Feminine/Masculine and Representation provides a much needed introduction to a number of challenging issues raised in debates within gender studies, critical theory and cultural studies. In analysing cultural processes using a range of different methods, the essays in this collection focus on gender/sexuality, representation and cultural politics across a variety of media.

Migrations and the Media critically explores the global reporting of "migration crises," bringing together a range of original interdisciplinary research from the fields of migration studies and journalism, media and cultural studies. Its chapters examine, empirically and theoretically, some of the most important contemporary political, cultural and social issues with which migration is entwined, developing existing and new conceptual understandings of how forced migration and other instances of migration are represented and constructed as "crises" in different international contexts, including within news narratives on human trafficking and smuggling, asylum seeking and humanitarian reporting, "climate refugees," undocumented and economic migrants, and in election debates and policy making. This edited volume also examines the reporting practices through which migration coverage is produced, including the rights and responsibilities of journalism and the presuppositions and pressures upon journalists working in this area.

"Feminist Poetics" argues that the influence of poststructuralism has changed poetics from the study of ready-made textual forms into poesis--the study of the making or performing of those forms. Threadgold takes the infamous Governor murder stories--a sensational murder case in Australia in 1900--as a case study and uses the extensive group of texts produced about the case to answer the questions raised by feminist theory--who writes and for whom, and who reads and how and why.

"Feminine/Masculine and Representation" provides a much needed introduction to some challenging issues raised in debates within gender studies, critical theory and cultural studies. In analyzing cultural processes using a range of different methods, the essays in this collection focus on gender/sexuality, representation and cultural politics across a variety of media. This collection of essays makes an important contribution to debate on the role of representation in the social construction of the patriarchal gender order. It deals centrally with questions about sex and gender, subjectivity and signification. In her editor's introduction Terry Threadgold confronts the scepticism of those resistant to the challenge which poststructuralist semiotics ("that language stuff") poses to all branches of knowledge. She points out that these discourses about language, or semiosis, seem arcane only because they have not yet become part of everyday life, as have similar specialist discourses like economics, government, sociology, biology. Terry Threadgold, Associate Professor of English at the University of Sydney, is the author of "Feminist Poetics". Anne Cranny-Francis teaches cultural studies and critical theory at the University of Wollongong and is the author of "Feminist Fiction". This book is intended for students and researchers in gender studies, cultural studies and critical theory.

Feminist Poetics in concerned with all of these questions, but also with the issue of rewriting an older poetics for what it does not say about the marginalisation of the feminine. The first half of the book traces the trajectory of a particular, feminine, academic subject learning to find her voice. The second half uses that differently disciplined voice to re-read the textual traces of the Governor murder stories, murders committed against white women and children by black men in Australia in 1900. This book is a feminist poetics for those who are engaged in the teaching of literacies, and in the making of Knowledge about literacies.