Musings 1 and Musings 2 are available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the second of a three-part series.

Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the third of a three-part series.

Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects - from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that - musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the first of a three-part series.

Musings 1 and Musings 2 are available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the second of a three-part series.

Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects - from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that - musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the first of a three-part series.

Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects — from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that — musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the third of a three-part series.

Dusk is that brief period of the day before nightfall. But when a rainbow appears after dusk, it is special, almost a divine apparition. The phenomenon, though rare, is not science fiction. Rainbows do appear after dusk. This unusual story is a celebration of mind over matter, life over death, and love over fear. Rainbow after Dusk builds on Soul of Ink to continue telling the Lim Tze Peng story, shifting the focus to the artist's most important works, starting with his Kampong series, to Chinatown, and then his all-important Singapore River works. Told with brushes and paints, the colours used in the narrative give his story a unique visual power. In many ways, his works act as a record of the life and time of a Singapore that no longer exists. Through honest and sometimes heart-wrenching interviews, the artist tells his own life story through his artwork.But the centenarian is not one to just reminisce. This book also looks at how this artist forces himself into the present and now. When his mobility is compromised, when he can no longer paint on location, his active and creative mind takes over. The subjects stay the same, but the approach to these subjects is entirely conceptual and imaginary. No longer a prisoner to what lies before him, he allows his mind to remember and see in vivid colours. More important, he releases the mind to his heart. He wants his audience to feel what he paints, not just see what is before them.

Dusk is that brief period of the day before nightfall. But when a rainbow appears after dusk, it is special, almost a divine apparition. The phenomenon, though rare, is not science fiction. Rainbows do appear after dusk. This unusual story is a celebration of mind over matter, life over death, and love over fear. Rainbow after Dusk builds on Soul of Ink to continue telling the Lim Tze Peng story, shifting the focus to the artist's most important works, starting with his Kampong series, to Chinatown, and then his all-important Singapore River works. Told with brushes and paints, the colours used in the narrative give his story a unique visual power. In many ways, his works act as a record of the life and time of a Singapore that no longer exists. Through honest and sometimes heart-wrenching interviews, the artist tells his own life story through his artwork.But the centenarian is not one to just reminisce. This book also looks at how this artist forces himself into the present and now. When his mobility is compromised, when he can no longer paint on location, his active and creative mind takes over. The subjects stay the same, but the approach to these subjects is entirely conceptual and imaginary. No longer a prisoner to what lies before him, he allows his mind to remember and see in vivid colours. More important, he releases the mind to his heart. He wants his audience to feel what he paints, not just see what is before them.

How does a certified accountant become a street artist? How did the world of finance instruct his art to make him the unlikely artist that he is today? How has his art been able to bring so much joy to Singaporeans and foreigners alike? The Art of Joy unravels the fascinating story of Yip Yew Chong, from the moment his ability to draw was spotted in kindergarten, his early humble years in Chinatown, the strong bond with his mother, grandmother and aunt, to his marriage, children and corporate success.This book tells the story of planning for one's second act, and how that can be more successful and more fulfilling than the first. Few know that Yip only started painting street murals in 2015, or that he only devoted himself to his craft full-time in 2018. Yip's success in painting came only after his success in the world of finance, but painting was his first love. He cradled this love through his corporate life, never letting go, and switched to paint full time only when he was ready. The art of joy is also the art of knowing what makes us and keeps us happy, and how that happiness is shown and shared.

How does a certified accountant become a street artist? How did the world of finance instruct his art to make him the unlikely artist that he is today? How has his art been able to bring so much joy to Singaporeans and foreigners alike? The Art of Joy unravels the fascinating story of Yip Yew Chong, from the moment his ability to draw was spotted in kindergarten, his early humble years in Chinatown, the strong bond with his mother, grandmother and aunt, to his marriage, children and corporate success.This book tells the story of planning for one's second act, and how that can be more successful and more fulfilling than the first. Few know that Yip only started painting street murals in 2015, or that he only devoted himself to his craft full-time in 2018. Yip's success in painting came only after his success in the world of finance, but painting was his first love. He cradled this love through his corporate life, never letting go, and switched to paint full time only when he was ready. The art of joy is also the art of knowing what makes us and keeps us happy, and how that happiness is shown and shared.