Superintendents play a large role in the formation of relationships and networks within their neighborhood; and yet, no study in social science has focused on them. Williams closes this knowledge gap through ethnographic fieldwork, providing an in-depth analysis of the daily life of superintendents in the lower Harlem area in New York City.

Through autobiographical and historical information, Reflecting on WWII, Manzanar, and the WRA provides a broad overview of life in California both before and after the bombing of Pearl Harbor, leading to the creation of the Manzanar War Relocation Center, the first camp built for the incarceration of Japanese Americans during WWII. Although from outside its perimeter Manzanar camp resembled a military base, this book reveals it to have been more like a city, yet one its inhabitants were forcibly confined to. The War Relocation Authority hired over 200 employees to live within the same barbed-wire enclosure and tasked them with creating and running this complex facility. This book, told from the first-hand experiences of the teenage son of two WRA employees, focuses on the complexities of life within Manzanar camp as employees and internees learned to work together to build a city, complete with hospital, schools, churches, and manufacturing plants, out of an incarceration center. It was through daily, side by side contact that each grew to understand and respect the other. Never before has a book's focus fallen upon the WRA employees and their families and the day to day struggles of operating the camp at Manzanar.

There is no rawer human experience than sex, and in a city as diverse as New York, sexual experiences come in many forms. In the pre-Giuliani days, temptation flooded Times Square on theater marquees and neon signs. Behind unmarked doors downtown, more adventurous experiences awaited for those in the know. In The Soft City, the ethnographer Terry Williams, with the help of accomplices and informants, ventures deep into the underground world of sex in New York. The book explores different aspects of the "perverse space" of the city: porn theaters, sex shops, peep shows, restroom cruising, sadomasochism clubs, swingers' events, and many more. Featuring field notes taken between 1975 and the present, The Soft City documents the ways that New Yorkers on the social periphery have thought about and pursued sex, whether for recreation or to make a living. It also presents an unconventional account of New York City's many transformations, showing how the soft city-its people and their unique character-evolved in response to official and social pressures. Featuring Williams's unmistakable portraits of the demimonde as well as the accounts of other ethnographers challenging themselves to dive into the city's hidden crannies, The Soft City is as irreproducible as it is provocative.

Terrie Williams knows that Black people are hurting. She knows because she's one of them.
Terrie had made it: she had launched her own public relations company with such clients as Eddie Murphy and Johnnie Cochran. Yet she was in constant pain, waking up in terror, overeating in search of relief. For thirty years she kept on her game face of success, exhausting herself daily to satisfy her clients' needs while neglecting her own.
Terrie finally collapsed, staying in bed for days. She had no clue what was wrong or if there was a way out. She had hit rock bottom and she needed and got help.
She learned her problem had a name -- depression -- and that many suffered from it, limping through their days, hiding their hurt. As she healed, her mission became clear: break the silence of this crippling taboo and help those who suffer.
"Black Pain" identifies emotional pain -- which uniquely and profoundly affects the Black experience -- as the root of lashing out through desperate acts of crime, violence, drug and alcohol abuse, eating disorders, workaholism, and addiction to shopping, gambling, and sex. Few realize these destructive acts are symptoms of our inner sorrow.
Black people are dying. Everywhere we turn, in the faces we see and the headlines we read, we feel in our gut that something is wrong, but we don't know what it is. It's time to recognize it and work through our trauma.
In "Black Pain," Terrie has inspired the famous and the ordinary to speak out and mental health professionals to offer solutions. The book is a mirror turned on you. Do you see yourself and your loved ones here? Do the descriptions of how the pain looks, feels, and sounds seem far too familiar? Now you can do something about it.
Stop suffering. The help the community needs is here: a clear explanation of our troubles and a guide to finding relief through faith, therapy, diet, and exercise, as well as through building a supportive network (and eliminating toxic people).
"Black Pain" encourages us to face the truth about the issue that plunges our spirits into darkness, so that we can step into the healing light.
You are not on the ledge alone.

Superintendents play a large role in the formation of relationships and networks within their neighborhood; and yet, no study in social science has focused on them. Williams closes this knowledge gap through ethnographic fieldwork, providing an in-depth analysis of the daily life of superintendents in the lower Harlem area in New York City.

