In the brilliant red doom of a Hampshire Sunset Brigit Conti can hear a voice behind her ears that is not her own. Bed-bound, and complaining of a rare bone disease that no Doctor can diagnose, her husband fears that the house they have purchased is a portal through which an older, more malign energy has passed, possessing his wife and son. Through their successive deterioration his secular and agnostic world-view undergoes a metamorphosis, drawing him to a strange man from the hills: the Rector, their unlikely saviour. Or are he and his family merely victims of their own self-serving yuppie way of life? "You Were The Picture of Contented New Wealth" is a gothic tragedy set in the nineteen eighties, bringing proper characterisation and a literary sensibility to the traditional horror story. It's mix of generic elements and mystical realism deal with the irreducibility of evil and its successful normalisation in to our daily and dominant reality.

"I don't have any heroes, they're all useless", opined John Lydon in 1976. As a spokesperson of sorts for the punk generation, Lydon was giving voice to a nihilistic, deconstructive impulse which, for better or worse, would go on to dominate the next half-century or so of intellectual, cultural and political life. But isn't one of the problems with the modern world that we no longer have any real sense of what heroism is? What if we recovered heroism from the hands of the fascists and the neoliberal ideologues, and proclaimed that - despite everything - a hero can and should be something to be? In these personal, provocative essays, the authors behind the uncompromising project that is Repeater Books come together to redefine the idea of the hero for a twenty-first-century public which desperately needs something to believe in. From Eric Cantona to Wile E Coyote, Bruno Latour to Paula Rego, forgotten legends and anonymous family members, this compendium of extraordinary human behaviour is essential reading for anyone who has ever thought that, despite what Jean-Paul Sartre said, heaven is other people.

"I always wanted to be a writer, but I became a policeman instead." WESSEX, 2016. Teenagers are vanishing off the council estates of a small provincial city. A crop of herbs that are said to posses magical powers which only grow once every fifty years are found in the woods. A supernatural creature believed to be the guardian of the herbs is seen in nightmares. Rumours of orgiastic rituals on the estates of the rich and powerful excite the curious. And the Queen of England decides to celebrate her 90th birthday with a visit to the city's famous cathedral spire. Into this madness, two ambitious detectives, one with doomed literary ambitions, seek to solve the mystery, their only lead that "posh people are taking our children". Blending mysticism, class war, societal malfeasance and transcendence, High John The Conqueror identifies the point in our recent history when the ghosts of our past become the political monsters of the present.

A selection of Repeater authors choose their favourite horror stories for this new anthology, with each writing a critical introduction for the story of their choice. Edited by novelist and Repeater publisher Tariq Goddard and "horror philosopher" Eugene Thacker, The Repeater Book of the Occult is a new anthology of horror stories that explores the ever-shifting boundaries between the natural and supernatural, between the real and the unreal. As the editors note, "In the grey zone between what appears and what is, lies horror. But horror writing is also a certain disposition, a way of thinking based on a suspicion regarding the world as it is given to us, and a doubt regarding the accepted ways of explaining that world to us - and for us." The Repeater Book of the Occult includes introductions by Repeater authors such as Leila Taylor, Carl Neville, Rhian E Jones, and Elvia Wilk, and features horror classics by Algernon Blackwood, Charlotte Perkins Gilman, and Edgar Allan Poe, as well as forgotten gems by authors such as W.W. Jacobs, Mark Twain, and Sheridan Le Fanu.