The poems in Tara Bergin's debut collection combine sensuous, supple lyricism with the unsettling familiarity of folklore, fairytale and dream. They are inhabited by characters who seem at first widely different from one another, yet share nervous energy, a troubled state of mind: 'I am unwell, little crow, / I am unwell and far from home / where longing lives in my house'. In This is Yarrow Bergin gathers language from a wide range of sources and places to create a music and vision entirely her own.

Tara Bergin's third collection, Savage Tales continues to explore original territory, bringing the riddle, song and dialogue into a series of formally inventive and blackly comic sequences. Bergin's book asks us to steer our way through a chorus of exchanges and situations, as she charts the fraught course between the making of individual poems and, uneasy bedfellow of this sustained activity, an authority which is always here called into question. Dramatizing the contemporary and the classic with great wit, ingenuity and panache, Savage Tales confirms Bergin as one of the outstanding poets of our time.

Long-listed for a Saboteur Award 2016: Best Anthology"Your indispensable guide to the poetry of these islands, now in its fifth year"The Best British Poetry presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem.Featuring: Aria Misha Aber, Astrid Alben, Rachael Allen, Janette Ayachi, Tara Bergin, Crispin Best, Amy Blakemore, Sarah Boulton, Kit Buchan, Sam Buchan-Watts, Miles Burrows, Niall Campbell, Vahni Capildeo, Kayo Chingonyi, Sophie Collins, Claire Crowther, Paula Cunningham, Jesse Darling, Patricia Debney, Ian Duhig, Joe Dunthorne, Francine Elena, Inua Ellams, Andrew Elliott, Victoria Field, Annie Freud, Matthew Gregory, David Hart, Selima Hill, Sarah Howe, Kathleen Jamie, Tom Jenks, Luke Kennard, Amy Key, Kate Kilalea, Caleb Klaces, Zaffar Kunial, Daisy Lafarge, Melissa Lee-Houghton, Dorothy Lehane, Fran Lock, Adam Lowe, Chris McCabe, Amy McCauley, Alex MacDonald, Andrew McMillan, Kathryn Maris, Sophie Mayer, Kim Moore, Salah Niazi, Jeremy Over, Bobby Parker, Rebecca Perry, Holly Pester, Heather Phillipson, Padraig Regan, Sam Riviere, Sophie Robinson, Jessica Schouela, Stephen Sexton, Penelope Shuttle, Hannah Silva, Marcus Slease, Greta Stoddart, Chloe Stopa-Hunt, Rebecca Tamas, Jack Underwood, Mark Waldron, Megan Watkins, Karen McCarthy Woolf and Samantha Wynne-Rhydderch

The Best British Poetry 2012 presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem. An indispensable guide to British poetry and a must-have purchase for anyone interested in the art, from newcomers to the most experienced professional and all creative writing students working in English.

Shortlisted for the 2017 T.S. Eliot Prize. A 2017 Poetry Book Society Recommendation. Shortlisted for The Forward Prize for Best Collection 2017. Shortlisted for the 2018 Irish Times Poetry Now Award. Following her 2013 debut This is Yarrow (winner of the Seamus Heaney Prize and the Shine / Strong Award), Tara Bergin returns with her second collection, The Tragic Death of Eleanor Marx. The poems draw on folksong, fairytale and theatrical monologue as Bergin explores the alluring and sometimes tragic consequences of translation. When she committed suicide in 1898, Eleanor Marx (daughter of Karl Marx, pioneering sociologist, and translator of Flaubert's Madame Bovary) imitated Flaubert's heroine, Emma. Both women, in their own ways, died passionate deaths, and Bergin's poems are concerned with intense love, intense grief. With a sing-song rhythm and dark humour, they play off the natural theatricality of great lovers, great writers and great readers who, like the fancy-dressed children in 'Mask', are both 'themselves and strangers'. 'That's all they wanted.'