"Picturing myself dying in a way I choose myself seems so comforting, healing and heroic. I'd look at my wrists, watch the blood seeping, and be a spectator in my last act of self-determination. By having lost all my self-respect it seems like the last pride I own, determining the time I die."-Kyra V., seventeen Reading the confessions of a teenager contemplating suicide is uncomfortable, but we must do so to understand why self-harm has become epidemic, especially in the United States. What drives teenagers to self-harm? What makes death so attractive, so liberating, and so inevitable for so many? In Teenage Suicide Notes, sociologist Terry Williams pores over the writings of a diverse group of troubled youths to better grasp the motivations behind teenage suicide and to humanize those at risk of taking their own lives. Williams evaluates young people in rural and urban contexts and across lines of race, class, gender, and sexual orientation. His approach, which combines sensitive portrayals with sociological analysis, adds a clarifying dimension to the fickle and often frustrating behavior of adolescents. Williams reads between the lines of his subjects' seemingly straightforward reflections on alienation, agency, euphoria, and loss, and investigates how this cocktail of emotions can lead to suicide-or not. Rather than treating these notes as exceptional examples of self-expression, Williams situates them at the center of teenage life, linking them to abuse, violence, depression, anxiety, religion, peer pressure, sexual identity, and family dynamics. He captures the currents that turn self-destruction into an act of self-determination and proposes more effective solutions to resolving the suicide crisis.

There is no rawer human experience than sex, and in a city as diverse as New York, sexual experiences come in many forms. In the pre-Giuliani days, temptation flooded Times Square on theater marquees and neon signs. Behind unmarked doors downtown, more adventurous experiences awaited for those in the know. In The Soft City, the ethnographer Terry Williams, with the help of accomplices and informants, ventures deep into the underground world of sex in New York. The book explores different aspects of the "perverse space" of the city: porn theaters, sex shops, peep shows, restroom cruising, sadomasochism clubs, swingers' events, and many more. Featuring field notes taken between 1975 and the present, The Soft City documents the ways that New Yorkers on the social periphery have thought about and pursued sex, whether for recreation or to make a living. It also presents an unconventional account of New York City's many transformations, showing how the soft city-its people and their unique character-evolved in response to official and social pressures. Featuring Williams's unmistakable portraits of the demimonde as well as the accounts of other ethnographers challenging themselves to dive into the city's hidden crannies, The Soft City is as irreproducible as it is provocative.

The "after-hours club" is a fixture of the African American ghetto. It is a semisecret, unlicensed "spot" where "regulars" and "tourists" mingle with "hustlers" to buy and use drugs long after regular bars are closed and the party has ended for the "squares." After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and '90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club's active bar, with its colorful staff and owner and the "sniffers" who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy's Bar, twenty years later to show how "cool" remains essential to those outside the margins of society even as what it means to be "cool" changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

The "after-hours club" is a fixture of the African American ghetto. It is a semisecret, unlicensed "spot" where "regulars" and "tourists" mingle with "hustlers" to buy and use drugs long after regular bars are closed and the party has ended for the "squares." After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and '90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club's active bar, with its colorful staff and owner and the "sniffers" who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy's Bar, twenty years later to show how "cool" remains essential to those outside the margins of society even as what it means to be "cool" changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

This vivid account of hustling in New York City explores the sociological reasons why con artists play their game and the psychological tricks they use to win it. Terry Williams and Trevor B. Milton, two prominent sociologists and ethnographers, spent years with New York con artists to uncover their secrets. The result is an unprecedented view into how con games operate, whether in back alleys and side streets or in police precincts and Wall Street boiler rooms. Whether it's selling bootleg goods, playing the numbers, squatting rent-free, scamming tourists with bogus stories, selling knockoffs on Canal Street, or crafting Ponzi schemes, con artists use verbal persuasion, physical misdirection, and sheer charm to convince others to do what they want. Williams and Milton examine this act of performance art and find meaning in its methods to exact bounty from unsuspecting tourists and ordinary New Yorkers alike. Through their sophisticated exploration of the personal experiences and influences that create a successful hustler, they build a portrait of unusual emotional and psychological depth. Their work also offers a new take on structure and opportunity, showing how the city's unique urban and social architecture lends itself to the perfect con.

This vivid account of hustling in New York City explores the sociological reasons why con artists play their game and the psychological tricks they use to win it. Terry Williams and Trevor B. Milton, two prominent sociologists and ethnographers, spent years with New York con artists to uncover their secrets. The result is an unprecedented view into how con games operate, whether in back alleys and side streets or in police precincts and Wall Street boiler rooms. Whether it's selling bootleg goods, playing the numbers, squatting rent-free, scamming tourists with bogus stories, selling knockoffs on Canal Street, or crafting Ponzi schemes, con artists use verbal persuasion, physical misdirection, and sheer charm to convince others to do what they want. Williams and Milton examine this act of performance art and find meaning in its methods to exact bounty from unsuspecting tourists and ordinary New Yorkers alike. Through their sophisticated exploration of the personal experiences and influences that create a successful hustler, they build a portrait of unusual emotional and psychological depth. Their work also offers a new take on structure and opportunity, showing how the city's unique urban and social architecture lends itself to the perfect con.