Originally published in 1964, The Sonnets by Ted Berrigan is considered by many to be his most important and influential book. This new annotated edition, with an introduction by Alice Notley, includes seven previously uncollected works. Like Shakespeare's sonnets, Berrigan's poems involve friendship and love triangles, but while the former happen chronologically, Berrigan's happen in the moment, with the story buried beneath a surface of names, repetitions, and fragmented experience. Reflecting the new American sensibilities of the 1960's as well as timeless poetic themes, The Sonnets is both eclectic and classical -- the poems are monumental riddles worth contemplating.

A monumental event in American poetry, Get the Money! brings together the essential prose writings of iconic New York School poet Ted Berrigan. "Ted Berrigan was a leader of the New York School; his crazy energy embodied that movement and the city itself."-John Ashbery, author of Self-Portrait in a Convex Mirror "Get the Money!" was Ted Berrigan's mantra for the paid writing gigs he took on in support of his career as a poet. This long-awaited collection of his essential prose draws upon the many essays, reviews, introductions, and other texts he produced for hire, as well as material from his journals, travelogues, and assorted, unclassifiable creative texts. Get the Money! documents Berrigan's innovative poetics and techniques, as well as the creative milieu of poets-centered around New York's Poetry Project-for whom he served as both nurturer and catalyst. Highlights include his journals from the '60s, depicting his early poetic discoveries and bohemian activities in New York; the previously unpublished "Some Notes About 'C,'" an account of his mimeo magazine that serves as a de facto memoir of the early days of the second-generation New York School; a moving and prescient obituary, "Frank O'Hara Dead at 40"; book "reviews" consisting of poems entirely collaged from lines in the book; art reviews of friends and collaborators like Joe Brainard, George Schneeman, and Jane Freilicher; and his notorious "Interviews" with John Cage and John Ashbery, both of which were completely fabricated. Get the Money! provides a view into the development of Berrigan's aesthetics in real time, as he captures the heady excitement of the era and champions the poets and artists he loves. Praise for Get the Money!: "Get the Money! captures the esprit de corps of the particular community close to Ted's door on St Mark's Place. This book of prose with its nimble lift, tinged with intimacy, wit, and perception is a welcome addition to the second generation NY School canon. Ted often went hungry but could make a few dollars with the short reviews. One walks the rounds with Ted on his 'beat': Love, poetry, gossip, art. Telling it like it is. Strolling into artist studios, galleries, poets' modest digs, and into our hearts."-Anne Waldman, author of Trickster Feminism "Ted was my mentor, my teacher of America and its poetry, and I often quote him. He was an oral genius and I have regretted not writing down everything he said to me. Now I have this collection of journals, critical writing on art, aphorisms, and correspondence. It makes for a grand portrait of the poet who charmed my whole generation. Ted Berrigan is alive in this book in ways that no one could guess."-Andrei Codrescu, author of Too Late for Nightmares "It's always a significant occasion when we have an edition of a poets prose. Get the Money! offers us an important window into Ted Berrigan's laboratory, his no bullshit attitude, his class awareness, his gorgeous sentimentality, and his disarming anarchic humor. This book is what anyone could hope it would be: funny, tender, brilliant, intimate, original, alive."-Peter Gizzi, author of Now It's Dark "Ted Berrigan's voice has always been instantly familiar to me so Get the Money! feels less like a reading experience and more like taking a long walk with my favorite poet, then buying him a drink someplace and letting him talk. The pieces collected here offer a superhuman range of formal invention. ... Berrigan's prose is often loose and lyrical, hovering somewhere between blogging, letter writing, texting, and transcription. His deadpan bravura and sudden dismissiveness are consistently hilarious. Decades after his death Berrigan remains way ahead of his time. I think Robert Creeley said it best, 'The Bell rings / Ted is ready'."-Cedar Sigo, author of All This Time

Art. LGBT Studies. From 1963 through 1978, Joe Brainard created more than one hundred works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. THE NANCY BOOK is the first collection of Brainard's Nancy texts, drawings, collages and paintings, with full page reproductions of over fifty works, several of which have never been exhibited or published before. In THE NANCY BOOK, Joe Brainard's Nancy traverses high art and low, the poetic and pornographic, the surreal and the absurd. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality.

Following the highly acclaimed "Collected Poems of Ted Berrigan, " poets Alice Notley, Anselm Berrigan, and Edmund Berrigan have collaborated again on this new selection of poems by one of the most influential and admired poets of his generation. Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.
Praise for" The Collected Poems of Ted Berrigan: "
"This is a great, great book for all seasons of the mind and heart."--Robert Creeley
"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"
""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review "
"It's a must-have, a poetic knockout."--"Time Out New York"

"Comfortably intimate--classically adroit in its formal wit and invention--altogether unique yet in no way excluding, this meticulously edited edition of a master poet's collected works gives us the defining bridge from the "New American Poetry" of the '50s to that poetry now contemporary on both coasts and in all conditions. No one ever recognized the people with whom he lived more particularly than did Ted Berrigan, and no one ever brought them home to a reader with such unaggressive and persistent power. This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Ted Berrigan was a leader of the New York School; his crazy energy embodied that movement and the city itself. It is wonderful to have his Collected Poems in print."--John Ashbery"A comprehensive and carefully chronicled volume that puts Ted Berrigan in historical context as one of the most influential poets of his generation. His poems: deft, light, definitely humorous, irreverent, poignant, 'marvelous and tough.' The truth doing its work, 'the great man doing the ordinary thing, ' with a quick ear and a quick tongue, revealing the personal in the universal. He gives you his full attention--'about to be born again thinking of you.' "--Joanne Kyger"In a life devoted to experimental art, Ted Berrigan shaped his poetry and the space he occupied with a bold artistry based on his playful but powerfully skeptical view of the world. He wondered what might actually be captured within the pages of a book, but The Collected Poems allows us to again enjoy Ted Berrigan's delightfully demanding presence."--Lorenzo Thomas