This collection seeks to contribute to the many long-standing discussions on modernity, but also and more specifically to the more recent debates over trends to pluralize modernity. These debates are current in many different academic disciplines such as sociology, anthropology, literature and postcolonial studies. Hitherto, most engagements with modernity in the plural have remained conspicuously confined to one or other intra-disciplinary notion of modernities, such as that of Shmuel Eisenstadt's "multiple modernities" which has triggered a host of conference papers and publications largely within sociology: all the while, it seems that the literatures, for instance, of multiple modernities and alternative modernities are each distinguished by the fact that one ignores the other. It is the principal aim of this edited volume to subject these disciplinary discussions to a more encompassing view, assembling contributions from different scholars who not only work in different disciplines and regional settings, but who also engage with their research topics in a variety of approaches and at different levels of analysis. The volume thus transcends the sometimes narrow boundaries of the debates over modernities within the established academic disciplines and seeks to turn the unavoidable friction brought about by this interdisciplinary setting into most original and insightful scholarship.

Prince Prisdang Chumsai (1852-1935) served as Siam's first diplomat to Europe during the most dramatic moment of Siam's political history, when its independence was threatened by European imperialism. Despite serving with patriotic zeal, he suffered irreparable social and political ruin based on rumors about fiscal corruption, sexual immorality, and political treason. In Bones around My Neck, Tamara Loos pursues the truth behind these rumors, which chased Prisdang out of Siam. Her book recounts the personal and political adventures of an unwitting provocateur who caused a commotion in every country he inhabited.Prisdang spent his first five years in exile from Siam living in disguise as a commoner and employee of the British Empire in colonial Southeast Asia. He then resurfaced in the 1890s in British Ceylon, where he was ordained as a Buddhist monk and became a widely respected abbot. Foreigners from around the world were drawn to this prince who had discarded wealth and royal status to lead the life of an ascetic. His fluency in English, royal blood, acute intellect, and charisma earned him importance in international diplomatic and Buddhist circles. Prisdang's life journey reminds us of the complexities of the colonial encounter and the recalibrations it caused in local political cultures. His drama offers more than a story about Siamese politics: it also casts in high relief the subjective experience of global imperialism. Telling this history from the vantage point of a remarkable individual grounds and animates the historical abstractions of imperialism, Buddhist universalism, and the transformation of Siam into a modern state.

Unlike its Southeast Asian neighbors, Thailand was never colonized by an imperial power. However, Siam (as Thailand was called until 1939) shared a great deal in common with both colonized states and imperial powers: its sovereignty was qualified by imperial nations while domestically its leaders pursued European colonial strategies of juridical control in the Muslim south. The creation of family law and courts in that region and in Siam proper most clearly manifests Siam's dualistic position. Demonstrating the centrality of gender relations, law, and Siam's Malay Muslims to the history of modern Thailand, Subject Siam examines the structures and social history of jurisprudence to gain insight into Siam's unique position within Southeast Asian history. Tamara Loos elaborates on the processes of modernity through an in-depth study of hundreds of court cases involving polygyny, marriage, divorce, rape, and inheritance adjudicated between the 1850s and 1930s. Most important, this study of Siam offers a novel approach to the question of modernity precisely because Siam was not colonized yet was subject to transnational discourses and symbols of modernity. In Siam, Loos finds, the language of modernity was not associated with a foreign, colonial overlord, so it could be deployed both by elites who favored continuation of existing domestic hierarchies and by those advocating political and social change.

Benedict R. O'G. Anderson is internationally recognized for his groundbreaking work on the politics and cultures of Indonesia, Thailand, and the Philippines. His early studies of Indonesia led to the publication of Imagined Communities: Reflections on the Origin and Spread of Nationalism, a book that profoundly changed the way people understand modern states. Banned from returning to Indonesia after his interpretation of the 1965 coup was published, Anderson shifted his attention to Thailand. This collection of essays gathers in one book Anderson s iconoclastic analyses of Siam (Thailand), its political institutions and bloody upheavals, its literature, authors, and contemporary cinema.

The volume begins with the challenging essay "Studies of the Thai State: The State of Thai Studies," followed by chapters that map shifts of power between the Left and Right in Thailand, the role of the monarchy, and the significance of the military. The final essays track Anderson s own evolution as a student of Siam and his growing, more playful interest in billboards, ephemera, and film. Together, these works demonstrate an extraordinary scholar s commitment to exploring Thailand."

Benedict R. O'G. Anderson is internationally recognized for his groundbreaking work on the politics and cultures of Indonesia, Thailand, and the Philippines. His early studies of Indonesia led to the publication of Imagined Communities: Reflections on the Origin and Spread of Nationalism, a book that profoundly changed the way people understand modern states. Banned from returning to Indonesia after his interpretation of the 1965 coup was published, Anderson shifted his attention to Thailand. This collection of essays gathers in one book Anderson s iconoclastic analyses of Siam (Thailand), its political institutions and bloody upheavals, its literature, authors, and contemporary cinema.

The volume begins with the challenging essay "Studies of the Thai State: The State of Thai Studies," followed by chapters that map shifts of power between the Left and Right in Thailand, the role of the monarchy, and the significance of the military. The final essays track Anderson s own evolution as a student of Siam and his growing, more playful interest in billboards, ephemera, and film. Together, these works demonstrate an extraordinary scholar s commitment to exploring Thailand."