AIDS: Setting a Feminist Agenda" presents an overview of the important issues raised for feminist theory and practice by the HIV/AIDS epidemic, and outlines the direction in which feminist debates about the subject are developing. It makes essential links between feminism and HIV/AIDS work, and not only demonstrates that AIDS is a feminist issue, but also suggests areas where feminism is long overdue. The essays discuss medical issues; the specific social and political impact of HIV/AIDS on the lives of women of colour, lesbians, injecting drug users and prostitute women; And Current Health Educational And Health Promotional Practice As It relates to women.; The volume is theoretical and practical - suggesting theoretical models for understanding and challenging the social factors which are conducive to the spread of HIV among women and among men, as well as offering models of good practice for working with and for women.

Neither women's studies nor lesbian and gay studies offers an adequate theoretical or political base for lesbian scholarship. Lesbian Studies: Setting and Agenda aim to promote lesbian studies as an academic and political approach to both gender and the erotic, and to clarify the damaging influence of heterosexism across a range of disciplines.
Drawing on feminism and queer theory, Tamsin Wilton argues that lesbian' is a theoretical position which must be widely available in order to challenge the dominance of the heterosexual perspective. Engaging with theoretical and political debates, the book moves beyond its role of setting an agenda for lesbian studies into a wider role as resource and catalysts for anyone interested in gender and the erotic.

Contents:
List of Plates Contributors Acknowledgements Introduction: On Invisibility and Mortality 1. What is a Nice Lesbian Like You, Doing in a Film Like This? 2. The Meaning of Treut 3. Oranges are Not the Only Fruit: Reaching Audiences Other Texts Cannot Reach 4. Salmonberries: Consuming kd lang 5. Sex in the Summer of '88 6. `If You Don't Play, You Can't Win': Desert Hearts and the Lesbian Romance Film 7. Portrait of a Production 8. The Space Between: Daughters and Lovers in Anne Trister 9. On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship 10. Girl's Camp? The Politics of Parody 11. Looking at Pumping Iron II: The Women 12. Desire and Design - Ripley Undressed 13. Interview with Andrea Weiss and Greta Schiller

AIDS: Setting a Feminist Agenda" presents an overview of the important issues raised for feminist theory and practice by the HIV/AIDS epidemic, and outlines the direction in which feminist debates about the subject are developing. It makes essential links between feminism and HIV/AIDS work, and not only demonstrates that AIDS is a feminist issue, but also suggests areas where feminism is long overdue. The essays discuss medical issues; the specific social and political impact of HIV/AIDS on the lives of women of colour, lesbians, injecting drug users and prostitute women; And Current Health Educational And Health Promotional Practice As It relates to women.; The volume is theoretical and practical - suggesting theoretical models for understanding and challenging the social factors which are conducive to the spread of HIV among women and among men, as well as offering models of good practice for working with and for women.

"Immortal, Invisible: Lesbians and the Moving Image" is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women.
The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including "Aliens" and "Red Sonja," and in independent cinema from "She" "Must Be Seeing Things" to "Salmonberries" and "Desert Hearts."
The authors tackle tricky questions: Can a film such as "Strictly Ballroom" be both pleasurably camp and heterosexist? Is it OK to drool over dyke iconsw like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showingsex on screen? And why do lesbian screen romances hardly ever have happy endings?
"Immortal, Invisible" is splendidly illustrated with a selection of images from film and television texts, and will a significant contribution to the areas of queer theory and film studies.