America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid? Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin Of Others.

In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books: Beloved, Paradise, and A Mercy. Morrison also writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin colour to reveal character or drive narrative.

Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

The sequel to the prize-winning, bestselling novel Brooklyn. A novel of enormous wit and profound emotional resonance from one of the world's finest writers. In Colm Tóibín's masterful new novel, we are reunited with Eilis Lacey, the heroine of Brooklyn, twenty years on, in the 1970s, living with her husband, Tony Fiorello, and her children in a house in Long Island, rather too close to her Fiorello in-laws. A shocking piece of news propels Eilis back to Ireland, to a world she thought she had long left behind and to ways of living, and loving, she thought she had lost. PRAISE FOR BROOKLYN 'With this elating and humane novel, Colm Tóibín has produced a masterwork' - The Sunday Times 'The most compelling and moving portrait of a young woman I have read in a long time' - Zoë Heller, The Guardian, Books of the Year 'A work of such skill, understatement and sly jewelled merriment could haunt your life' - Ali Smith, TLS, Books of the Year 'Suffused with humane depth, funny, affecting, deftly plotted . . . a novel of magnificent accomplishment' - Peter Kemp, The Sunday Times, Novel of the Year

Not all books should be opened. A spellbinding, edge-of your seat thriller, Ink Blood Sister Scribe follows a family tasked with guarding a trove of magical but deadly books, and the shadowy organisation that will do anything to get them back . . . even murder. 'Follow where this novel leads and you will be lost in a bewitching spell, a book of magic about books of magic, and the people who reel from reading them. Go beyond the magic and you're left with a heartbreaking tale of family where truth blurs with lies, and blood isn't thick enough. A bold, new novel from an extraordinary new voice.' Marlon James, New York Times bestselling author of Black Leopard, Red Wolf ____________ Joanna Kalotay lives alone in the woods of Vermont, the sole protector of a collection of rare books; books that will allow someone to walk through walls or turn water into wine. Books of magic. Her estranged older sister Esther moves between countries and jobs, constantly changing, never staying anywhere longer than a year, desperate to avoid the deadly magic that killed her mother. Currently working on a research base in Antarctica, she has found love and perhaps a sort of happiness. But when she finds spots of blood on the mirrors in the research base, she knows someone is coming for her, and that Joanna and her collection are in danger. If they are to survive, she and Joanna must unravel the secrets their parents kept hidden from them - secrets that span centuries and continents, and could cost them their lives ... ____________ 'A magnificent debut. Magical books, estranged sisters, enchanted mirrors and a nefarious family organisation orm the pacey plot of Emma Törzs' fantasy thriller début.' The Bookseller 'Emma Törzs seamlessly meshes together fantasy, thriller and dark academia to bring us a spectacularly spellbinding debut ... Ink Blood Sister Scribe sumptuously bleeds magic from every page.' The Fantasy Hive 'Chilling and charming in equal parts, Törz's debut is a love letter to stories everywhere.' Roshani Chokshi, New York Times bestselling author of The Last Tale of the Flower Bride 'Ink Blood Sister Scribe is itself a magical book, brimming with all the elements that make a story sing ... What a gorgeously satisfying read.' Lesley Nneka Arimah, award-winning author of What It Means When a Man Falls from the Sky 'A twisty and thrilling fantasy in which both the magic and the characters have real complexity, real shadows.' Kelly Link, Get in Trouble 'Ink Blood Sister Scribe is so many things at once: an adventure, a puzzle, a twisty thriller, and a tender romance.' Alix E Harrow, The Once And Future Witches

Studying environmental changes to the seas and oceans through a variety of perspectives and disciplines, this pioneering book outlines the challenges of researching marine environmental issues. With no linear cause-and-effect relationship between marine environmental changes and the often human-induced stressors which produce them, the changes to our seas and oceans are complex and uncertain, arising from multiple and interconnected issues. Bringing together academic expertise from fields of study, this innovative book engages with stakeholders and branches of local ecological knowledge to address marine changes, outlining how they must be studied from multiple perspectives rather than a single academic discipline to reach effective solutions. Discussing marine interdisciplinarity in action, the book features international case studies from diverse fields across the ocean sciences, humanities and social sciences that explore art and science collaborations in practice. Showcasing the practical challenges and opportunities of such research, this will prove an invigorating read for students and scholars across such subject areas as environmental governance and regulation, marine and ocean sciences, sustainability studies and climate change. Its findings will also be of use to policymakers and practitioners concerned with marine changes across the world.

This comprehensive Encyclopedia is an indispensable resource in the area of law and development. Bringing together more than 80 entries, the Encyclopedia spans a variety of approaches, contextualised histories, recent developments and forward-looking insights into the role of law in development. Entries cover the social, economic and environmental aspects of sustainable development, and offer a conceptual and contextualised perspective on key topics and terms. The Encyclopedia pluralises scholarship in the field by featuring eminent scholars of law and development alongside up-and-coming voices from both the Global South and North with diverse approaches and backgrounds. The Encyclopedia of Law and Development is an invaluable reference point for scholars seeking to engage with issues at the intersection of law and development from both within and outside of the legal field. It is also a thorough but succinct overview for post-graduate students wishing to familiarise themselves with the various aspects of law and development research and study. Key features: More than 80 entries Organised alphabetically for ease of reference Entries by both leading scholars and up-and-coming voices Each entry features selected references for further study Up-to-date outlook linked to the 2030 Agenda for Sustainable Development and Sustainable Development Goals.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Handbook of Experimental Game Theory offers a comprehensive analysis of the field, discussing foundational topics that are at the core of applied game theory. It highlights the nuances that scientific experiments have delivered to our understanding of strategic interactions among decision makers. Leading experts explore methodological considerations and games of complete and incomplete information to offer new directions for research in experimental game theory. Chapters demonstrate transformative behavioral research focused on classic topics in game theory such as cooperation and coordination games. Taking a scientific approach to the study of game theory, this innovative Handbook provides an insight into laboratory and field experiments that test game theoretic propositions and suggests new ways of modeling strategic behavior. It takes a forward-thinking position, addressing the challenges inherent in innovations surrounding the measurement of strategic behavior using experimental methods. This Handbook will prove to be a valuable resource for scholars and students who are looking to gain a broader understanding of experimental game theory and how to contribute to its advancement. It will also be of particular interest to researchers in experimental and behavioral economics.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.