Hollywood, 1934. Prohibition is finally over, but there is still plenty of crime for an ambitious young private eye to investigate. Though he has a slightly checkered past, Riley Fitzhugh is well connected in the film industry and is hired by a major producer-whose lovely girlfriend has disappeared. He also is hired to recover a stolen Monet, a crime that results in two murders initially, with more to come. Along the way Riley investigates the gambling ships anchored off L.A., gets involved with the girlfriend of the gangster running one of the ships, and disposes of the body of a would-be actor who assaults Riley's girlfriend. He also meets an elegant English art history professor from UCLA who helps Riley authenticate several paintings and determine which ones are forgeries. Riley lives at the Garden of Allah Hotel, the favorite watering place of screenwriters, and he meets and unknowingly assists many of them with their plots. Incidentally one of these gents, whose nom de plume is 'Hobey Baker,' might actually be F. Scott Fitzgerald . . . Evoking the classic hardboiled style, The Monet Murders is a charmingly cosy murder mystery by a novelist whose "lucid, beautifully written books are a pleasure to read." (The Wall Street Journal)

Hollywood in the Thirties: Nazi saboteurs, gangsters running gambling ships, British spies and diplomats, FBI agents, starlets looking for the big break, cheap hustlers on the fringes of the law, local cops-some are friends and some are adversaries, but all are involved somehow with Riley Fitzhugh, a private eye who's wondering whether the death of an English aristocrat really was an accident.

The eve of World War II. A Hollywood producer's murdered wife. Her husband's guilty memory of a shipboard romance. A stolen painting signed "Picasso." French gangsters. A beautiful courtesan. A shoot-out in a brasserie. All these and more confront Private Detective Riley Fitzhugh as he travels from Hollywood to the Riviera, Paris, and London in search of his client's vanished dream girl and some answers. Is the painting a genuine Picasso or just a clever forgery? Who is responsible for the corpses that keep littering his path and complicating the investigation? And whatever happened to Amanda Billingsgate?

In the spring of 1944, Ernest Hemingway travelled to London and then to France to cover the Second World War for Colliers Magazine. He had resisted this kind of journalism for the early period of the war but now threw himself into the thick of events. He flew missions with the RAF, went on a landing craft on Omaha Beach on D-Day, involved himself in the French Resistance forces and famously rode into the still dangerous streets of liberated Paris. He was at the Siegfried Line in the Huertgen Forest when the 22nd Regiment lost nearly every man sent into the fight. This invigorating narrative is, in parallel, an investigation into Hemingway's subsequent work-much of it stemming from his wartime experience-which shaped the latter stages of his career.

Hollywood, 1934. Prohibition is finally over, but there is still plenty of crime for an ambitious young private eye to investigate. Though he has a slightly checkered past, Riley Fitzhugh is well connected in the film industry and is hired by a major producer-whose lovely girlfriend has disappeared. He also is hired to recover a stolen Monet, a crime that results in two murders initially, with more to come. Along the way, Riley investigates the gambling ships anchored off LA, gets involved with the girlfriend of the gangster running one of the ships, and disposes of the body of a would-be actor who assaults Riley's girlfriend. He also meets an elegant English art history professor from UCLA who helps Riley authenticate several paintings and determine which ones are forgeries. Riley lives at the Garden of Allah Hotel, the favorite watering place of screenwriters, and he meets and unknowingly assists many of them with their plots. Incidentally, one of these gents, whose nom de plume is "Hobey Baker," might actually be F. Scott Fitzgerald.

A collection of some of the most well-known stories by one of America's premier adventure writers.

Riley Fitzhugh is temporarily assigned as officer in charge of the naval guard on board the SS Carlota, a merchant ship assigned to deliver bombs and aviation fuel to the Sebou River during Operation Torch. The Atlantic crossing was supposed to be in convoy, but Carlota breaks down after surviving a U-boat attack and is forced to limp along alone. At the mouth of the Sebou River, Riley rejoins the anti-U-boat vessel Nameless, which has come down from her refit in Scotland to join the Torch attack. When the Nameless is tasked with delivering a company of Army Rangers to capture the French air force base, she and her crew must force their way through the boom guarding the mouth of the river and pass through the gunfire from the French fort on the hills above. Along the way, Riley runs into an old flame or two-one an enemy agent, the other a war correspondent from Cuba.

