Covers the engineering of complex nanostructures designed for applications in the peculiar space environment Deeply illustrates several examples of innovative manufacturing processes and creation of new products for the realization of advanced nanotechnological systems Identifies future efforts needed to further expand nanotechnology in space Presents a market analysis encompassing the whole area of strategic space-related applications

Sit back, light up, and enjoy. Newly in vogue, people are rediscovering a relaxing pastime enjoyed for centuries. This book is a compendium of cigar related "stuff," from the old cigars in their original wrappers still ready to smoke to the fine humidors that have kept them fresh for decades. Here is the breadth of advertising, ashtrays, matchsafes, cigar boxes, dispensers, and holders that have adorned homes and shops for 100 years and more. This book follows the successful Antique Cigar Cutters and Lighters by the same co-authors, who herein present more than 500 items in clear, full-color photographs, with informative captions and a current price guide. This book is custom designed for cigar aficionados and those who appreciate antique advertising. It is a welcome addition to the literature of tobacciana.

The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.

Scottish zoologist D'Arcy Wentworth Thompson's visionary ideas in On Growth and Form continue to evolve a century after its publication, aligning it with current developments in art and science. Practitioners, theorists, and historians from art, science, and design reflect on his ongoing influence. Overall, the anthology links evolutionary theory to form generation in both scientific and cultural domains. It offers a close look at the ways cells, organisms, and rules become generative in fields often otherwise disconnected. United by Thompson's original exploration of how physical forces propel and shape living and nonliving forms, essays range from art, art history, and neuroscience to architecture, design, and biology. Contributors explore how translations are made from the discipline of biology to the cultural arena. They reflect on how Thompson's study relates to the current sciences of epigenesis, self-organization, biological complex systems, and the expanded evolutionary synthesis. Cross-disciplinary contributors explore the wide-ranging aesthetic ramifications of these sciences. A timeline links the history of evolutionary theory with cultural achievements, providing the reader with a valuable resource.

Research in adsorption of gases by carbon nanomaterials has experienced considerable growth in recent years, with increasing interest for practical applications. Many research groups are now producing or using such materials for gas adsorption, storage, purification, and sensing. This book provides a selected overview of some of the most interesting scientific results regarding the outstanding properties of carbon nanomaterials for gas adsorption and of interest both for basic research and technological applications. Topics receiving special attention in this book include storage of H, purification of H, storage of rare gases, adsorption of organic vapors, gas trapping and separation, and metrology of gas adsorption.

In an age of email lists and discussion groups, e-zines and weblogs, bringing together users, consumers, workers and activists from around the globe, what kinds of political subjectivity are emerging? What kinds of politics become possible in a time of information overload and media saturation? What structures of power and control operate over a self-organising system like the internet?In this highly original new work, Tiziana Terranova investigates the political dimension of the network culture in which we now live, and explores what the new forms of communication and organisation might mean for our understanding of power and politics. Terranova engages with key concepts and debates in cultural theory and cultural politics, using examples from media culture, computing, network dynamics, and internet activism within the anti-capitalist and anti-war movements. Network Culture concludes that the nonlinear network dynamics that link different modes of communication at different levels (from local radio to satellite television, from the national press to the internet, from broadcasting to rumours and conspiracy theories) provide the conditions within which another politics can emerge. This other politics, the book suggests, does not entail the production of a new political discourse or ideology, but the invention of micropolitical tactics able to stand up to new forms of social control.

From the end of the Civil War until the explosive popularity of the cigarette in the early twentieth century. the cigar was king. For the pleasure and convience of cigar smokers a wide variety of smoking accessories were manufactured, including cigar cutters and lighters. The cutters range from simple vest pocket models to ingenious mechanical contraptions that would occupy a prominent place on the counter of the local tobacconist. In between are beautifully sculpted Vienna bronze and wooden desk models. In many cases these are combined with lighters, to offer the smoker full-service convenience. The lighters range from alcohol dips to electric devices. They are sometimes cast as stunning figures or are elegantly formed lamps, using blown glass or pierced tin. Beautiful color photographs document these wonderful objects, accompanied by concise, informative descriptions. The text places the cutters in their historical context and contains helpful information. A value guide is included.

The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.

Art as Organism shows that the digital image was a rich and expansive artistic medium of modernism. Linking its emergence to the dispersion of biocentric aesthetic philosophies developed by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts Institute of Technology in the 1970s, Charissa Terranova uncovers seminal but overlooked references to biology, the organism, feedback loops, emotions, and the Gestalt, along with an intricate genealogy of related thinkers across disciplines. Unearthing a forgotten narrative of modernism, one which charts the influence that biology, General Systems Theory, and cybernetics had on modern art, Terranova interprets new major art movements such as the Bauhaus, Op Art, and Experiments in Art and Technology by referencing contemporary insights from architects, embryologists, electrical engineers, and computer scientists. From kinetic and interactive art to early computer art and installations spanning an entire city, this book charts complex connections between visual culture, science and technology that comprise the deep history of 20th-century art.