Winner of the 2020 Leipzig Book Fair Prize Longlisted for the 2022 Prix du Meilleur Livre Étranger Shortlisted for the 2022 Prix Femina étranger #1 on the Spiegel Bestseller List November 1989. The Berlin Wall has just fallen when the East German couple Inge und Walter, following a secret dream they've harboured all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations. And it's with them that Carl, trained as a bricklayer, finds himself an initiate of anarchy, of love, and above all of poetry. Winner of the prestigious Leipzig Book Fair Prize and a bestseller in German already with 150,000 copies sold, Star 111, musical and incantatory, tells of the search for authentic existence and also of a family exploded by political change which must find its way back together.

A beautifully produced volume featuring the work of a major German artist. While a face may be considered a head, a head does not necessarily carry a face. Between 2015 and 2017, German artist Max Neuman, known for painting anonymous figures, drew a series of heads. Each head is a moment, each facing the viewer as if looking into a crowd, each distinguishable from the other. Who are they? May we call them portraits? Do they look back? Do they resemble spirits? Some Heads reproduces these haunting drawings along with an essay by cultural theorist and curator Hubertus von Amelunxen that questions the heads and faces while dwelling upon the effacement of individuality.  

Winner of the German Book Prize. It is 1989, and a young literature student named Ed travels to the Baltic island of Hiddensee, a notorious destination for hippies, idealists, and those at odds with the East German state. On Hiddensee, Ed joins the community of seasonal workers, led by the charismatic, enigmatic Kruso. At night, they secretly help the refugees who have come to the island seeking passage to the West. But Kruso is preoccupied by another kind of freedom - freedom of the mind. As the wave of history washes over the German Democratic Republic, the friends' grip on reality loosens and life on the island will never be the same.

A brilliant collection of micro-fiction, reflecting our fragmented times. With quirky humor and wry insight, Swiss author Judith Keller's micro-fictions unravel the fabric of daily life. She delves into the aporia of language by taking idiomatic expressions literally, unpacking the multiple meanings of words, and confounding expectations. Seven Zurich tram stops provide the framework for these familiar yet absurd portraits of passers-by, fellow passengers on the tram, the unemployed and the overemployed, the innocent and the suspicious, young mothers and confused elderly. The reader is taken on a journey through the city and offered glimpses of people going more or less successfully about their lives. These deceptively banal glimpses, however, show us more than we expect-they turn the lens back on us, puncture our complacency and ask, "Who are you to judge?" The characters are hapless and far-fetched, trying to find their footing on shifting ground and grateful for what happiness they can find. In just a sentence or two, Keller unlocks metaphysical trapdoors. The Questionable Ones offers a collection of snapshots that reveal the extraordinary lurking inside the ordinary and the ordinary at the core of the extraordinary.

With subtle, bemused humor and an unerring eye for human frailty, Michel Layaz is known for his tender writing about the hidden tensions within families, the awkwardness of adolescence, and the drama of intimacy between friends and lovers. His fifth novel, My Mother's Tears, is his most poignant yet. The adult narrator of My Mother's Tears has returned to clean out his childhood home after his mother's death. In thirty short chapters, each focused on a talismanic object or resonant episode from his childhood, the narrator tries to solve the mystery behind the flood of tears with which his strikingly beautiful, intelligent, and inscrutable mother greeted his birth. Like insects preserved in amber, these objects--an artificial orchid, a statue, a pair of green pumps, a steak knife, a fishing rod and reel, among others--are surrounded by an aura that permeates the narrator's life. Interspersed with these chapters are fragments from the narrator's conversation with his present lover, a woman who demands that he verbally confront his past. This difficult conversation charts his gradual liberation from the psychological wounds he suffered growing up. Not only an account of a son's attempt to understand his enigmatic mother, My Mother's Tears is also a moving novel about language and memory that explores the ambivalent power of words to hurt and to heal, to revive the past and to put childhood demons to rest.

When Kurt Weber inherits his great-uncle's lakeside house, he finds traces of the dark secrets of his family's past. The early inhabitants of the house haunt his dreams nightly. And one day a ghostlike woman appears before him, hiding herself in a room that had been kept locked throughout his childhood. Inside, Kurt finds a hidden stash of photographs, letters, and documents. As he deciphers them, he gradually understands the degree of complicity in wartime horrors by his family and among his neighbors. As the story unfolds, it becomes clear that the entire village adheres to an old and widely understood agreement not to expose the many members in the community who had been involved with a nearby prison camp during World War II. This knowledge wraps the entire community-those involved, and those who know of the involvement-in inescapable guilt for generations. Translated from the original German by Tess Lewis, Ludwig's Room is a story of love, betrayal, honor, and cowardice, as well as the burden of history and the moral demands of the present.

Hans Magnus Enzensberger takes the title for this collection of daring short essays on topical themes politics, economics, religion, society not from Jeremy Bentham's famous prison but from a mid-1930s Cabinet of Curiosities opened in Germany by Karl Valentin. "There," writes Enzensberger, "viewers could admire, along with implements of torture, all manner of abnormalities and sensational inventions." And that's what he offers here: a wide-ranging, surprising look at all manner of strange aspects of our contemporary world. As masterly with the essay as he is with fiction and poetry, Enzensberger here presents complicated thoughts with a light touch, tying new iterations of old ideas to their antecedents, quoting liberally from his forebears, and presenting himself unapologetically as not an expert but a seeker. Enzensberger the essayist works in the mode of Montaigne, unafraid to take his reader in unexpected directions, knowing that the process of exploration is often in itself sufficient reward for following a line of thought. ?In an era that regularly laments the death of the public intellectual, