The history of modern Afghanistan is an epic drama, a thriller, a tragedy, a surreal farce. Every forty years or so, over the last two centuries, some great global power has attempted to take control of Afghanistan, only to slink away wounded and bewildered. Games without Rules recounts this strange story, not from the outside looking in, as is usually the case, but from the inside looking out. Here, the interventions and invasions by foreign powers are not the main event. They are interruptions of the main event, for Afghans have a story of their own, quite apart from all the invasions (a story often interrupted by invasions!) Drawing on his Afghan background, Muslim roots, and Western and Afghan sources, Tamim Ansary weaves an epic story that moves from a universe of village republics,the old Afghanistan,through a tumultuous drama of tribes, factions, and forces, to the current struggle. The drama involves a dazzling array of colourful characters,such as the towering warrior-poet Ahmad Shah, who founded the country the wily spider-king Dost Mohammed the Great, who told the British I am like a wooden spoon you can toss me about, but I will not be broken" and the late nineteenth-century Iron Amir," who said a telescope would interest him only if it could shoot bullets, since what use had he for the moon? A compelling narrative told in an accessible, conversational style, Games without Rules offers revelatory insight into a country long at the centre of international debate, but never fully understood by the outside world.

Farah Ahmedi's "poignant tale of survival" ("Chicago Tribune") chronicles her journey from war to peace. Equal parts tragedy and hope, determination and daring, Ahmedi's memoir delivers a remarkably vivid portrait of her girlhood in Kabul, where the sound of gunfire and the sight of falling bombs shaped her life and stole her family. She herself narrowly escapes death when she steps on a land mine. Eventually the war forces her to flee, first over the mountains to refugee camps across the border, and finally to America. Ahmedi proves that even in the direst circumstances, not only can the human heart endure, it can thrive. "The Other Side of the Sky" is "a remarkable journey" ("Chicago Sun-Times"), and Farah Ahmedi inspires us all.

The Western narrative of world history largely omits a whole civilization. Destiny Disrupted tells the history of the world from the Islamic point of view, and restores the centrality of the Muslim perspective, ignored for a thousand years. In Destiny Disrupted, Tamim Ansary tells the rich story of world history as it looks from a new perspective: with the evolution of the Muslim community at the center. His story moves from the lifetime of Mohammed through a succession of far-flung empires, to the tangle of modern conflicts that culminated in the events of 9/11. He introduces the key people, events, ideas, legends, religious disputes, and turning points of world history, imparting not only what happened but how it is understood from the Muslim perspective. He clarifies why two great civilizations-Western and Muslim-grew up oblivious to each other, what happened when they intersected, and how the Islamic world was affected by its slow recognition that Europe-a place it long perceived as primitive-had somehow hijacked destiny. With storytelling brio, humor, and evenhanded sympathy to all sides of the story, Ansary illuminates a fascinating parallel to the world narrative usually heard in the West. Destiny Disrupted offers a vital perspective on world conflicts many now find so puzzling.

Forty thousand years ago, the human species existed as thousands of small, virtually autonomous bands, roaming a world almost entirely untouched their presence, each band in contact with a few neighbors but unaware of the thousands of others spread across the planet. Today, no life can unfold in isolation from the general flux and flow of human activity. Every habitable inch of the planet is inhabited by humans, there is no place left untouched by our presence, and events anywhere on this planet can have consequences felt by people anywhere else on this planet. The center of the world no longer seems to be this place or that place but the system as a whole. This journey - from vulnerable small groups to a planet-encompassing hive - is the subject of Tamim Ansary's elegant and gripping history. His object is not just to describe the journey, but to illuminate origins of distinct ways of understanding the world, organizing ourselves, and making sense of what we experience. What each of us sees when we look up at the stars-or at the political landscape of this moment-is shaped by a narrative begun many thousands of years ago; and by the environment, tools, and language that informed that narrative. Ansary also reveals our various gods and laws, our rulers and bankers, our philosophers and outcasts, each of which is a continuous presence in the various global cultures. They are the survivors in the human drama, whereas nation states, corporations, policies and political ideas are all susceptible to violent upheaval and dramatic erasure. Our current moment, Ansary shows, is one of revolutionary reinvention, as old habits are cast aside and reconfigured by the ever more intertwined world we have created. The whole of human history, after all, has been leading up to it.

Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women--poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats.
Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.

The day after the World Trade Center was destroyed, Tamim Ansary sent an anguished e-mail to twenty friends, discussing the attack from his perspective as an Afghan American. The message reached millions. Born to an Afghan father and American mother, Ansary grew up in the intimate world of Afghan family life and emigrated to San Francisco thinking he’d left Afghan culture behind forever. At the height of the Iranian Revolution, however, he took a harrowing journey through the Islamic world, and in the years that followed, he struggled to unite his divided self and to find a place in his imagination where his Afghan and American identities might meet.