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Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. -- .
"The Art of Mechanical Reproduction "presents a striking new
approach to how traditional art mediums--painting, sculpture, and
drawing--changed in the twentieth century as a result of
photography, film, and other technologies. Explicitly countering
the modernist view that advanced art is always medium-specific,
Trodd argues instead that we should view art and its practices in
relationship to the technologies of the time rather than through
the master critical narrative of medium.
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