Future Conditional tackles the nightmare of British schooling through a myriad of characters including parents, teachers, and Alia, a prodigiously clever fourteen-year-old Afghan refugee and the newest member of Britain's Education Research Board. Alia has a radical solution for Britain's schools that could restore our place in the world education league. But is the system ready to take lessons from a schoolgirl...?

'My dear fellow. Dreadfully sorry. I'll be marrying your wife.' A charming politician and his glamorous new wife evoke a picture of marital bliss. Her first husband was a liar and a cheat. Her second is a different batch of chromosomes altogether. Not only is he chairman of the Feminist Forum but he clearly adores her. He says so, repeatedly, usually on Thursday nights when he goes out to 'stretch his legs'. Her suspicions are obviously hormonal. But when he resorts to illusion to maintain the delusion, well, there's a lot of confusion. If experience has taught her anything it's the need to fight fire with fire, lies with more lies and every last trick with pure magic... A comic marvel from the master of French farce, Georges Feydeau, Every Last Trick is an ingenious look at the game of infidelity and marriage, given fresh life by Tamsin Oglesby.

Acclaimed as one of the classics of 20th century children's literature, The Mouse and His Child is a moving story about two clockwork mice thrown on a scrap heap who then have to begin a dangerous quest for a place to belong. It is adapted for the stage by Tamsin Oglesby and will be directed by Paul Hunter, Told By An Idiot's Co-Artistic Director. The Mouse and His Child continues the Royal Shakespeare Company's long tradition of creating new stage adaptations of much-loved childhood tales - including Beauty and the Beast, The Lion, The Witch and the Wardrobe, The Heart of Robin Hood, and Matilda The Musical, the RSC's award-winning Roald Dahl adaptation, currently playing in the West End.

Bee and Em have been best friends for thirty years: they're on holiday in rural France, away from the demands of work and family. But just as they're setting the clocks forward, in steps Chris, a blast from their school days past. As the evening wears on, the three women joke and fight with one another just like the old times. But time plays tricks with memory and some wounds are just too deep to heal. This provocative and hilarious play takes a scalpel to childhood friendships and asks whether we ever get over them.

Openened in the National’s Cottesloe Theatre in February 2010.