Terrorism Explained to Our Kids, takes the form of a dialogue between the author and his teenage daughter. Using her ill-defined fears as the starting point, Exploring all forms of terrorism in both a historical and contemporary context, the book addresses complex and pressing questions in an everyday, accessible language. Because Ben Jelloun understands that terrorist acts come from the perpetrators' deep sense of inadequacy, his arguments are all the more powerful. The author, himself a Muslim, places a high value on the importance of secular values, with which he believes Islam is compatible.

"The Sacred Night" continues the remarkable story Tahar Ben Jelloun began in "The Sand Child." Mohammed Ahmed, a Moroccan girl raised as a boy in order to circumvent Islamic inheritance laws regarding female children, remains deeply conflicted about her identity. In a narrative that shifts in and out of reality moving between a mysterious present and a painful past, Ben Jelloun relates the events of Ahmed's adult life. Now calling herself Zahra, she renounces her role as only son and heir after her father's death and journeys through a dreamlike Moroccan landscape. A searing allegorical portrait of North African society, "The Sacred Night" uses Arabic fairy tales and surrealist elements to craft a stunning and disturbing vision of protest and rebellion against the strictures of hidebound traditions governing gender roles and sexuality.

In this lyrical, hallucinatory novel set in Morocco, Tahar Ben Jelloun offers an imaginative and radical critique of contemporary Arab social customs and Islamic law. "The Sand Child" tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, "The Sand Child" has been justifiably celebrated around the world as a daring and significant work of international fiction.

Longlisted for the EBRD Literature Prize Since she's been ill, Lalla Fatma has become a frail little thing with a faltering memory. Lalla Fatma thinks she's in Fez in 1944, where she grew up, not in Tangier in 2000, where this story begins. She calls out to family members who are long dead and loses herself in the streets of her childhood, yearning for her first love and the city she left behind. By her bedside, her son Tahar listens to long-hidden secrets and stories from her past: married while still playing with dolls and widowed for the first time at the age of sixteen. Guided by these fragments, Tahar vividly conjures his mother's life in post-war Morocco, unravelling the story of a woman for whom resignation was the only way out. Tender and compelling, About My Mother maps the beautiful, fragile and complex nature of human experience, while paying tribute to a remarkable woman and the bond between mother and son.

Renowned for his compeling, humane portraits of everyday Arab lives, Tahar Ben Jelloun has affirmed his place in the literary world by winning such awards as the Prix Goncourt and Prix Maghreb. In "The Last Friend," Ben Jelloun presents a spellbinding coming-of-age story and a dazzling portrait of Morocco in an era of repression and disillusionment. In Tangiers in the late 1950s, two teenagers, Mamed and Ali, strike up an intense friendship that will last a lifetime. But lurking just beneath the surface is a deep, unspoken jealousy in danger of destroying them both.

An innocent man's gripping personal account of terrifying confinement by the Moroccan military during the reign of a formidable twentieth-century despot In 1967 Tahar Ben Jelloun, a peaceful young political protestor, was one of nearly a hundred other hapless men taken into punitive custody by the Moroccan army. It was a time of dangerous importance in Moroccan history, and they were treated with a chilling brutality that not all of them survived. This powerful portrait of the narrator's traumatic experience, written with a memoirist's immediacy, reveals both his helpless terror and his desperate hope to survive by drawing strength from his love of literature. Shaken to the core by his disillusionment with a brutal regime, unsure of surviving his ordeal, he stole some paper and began secretly to write, with the admittedly romantic idea of leaving some testament behind, a veiled denunciation of the evils of his time. His first poem was published after he was unexpectedly released, and his vocation was born.

An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful of survivors—living cadavers who had shrunk by over a foot in height—emerged from the six-by-three-foot cells in which they had been held underground for decades. Working closely with one of the survivors, Ben Jelloun eschewed the traditional novel format and wrote a book in the simplest of language, reaching always for the most basic of words, the most correct descriptions. The result is a shocking novel that explores both the limitlessness of inhumanity and the impossible endurance of the human will.

The award-winning novelist and author of the international bestseller "Racism Explained to My Daughter" uses his own experience to illuminate the experience of the Other in his adopted land -- and everywhere. A Moroccan who emigrated to France in 1971, Tahar Ben Jelloun draws upon his own encounters with racism along with his insights as a practicing psychologist and gifted novelist to elucidate the racial divisions that plague contemporary society. In a modern France where openly racist leaders such as National Front spokesman Jean-Marie Le Pen have made significant strides toward broad popular acceptance, Ben Jelloun's book is more topical now than ever. His profound and compelling appeal for tolerance -- in both public discourse and the law -- is a passionate yet reasoned argument that racism simply does not make sense in the multicultural world of today.

"French Hospitality" confronts issues of international resonance: the relationship of a formerly colonized people to their onetime colonizers, the encounter between Islam and the modern Judeo-Christian West, and the status of the non-European minorities in Europe today. Underlying these issues is a heartfelt nostalgia for simple, traditional North African hospitality as practiced since time immemorial by a relatively poor and unsophisticated society. Ben Jelloun supplements this rather noble ideal of generosity and welcoming by borrowing the philosophical concept of hospitality -- the opening of oneself to another -- from the works of Emmanuel L?vinas and Jacques Derrida in order to illustrate the moral conception of a nation's unconditional acceptance of foreigners. Isn't the belief in welcoming strangers a fundamental mark of civilization? In a political climate where increasingly repressive immigration laws are a national trend as well as an international phenomenon, he contends, it is not surprising that racism has gained a foothold. Most hurt by racist polemic and politics, he points out, are children of immigrants -- born in France, their memories are those of the French people, and they deserve to be treated with the full respect afforded to any citizen.

With his elegant and imaginative prose, Ben Jelloun shows us both racism's face and the immigrant's heartbreak; but he also evokes the wind of freedom and the ideal of hospitality, and with this gesture offers a kind of hope in extricating ourselves from racism's recidivist incoherencies.

Casablanca and Tangier provide the backdrops for Corruption, an exotic and erotic tale of modern-day morality, reminiscent of Camus's The Stranger. Mourad is the last honest man in Morocco. Much to the chagrin of his boss, his colleagues, and his materialistic wife, he adamantly refuses to accept "commissions" for his work. But his honesty goes unappreciated. Criticized for condemning his family to a life of poverty, encouraged by his boss to be more "flexible", Mourad finally gives in: just one envelope stuffed with cash, then another... Ben Jelloun's compelling novel evokes the universal dangers of succumbing to the daily temptations of modern life, as Mourad lives the consequences of betraying his own conscience after a lifetime of honesty and resistance.