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Challenging gnositicizing interpretations of the letter, Terry Griffith explores how the polemic against idols was variously used in Jewish and Christian circles to define self-identity and the limits of community. He shows that the rhetoric of 1 John is not polemical, but pastoral, directed at confirming Johannine Christians in their fundamental confession of faith and preventing further defections of Jewish Christians back to Judaism. Griffith argues that the christological focus in 1 John concerns the identification of Jesus as the Messiah, and that the ending of the letter both contributes to the author's overall pastoral strategy and sheds light on the issues of sin and christology that are raised in this letter.>
The New Art Examiner was the only successful art magazine ever
to come out of Chicago. It had nearly a three-decade long run, and
since its founding in 1974 by Jane Addams Allen and Derek Guthrie,
no art periodical published in the Windy City has lasted longer or
has achieved the critical mass of readers and admirers that it did.
The Essential New Art Examiner gathers the most The articles in The Essential New Art Examiner are organized
chronologically. Each section of the Now, more than three decades after the journal's founding, The
Essential New Art Examiner brings together the best examples of
this groundbreaking publication: great editing, great writing, a
feisty staff who changed and adapted as circumstances dictated--a
publication that rolled with the times
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