Melanie Smith: Farce and Artifice is the publication that takes up the idea of the exhibition organised by the MACBA, jointly with the MUAC Museo Universitario Arte Contemporaneo and UNAM, in Mexico City, and the Museo Amparo, in Puebla, Mexico. It is the largest organised to date in Europe about the work of an artist who defies easy classification, born in England (Poole, 1965) but active on the Mexican art scene since the nineties.

This publication explores the work of the acclaimed Swiss-American artist Christian Marclay (1955), presenting a selection of works focusing on his sound compositions, from graphic scores to video installations. In this artist's book, he shows the relationship between sound and vision, exploring the ways that sound can be made visually manifest. As the artist himself has said: 'music runs through almost everything I do'. It includes essays by the critic Erika Balsom, the curator Tanya Barson and the writer Tom McCarthy. Trilingual edition (Catalan, Spanish, English).