This title introduces the history and methods of Phenomenology through the study of four key thinkers: Husserl, Heidegger, Sartre and Merleau-Ponty. This book provides a concise and comprehensive introduction to the concept of phenomenology, perhaps the most important and influential movement in twentieth century philosophy. It explains the development of the phenomenological method in the works of four thinkers: Edmund Husserl, Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty. It also addresses the criticisms directed at phenomenology by Emmanuel Levinas and Jacques Derrida, and the ways in which phenomenology has continued to flourish in spite of such critique, in the work of Michel Henry and Jean-Luc Marion. The text includes many helpful features such as key definitions, sample essay and exam questions, an extensive bibliography, and suggested readings for each topic covered, making the book an ideal companion to any course in phenomenology and phenomenological thinkers. The book presupposes no prior knowledge on the part of the reader, making it suitable for those encountering phenomenology for the first time, but it also provides an original interpretation that will be of lasting value to postgraduates and scholars.

Generative Worlds. New Phenomenological Perspectives on Space and Time accounts for the phenomenological concept of generativity. In doing so, this book brings together several recent phenomenological studies on space and time. Generative studies in phenomenology propose new ways of conceiving space, time, and the relation between them. Edited by Luz Ascarate and Quentin Gailhac, the collection reveals new dimensions to topics such as the generation of life, birth, historicity, intersubjectivity, narrativity, institution, touching, and places, and in some cases, the contributors invert the classical definitions of space and time. These transformative readings are fruitful for the interdisciplinary exchange between philosophy and fields such as cosmology, psychology, and the social sciences. The contributors ask if phenomenology reaches its own concreteness through the study of generation and whether it manages to redefine certain dimensions of space and time which, in other orientations of the Husserlian method, remain too abstract and detached from the constitutive becoming of experience.

GWF Hegel famously described philosophy as 'its own time apprehended in thoughts', reflecting a desire that we increasingly experience, namely, the desire to understand our complex and fast-changing world. But how can we philosophically describe the world we live in? When Hegel attempted his systematic account of the historical world, he needed to conceive of history as rational progress to allow for such description. After the events of the twentieth century, we are rightfully doubtful about such progress. However, in the twentieth century, another German philosophy, Edmund Husserl, attempted a similar project when he realised that a philosophical account of our human experience requires attending to the historical world we live in. According to Husserl, the Western world is a world in crisis. In this book, Tanja Staehler explores how Husserl thus radicalises Hegel's philosophy by providing an account of historical movement as open. Husserl's phenomenology allows thinking of historical worlds in the plural, without hierarchy, determined by ethics and aesthetics. Staehler argues that, through his radicalization of Hegel's philosophy, Husserl provides us with a historical phenomenology and a coherent concept of a culture that points to the future for phenomenology as a philosophy that provides the methodological grounding for a variety of qualitative approaches in the humanities and social sciences.

GWF Hegel famously described philosophy as 'its own time apprehended in thoughts', reflecting a desire that we increasingly experience, namely, the desire to understand our complex and fast-changing world. But how can we philosophically describe the world we live in? When Hegel attempted his systematic account of the historical world, he needed to conceive of history as rational progress to allow for such description. After the events of the twentieth century, we are rightfully doubtful about such progress. However, in the twentieth century, another German philosopher, Edmund Husserl, attempted a similar project when he realised that a philosophical account of our human experience requires attending to the historical world we live in. According to Husserl, the Western world is a world in crisis. In this book, Tanja Staehler explores how Husserl thus radicalises Hegel's philosophy by providing an account of historical movement as open. Husserl's phenomenology allows thinking of historical worlds in the plural, without hierarchy, determined by ethics and aesthetics. Staehler argues that, through his radicalization of Hegel's philosophy, Husserl provides us with a historical phenomenology and a coherent concept of a culture that points to the future for phenomenology as a philosophy that provides the methodological grounding for a variety of qualitative approaches in the humanities and social sciences.

In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question. Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics. Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other's vulnerability without diminishing the fundamental role of unambiguous ethical responsibility.

In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question.

Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics.

Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other s vulnerability without diminishing the fundamental role of unambiguous ethical responsibility.

Existentialism entered the public consciousness after the Second World War, especially through the work of Jean-Paul Sartre and Simone de Beauvoir. Indeed, these charismatic and engaged thinkers gave philosophy a level of glamour it had not before enjoyed, while existentialism's forefathers-including Friedrich Nietzsche and Soren Kierkegaard-were soon rediscovered and embraced anew. Moreover, in addition to the initial connection between existentialism and literature, the movement developed many interdisciplinary approaches: feminist existentialism, religious existentialism, and political existentialism, to name just a few. As a broad philosophical doctrine, as well as in its interdisciplinary combinations, existentialism is of lasting significance, and remains a thriving enterprise. To make sense of existentialism's huge-and growing-corpus of scholarly literature, this new Routledge collection answers the need for an authoritative, up-to-date, and comprehensive reference work. In four volumes, it assembles the foundational and the very best cutting-edge research. Volume I ('Key Figures and Definitions') maps the development of existentialism from the first existentialist to the classic and contemporary existentialists. It also gives users an impression of the most prominent definitions of existentialism. Volume II ('Basic Themes and Concepts'), meanwhile, collects the most important texts on the key notions of existentialism, such as subject/object, authenticity, ambiguity, humanism, and emotions. Volume III ('Existentialist Aesthetics and Psychology') attends to those areas outside philosophy which have been most influenced by existentialism: aesthetics (literature, theatre, art, theory) and psychology (psychoanalysis, psychotherapy). The final volume in the collection ('Horizons of Existentialism') considers several other interdisciplinary areas, including: religion, feminism, communications, and politics. Existentialism is supplemented with a full index, and includes a newly written comprehensive introduction which places the collected material in its historical and intellectual context. The collection will be valued by scholars, students, and researchers as a vital research resource.

This title introduces the history and methods of Phenomenology through the study of four key thinkers: Husserl, Heidegger, Sartre and Merleau-Ponty. This book provides a concise and comprehensive introduction to the concept of phenomenology, perhaps the most important and influential movement in twentieth century philosophy. It explains the development of the phenomenological method in the works of four thinkers: Edmund Husserl, Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty. It also addresses the criticisms directed at phenomenology by Emmanuel Levinas and Jacques Derrida, and the ways in which phenomenology has continued to flourish in spite of such critique, in the work of Michel Henry and Jean-Luc Marion. The text includes many helpful features such as key definitions, sample essay and exam questions, an extensive bibliography, and suggested readings for each topic covered, making the book an ideal companion to any course in phenomenology and phenomenological thinkers. The book presupposes no prior knowledge on the part of the reader, making it suitable for those encountering phenomenology for the first time, but it also provides an original interpretation that will be of lasting value to postgraduates and scholars.