From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This collection brings together a range of primary sources on Victorian material and culture. This volume, 'Fashionable Things', will focus on Victorian fads and fashions ranging from chatelains to insect jewellery.

From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. The volumes are organized thematically and focus on key elements of materials, processes and production. Sources for each volume have been selected and critically introduced by a group of leading experts working across a variety of scholarly disciplines. Series titles include Science and Medicine, Invention and Technology, Victorian Arts, Raw Materials, Manufactured Things and Fashionable Things.

Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, s?ances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.

Critical attention to the Victorian supernatural has flourished over the last twenty-five years. Whether it is spiritualism or Theosophy, mesmerism or the occult, the dozens of book-length studies and hundreds of articles that have appeared recently reflect the avid scholarly discussion of Victorian mystical practices. Designed both for those new to the field and for experts, this volume is organized into sections covering the relationship between Victorian spiritualism and science, the occult and politics, and the culture of mystical practices. The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult brings together some of the most prominent scholars working in the field to introduce current approaches to the study of nineteenth-century mysticism and to define new areas for research.

Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, seances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.

SPECIAL INTRODUCTORY PRICE! (Valid until three months after publication.) Since its advent in the 1840s, modern spiritualism has been a topic of popular interest and critical scrutiny. Spiritualism gained increasing prominence in the second half of the nineteenth century, and developed as a religious movement with no defining creeds or formal doctrines, beyond the belief that the dead survived in spirit form and could communicate with the living. Scholars have noted its philosophical origins in the writings of Emmanuel Swedenborg; considered its rise against the backdrop of Darwin's theory of evolution and the accompanying crisis in faith; examined the fascination of celebrated believers such as Elizabeth Barrett Browning, William James, and Arthur Conan Doyle; explored its potential in the context of gender and sexuality; charted its investigation by the Society for Psychical Research; and identified key periods that mark a rise in spiritualist activity. The history of spiritualist belief and practice has been the subject of extensive debate (see, for example, Routledge's eight-volume collection, The Rise of Victorian Spiritualism (2001) (978-0-415-23640-9), edited by Bob Gilbert). Similarly, considerable research has been devoted to the question of Spiritualism and gender (explored in the Routledge/Edition Synapse two-volume collection, Women, Spiritualism, and Madness (2003) (978-0-415-27633-7), edited by Bridget Bennett, Helen Nicholson, and Roy Porter). Complementing those earlier collections, this new four-volume set demonstrates spiritualism's hugely significant-but hitherto often neglected-contemporary engagement with questions of race, eugenics, and the body, and with anti-spiritualist critique. Moreover, as spiritualism is commonly identified as a predominantly Victorian-and western-phenomenon, little has been done better to understand spiritualism in its global and temporal contexts. Furthermore, while numerous studies of spiritualism in canonical Victorian literature exist, the movement's own rich literary output and its relationship with the non-spiritualist gothic remain underexplored. Indeed, despite the explosion of scholarly interest in modern spiritualism across a wide range of disciplines, almost none of the movement's key philosophical, literary, political, and medical texts are currently in print. The learned editors of this collection have remedied these imbalances and Spiritualism, 1840-1930 offers access to a wide range of materials from an important period in spiritualism's history, including previously unpublished material relating to Arthur Conan Doyle's investment in spiritualism and transcriptions of the Henri Louis Rey seances in New Orleans (the only entirely African-American nineteenth-century spiritualist circle whose records have been preserved). The collection focuses on key topics and situates inaccessible primary sources alongside better-known works to posit their importance in the development of spiritualism as a social, cultural, and transatlantic phenomenon. Making readily available materials which are currently very difficult for scholars, researchers, and students across the globe to locate and use, Spiritualism, 1840-1930 is a veritable treasure-trove. The gathered materials are reproduced in facsimile, giving users a strong sense of immediacy to texts and permitting citation to the original pagination. Each volume is also supplemented by a substantial introduction, newly written by the editors, which contextualizes the material and steers readers towards significant secondary sources. And with a full index and a detailed appendix providing data on the provenance of the gathered works, the collection is destined to be welcomed as a vital research and reference resource.

Critical attention to the Victorian supernatural has flourished over the last twenty-five years. Whether it is spiritualism or Theosophy, mesmerism or the occult, the dozens of book-length studies and hundreds of articles that have appeared recently reflect the avid scholarly discussion of Victorian mystical practices. Designed both for those new to the field and for experts, this volume is organized into sections covering the relationship between Victorian spiritualism and science, the occult and politics, and the culture of mystical practices. The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult brings together some of the most prominent scholars working in the field to introduce current approaches to the study of nineteenth-century mysticism and to define new areas for research.