days until its crew spies the burning San Demetrio on the horizon. Do they board the ship, try to put out its fires and get it back to English shores or do they stay in the drifting lifeboat in the hope of being rescued? In 'The Cruel Sea' (1953), based on the novel by Nicholas Monsarrat, World War Two Lt. Commander Ericson (Jack Hawkins) has already lost one ship to an enemy attack when he is given command of the frigate Saltash Castle. A subsequent confrontation in the North Atlantic tests Ericson's leadership to the limit once again, as he risks sacrificing the lives of his crew for the greater good.
Horror anthology. Architect Walter Craig (Mervyn Johns) arrives at country house Pilgrim Farm thinking that he has been hired to remodel it. He finds the building strangely familiar, and upon entering discovers that he recognizes all of the house's occupants from a recurring nightmare he has experienced. One by one, everyone present relates their own horrific nightmare: Grainger (Anthony Baird) dreams that he is a racing driver recuperating from an accident; teenager Sally O'Hara (Sally Ann Howes) dreams of a Christmas party where she discovers a lone crying child; Joan Courtland (Googie Withers) relates a story of an antique mirror linked to an ancient murder; the next story concerns two golfers who vie murderously for the attention of a young lady; and the final story features a ventriloquist (Michael Redgrave) whose dummy comes to life.
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