"Intense and bravely uncompromising. An adult study of pain, thwarted affection, and guarded privacies in a world at the edge of violent public breakdown. An impressive achievement." --DAVID MALOUF, author of Ransom: A Novel and The Happy Life: The Search for Contentment in the Modern World Simone and Claude live in a house with a lush garden, surrounded by a hedge that barely protects them from the growing violence and unrest in their low-income neighborhood. Simone mourns the loss of youth and possibility as Claude, a gym teacher who has been diagnosed with cancer, edges toward death. This is an unflinching portrait of a couple ravaged by illness and locked into mutual isolation--that is, until the arrival of a young boy brings hope and upsets their delicate danse macabre to devastating effect. Pascale Kramer dissects romantic love's psychic carnage while unsentimentally revealing the unique beauty born of an adult's love for a child. As does Marguerite Duras, she wields spare language like a club and plumbs emotional depths rarely reached outside of poetry. A brilliant collision of hope and despair, The Child is a tour de force. Pascale Kramer, recipient of the 2017 Swiss Grand Prize for Literature, is the author of fourteen books, including three novels published in English: The Living, The Child, and Autopsy of a Father. Born in Geneva, she has worked in Los Angeles, and now lives in Paris, where she directs a documentary film festival about children's rights.

What is Africa's own "heart of darkness"? It is what confronts Ayane when, after three years abroad, she returns to the Central African village of her birth. Now an "outsider" with foreign ways distrusted by her fellow villagers, she must face alone the customs and superstitions that bind this clan of men and women. When invading militia organize a horrific ceremony that they claim will help reunite Africa, Ayane is forced to confront the monstrosity of the act that follows, as well as the responsibility that all the villagers must bear for silently accepting evil done in their name. Through Ayane's unwilling witness, Leonora Miano probes the themes of submission and responsibility and questions the role of Africans in the suffering of their fellows. Also exploring African identity, "Dark Heart of the Night" is a profoundly disturbing novel in its evocation of the darkest side of people driven by their instinct to survive.

A sensitive innocent, Hendrickje Stoffels escapes the harsh realities of her garrison home-town to take up a servant's role in Rembrandt's household. She soon becomes his lover and closest confidante, and plays witness to the highs and lows of the great artist's life. But Hendrickje is fated to discover the hypocrisy and greed of society in Amsterdam's Golden Age. In sensuous prose, Matton paints a powerful fictional portrait of this impassioned relationship through the eyes of a remarkable woman.

When pregnant Rosie Carpe, her fatherless five-year-old son in tow, arrives in Guadeloupe looking for her elusive brother, Lazare, the world already seems a plenty confusing place. Could the man who comes to meet her, an elegant black man calling himself Lagrand, actually be her disheveled white brother? Are her parents, who abandoned her in Paris, rediscovering themselves in an outrageous second youth of outlandish affairs, or have they simply lost their minds? And does Rosie have a hope of slipping the sticky grasp of her former employer and seducer, who moonlights as a video pornographer?

If it seems unlikely that the feckless Lazare, missing for five years as he followed his own twisted path, might help, or that carnivalesque Guadeloupe, where murder and mayhem are the natural outcomes of "business ventures," might be the place for Rosie to find peace, then Marie NDiaye may have a few surprises in store for her reader. Amid the blurring boundaries and shifting values, the indistinct realities and confusing certainties of "Rosie Carpe," a love story unfolds, and all that is ambiguous and tenuous-in short, all of Rosie's world-is underpinned with a measure of tenderness.

How, this novel asks, can you imagine the worst when you are young and life is sunny? The answer lies in the telling of The Living, in which a young mother, with her teenage brother, takes her two small children to a deserted quarry on a hot summer afternoon. Seen through the eyes of the brother, Benoit, the drama plays out with all the power and seeming inevitability of classical tragedy, made all the more intense by the blistering heat of the day. On that blazing hot summer day Benoit, to entertain his nephews, seats them in a gondola and sends them down a cableway to the pylon on the other side of the river. The harrowing story of what follows is narrated in Pascale Kramer's artfully simple yet transparent prose, evoking the deep reservoirs of feeling that family members cannot voice, perhaps even to themselves. The Living is filled with the vitality of summer. At the same time, it reveals suffering at its most pure and most volatile as the affected people wonder, in the wake of tragedy, whether they should subsist with the living or with the dead. Pascale Kramer's Les vivants received excellent reviews in the French and Francophone press and won the Prix Lipp, Switzerland's most prestigious literary prize. Kramer is the Swiss author of several other books in French, including Manu and Onze ans plus tard. Tamsin Black has translated many books, including Marie NDiaye's Rosie Carpe, available in a Bison Books edition.

When pregnant Rosie Carpe, her fatherless five-year-old son in tow, arrives in Guadeloupe looking for her elusive brother, Lazare, the world already seems a plenty confusing place. Could the man who comes to meet her, an elegant black man calling himself Lagrand, actually be her disheveled white brother? Are her parents, who abandoned her in Paris, rediscovering themselves in an outrageous second youth of outlandish affairs, or have they simply lost their minds? And does Rosie have a hope of slipping the sticky grasp of her former employer and seducer, who moonlights as a video pornographer?

If it seems unlikely that the feckless Lazare, missing for five years as he followed his own twisted path, might help, or that carnivalesque Guadeloupe, where murder and mayhem are the natural outcomes of "business ventures," might be the place for Rosie to find peace, then Marie NDiaye may have a few surprises in store for her reader. Amid the blurring boundaries and shifting values, the indistinct realities and confusing certainties of "Rosie Carpe," a love story unfolds, and all that is ambiguous and tenuous-in short, all of Rosie's world-is underpinned with a measure of tenderness.