In February 1861, the twelve-year-old son of Arizona rancher John Ward was kidnapped by Apaches. Ward followed their trail and reported the incident to patrols at Fort Buchanan, blaming a band of Chiricahuas led by the infamous warrior Cochise. Though Ward had no proof that Cochise had kidnapped his son, Lt. George Bascom organized a patrol and met with the Apache leader, who, not suspecting anything was amiss, had brought along his wife, his brother, and two sons. Despite Cochise's assertions that he had not taken the boy and his offer to help in the search, Bascom immediately took Cochise's family hostage and demanded the return of the boy. An incensed Cochise escaped the meeting tent amidst flying bullets and vowed revenge.What followed that precipitous encounter would ignite a Southwestern frontier war between the Chiricahuas and the US Army that would last twenty-five years. In the days following the initial melee, innocent passersby-Apache, white, and Mexican-would be taken as hostages on both sides, and almost all of them would be brutally slaughtered. Cochise would lead his people valiantly for ten years of the decades-long war.Thousands of lives would be lost, the economies of Arizona and New Mexico would be devastated, and in the end, the Chiricahua way of life would essentially cease to exist.In a gripping narrative that often reads like an old-fashioned Western novel, Terry Mort explores the collision of these two radically different cultures in a masterful account of one of the bloodiest conflicts in American frontier history.

A fascinating account of a dramatic, untold chapter in Hemingway's life--his pursuit of German U-boats during World War II.

From the summer of 1942 until the end of 1943, Ernest Hemingway lived in Havana, Cuba, and spent much of his time in the Gulf Stream hunting German sub- marines in his wooden fishing boat, "The Pilar." This phase of Hemingway's life has only been briefly touched upon in biographies of Hemingway but proved to be of enormous importance to him. At the time, the U-boats were torpedo- ing dozens of Allied tankers each month and threatened America's ability to wage war in Europe. Hemingway's patrols were supported by the U.S. Navy, and he viewed these danger- ous missions as both patriotic duty and pure adventure. But they were more than that: they provided some literary basis for "The Old Man and the Sea" and "Islands in the Stream."

Terry Mort's sensitive portrait of Hemingway also brings us his wife Martha Gellhorn (who was scornful of Hemingway's patrols), a naval account of the U-boat attacks in the vicinity, and a perceptive contemplation of what the patrols meant to Hemingway the man as well as the artist. Drawing on the writer's letters, Gellhorn's memoirs, and the sailor's log of "The Pilar," Mort reveals an important chapter in the life of a""literary legend.

In February 1861, the twelve-year-old son of Arizona rancher John Ward was kidnapped by Apaches. Ward followed their trail and reported the incident to patrols at Fort Buchanan, blaming a band of Chiricahuas led by the infamous warrior Cochise. Though Ward had no proof that Cochise had kidnapped his son, Lt. George Bascom organized a patrol and met with the Apache leader, who, not suspecting anything was amiss, had brought along his wife, his brother, and two sons. Despite Cochise s assertions that he had not taken the boy and his offer to help in the search, Bascom immediately took Cochise s family hostage and demanded the return of the boy. An incensed Cochise escaped the meeting tent amidst flying bullets and vowed revenge.What followed that precipitous encounter would ignite a Southwestern frontier war between the Chiricahuas and the US Army that would last twenty-five years. In the days following the initial melee, innocent passersby Apache, white, and Mexican would be taken as hostages on both sides, and almost all of them would be brutally slaughtered. Cochise would lead his people valiantly for ten years of the decades-long war.Thousands of lives would be lost, the economies of Arizona and New Mexico would be devastated, and in the end, the Chiricahua way of life would essentially cease to exist.In a gripping narrative that often reads like an old-fashioned Western novel, Terry Mort explores the collision of these two radically different cultures in a masterful account of one of the bloodiest conflicts in our frontier history."