With a new introduction by Marianne Faithfull "Terry Southern writes a mean, coolly deliberate, and murderous prose." --Norman Mailer King B., an Oscar-winning director, is now determined to shoot the dirtiest and most expensive X-rated movie ever made. Displaced to Liechtenstein (which, in order to boost tourism, has negotiated the exclusive rights to show the film for ten years) and fueled by suspiciously rejuvenating vitamin B-12 injections, the set of The Faces of Love is fraught with monstrous egos and enormous libidos -- the kind of situation that could only come from the imagination of the irrepressible Terry Southern.

Take King B., and Oscar-winning director who's seen everything under the sun, add Sid Krassman, a producer who's made fortune catering to the tastes of the American public, and Angela Sterling, a misunderstood sex symbol who'd give anything for a chance to do something 'serious, ' and you get Blue Movie, a hilarious, wildly erotic, and biting satire of Hollywood. King B. is determined to shoot the dirtiest and most expensive X-rated movie ever made.

Acclaimed novelist, Beat godfather, prolific screenwriter, and one of the founders of New Journalism, as well as the only guy to wear shades on the Beatles' Sgt. Pepper's cover, Terry Southern was an audacious original. Now Dig This is a journey through Terry Southern's America, from the buttoned-down '50s through the sexual revolution, rock 'n' roll, and independent cinema (which he helped inaugurate by cowriting and producing Easy Rider), up to his death in 1995. It spans Southern's stellar career, from early short stories and a Paris Review interview with Henry Green, to his legendary Esquire piece covering the 1968 Chicago Democratic Convention with Jean Genet and William Burroughs and his equally infamous account of life neck-high in girls and cocaine aboard The Rolling Stones' tour jet, to his memories of twentieth-century legends like Abbie Hoffman, Kurt Vonnegut, and Stanley Kubrick, with whom he wrote Dr. Strangelove. "A voice electric with street rhythm and royal with offhand intellection ... stuffed with strange and silken scraps." -- Troy Patterson, Entertainment Weekly "The subterranean Texan's finest moments are exquisite reads ... like a hot poker in the eye of conventional narrative." -- A. D. Amorosi, Philadelphia City Paper "The range of writing ... [was] as lethal as Mailer claimed and still awaiting the attention it deserves." -- Charles Taylor, Newsday .".. reveals a writer defined by his generosity, by the pursuit of fun and by an insatiable ... literary appetite...." -- Claire Dederer, The New York Times Book Review

As the novelist of Flash and Filigree and The Magic Christian and cowriter of Dr. Strangelove and Easy Rider, Terry Southern helped define the sixties. Now, sixty years later, his dark humor and biting satire of American society and all its corruption, sex, money, status, power, and stardom, takes on new relevance. When Dwight Garner reviewed the anniversary edition of Southern's Candy in the New York Times he pointed to its significance in today's political climate, stating that "Candy works in the era of #MeToo in part because it so coyly subverts the male gaze. The men who leer after Candy are truly fatuous primates, fit for little but gibbering at the moon." In this 60th anniversary edition of The Magic Christian, we have another searing Southern comic novel--this one a story of a mayhem-making billionaire, and a reminder of just how entrenched American greed and corruption is in our history. Sir Guy Grand is determined to create disorder in the material world and willing to spare no expense to do it. His ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won't do for money. A satire of America's obsession with bigness, toughness, TV, guns, and money, The Magic Christian is a hilarious and wickedly original novel from a true comic genius.

Bikers Captain America (Peter Fonda) and Billy (Dennis Hopper, who also directs) set off across America on the proceeds of a cocaine deal. En route to the New Orleans Mardi Gras festival they stop off at a hippy commune, before being arrested in Texas for joining a street parade without a licence. In jail they meet boozy civil rights lawyer George Hanson (Jack Nicholson), who decides to join them on their odyssey. Made on a shoestring budget, 'Easy Rider' was a huge hit upon its release, and this success proved instrumental in persuading the big Hollywood studios to invest in more films from young directors.

Originally banned in Paris and published by the Olympia Press under the pseudonym Maxwell Kenton, Candy is the scandalous 1958 novel cowritten by Terry Southern and Mason Hoffenberg, now reissued with an introduction by B. J. Novak. Candy was greeted in America by white-hot controversy, becoming a bestseller and helping to cement Southern's reputation as a legendary absurdist comic. The book centers on the sexual misadventures of a young girl named Candy Christian--lithe, taut, impossibly sweet, and as naive as she is irresistible. Chronicling her liaisons with everyone from her father's gardener, a pretentious professor, a shrink, a guru, and even her own uncle, Candy follows this luscious all-American girl as she breaks away from her small-town life and sets out to experience the world. Through it all, Candy is exploited, ravaged, and used--and eager as ever to please. A satire of Voltaire's Candide, Candy is an exhilarating romp through the fantasies and perversions of the American male and a fearless portrait of corrupted innocence in a society obsessed with narcissism, power, and commerciality. A hilarious and sexy fable, Candy is a countercultural tour de force.