"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation.
In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

The beloved author of Refuge, Terry Tempest Williams is one of the country’s most eloquent and imaginative writers. The desert is her blood. In this potent collage of stories, essays, and testimony, Red makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah.

As passionate as she is persuasive, Williams writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.


“Lush elegies to the wilderness. . . . Earthy, spiritual, evocative.” —The Boston Globe

“Erotic, scientific, literary. . . . Her intimacy with this landscape is complex and passionate.” —Los Angeles Times Book Review

“Her finest writing . . . Use[s] pure language in the face of laws that need to be changed and lawmakers and citizens who need to understand that there is another way to see.” —Portland Oregonian

A stunning portrait of the nocturnal moths of Central and South America by famed American photographer Emmet Gowin American photographer Emmet Gowin (b. 1941) is best known for his portraits of his wife, Edith, and their family, as well as for his images documenting the impact of human activity upon landscapes around the world. For the past fifteen years, he has been engaged in an equally profound project on a different scale, capturing the exquisite beauty of more than one thousand species of nocturnal moths in Bolivia, Brazil, Ecuador, French Guiana, and Panama. These stunning color portraits present the insects--many of which may never have been photographed as living specimens before, and some of which may not be seen again--arrayed in typologies of twenty-five per sheet. The moths are photographed alive, in natural positions and postures, and set against a variety of backgrounds taken from the natural world and images from art history. Throughout Gowin's distinguished career, his work has addressed urgent concerns. The arresting images of Mariposas Nocturnas extend this reach, as Gowin fosters awareness for a part of nature that is generally left unobserved and calls for a greater awareness of the biodiversity and value of the tropics as a universally shared natural treasure. An essay by Gowin provides a fascinating personal history of his work with biologists and introduces both the photographic and philosophical processes behind this extraordinary project. Essential reading for audiences both in photography and natural history, this lavishly illustrated volume reminds readers that, as Terry Tempest Williams writes in her foreword, "The world is saturated with loveliness, inhabited by others far more adept at living with uncertainty than we are."

In twenty short books, Penguin brings you the classics of the environmental movement - now in one complete set Over the past 75 years, a new canon has emerged. As humans have driven the living planet to the brink of collapse, visionary thinkers around the world have raised their voices to defend it. Their words have endured, becoming the classics that define the environmental movement today. From art, literature, food and gardening, to technology, economics, politics and ethics, each of these short books deepens our sense of our place in nature; each is a seed from which a bold activism can grow. Together, they show the richness of environmental thought, and point the way to a fairer, saner, greener world.

Viewing Mni Wiconi (Sacred Water of Life) and the No Dakota Access Movement as an isolated happening without acknowledging historical, cultural, and systematic circumstances leading up to it makes no sense. We cannot erase this past nor change it. In order to move forward in a better way, however, we must acknowledge the truthful foundation and recurring practices complicating what to some feel like isolated incidences. The pervasive and growing presence of extreme economic inequality in America is a worsening condition. Few situations reveal this inequality more than the conditions that Native Americans live under within their own homeland. This book raises awareness of Water Protectors for those who were not at Standing Rock and honoring those who were, through experiences at the Oceti Sakowin Camp, the indigenous-led resistance movement by the Standing Rock Sioux Tribe against the Energy Transfer Partners project to build the Dakota Access Pipeline on sacred land. The goal is to acknowledge and better understand the dedication of the Water Protectors, as they chose to be called, standing up for the health of Mni Wiconi and so many other related causes for the seven generations representing the past, present, and future health of all. People throughout the world, including members from between 240-300 indigenous tribes, were attracted to the cause and came to Standing Rock in full support of the protests. Even American military veterans, distressed by what they saw, came by the thousands determined to stand between the Water Protectors and police in defense of the rights for non-violent expression of resistance. The book's powerful photographs by John Willis are complimented by many Lakota voices and those of other allies through interviews, poetry, Lakota artwork, music through a downloadable CD, and historical ephemera. And essays by Terry Tempest Williams and Shaunna Oteka-McCovey provide new insights into age-old problems facing native people.

NATIONAL BESTSELLER
A "Kansas City Star" Best Book of the Year
"Brilliant, meditative, and full of surprises, wisdom, and wonder."--Ann Lamott, author of "Imperfect Birds"

"I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams's mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as it was to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own faith, and contemplates the notion of absence and presence art and in our world. "When Women Were Birds" is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth-century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty-first century.

Terry Tempest Williams is the author of fourteen books including "Refuge: An Unnatural History of Family and Place" and "When Women Were Birds." Recipient of numerous fellowships and awards, she teaches at Dartmouth and the University of Utah where she is the Annie Clark Tanner scholar in the environmental humanities graduate program. Her work has been anthologized and translated worldwide.

Brooke Williams has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as executive director of the Murie Center in Moose, Wyoming. He is the author of four books including "Halflives: Reconciling Work and Wildness," and dozens of articles. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.
Praise for Terry Tempest Williams' "When Women Were Birds"
"Williams displays a Whitmanesque embrace of the world and its contradictions...As the pages accumulate, her voice grows in majesty and power until it become a full-fledged aria." --"San Francisco Chronicle"
Praise for Brooke Williams' "Halflives: Reconciling Work and Wildness"
..".a compact yet breathtaking treatise." --"Publishers Weekly"

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

This volume of John Muir's selected writings chronicles the key turning points in his life and study of the American wilderness. The Story of My Boyhood and Youth is Muir's account of his childhood on a Wisconsin farm, where his interest in nature was first piqued; in The Mountains of California, The Yosemite, and Travels in Alaska we follow him on long journeys into stunning mountain ranges and valleys, where he records native flora and fauna and finds proof of his theories of the effect of glaciers on landscape formation. These four full-length works--along with a selection of important essays also included here--helped galvanize American naturalists, leading to the founding of the Sierra Club and several national parks. In these pages, written with meticulous thoroughness and an impassioned lyricism, we witness Muir's awakening to the incredible beauty of our planet, and the honing of an eye turned as acutely toward the scientific as the spiritual.

This enduring story of life, adventure, and love in Alaska was written by a woman who embraced the remote Alaskan wilderness and became one of its strongest advocates. In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.

"A Voice for Earth" is a collection of poems, essays, and stories that together give a voice to the ethical principles outlined in the Earth Charter. The Earth Charter was adopted in the year 2000 with the mission of addressing the economic, social, political, spiritual, and environmental problems confronting the world in the twenty-first century.

Part 1 of the book, "Imagination into Principle," comprises Steven C. Rockefeller's behind-the-scenes summary of how the language for the Earth Charter was drafted. In part 2, "Principle into Imagination," ten writers breathe life into its concepts with their own original work. Contributors include Rick Bass, Alison Hawthorne Deming, John Lane, Robert Michael Pyle, Janisse Ray, Scott Russell Sanders, Lauret Savoy, and Mary Evelyn Tucker. In part 3, "Imagination and Principle into a New Ethic," Leonardo Boff offers a new paradigm created through reflecting on the concept of care in the Earth Charter.

In twenty short books, Penguin brings you the classics of the environmental movement. With honesty, passion and heart, Terry Tempest Williams's essays explore the impact of nuclear testing, the vital importance of environmental legislation, and the guiding spirit of conservation. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world.

"On a bend, I will see it, a piece of ground off to the side. I will know the feel of this place: the leaves stir slowly on the trees, dry air smells like dust, birds dart and the trails are made by beasts living free." When award-winning author Charles Bowden died in 2014, he left behind a trove of unpublished manuscripts. Dakotah marks the landmark publication of the first of these texts, and the fourth installment in his acclaimed "Unnatural History of America." Bowden uses America's Great Plains as a lens-sometimes sullied, sometimes shattered, but always sharp-for observing pivotal moments in the lives of anguished figures, including himself. In scenes that are by turns wrenching and poetic, Bowden describes the Sioux's forced migrations and rebellions alongside his own ancestors' migrations from Europe to Midwestern acres beset by unforgiving winters. He meditates on the lives of his resourceful mother and his philosophical father, who rambled between farm communities and city life. Interspersed with these images are clear-eyed, textbook-defying anecdotes about Lewis and Clark, Daniel Boone, and, with equal verve, twentieth-century entertainers "Pee Wee" Russell, Peggy Lee, and other musicians. The result is a kaleidoscopic journey that penetrates the senses and redefines the notion of heartland. Dakotah is a powerful ode to loss from one of our most fiercely independent writers.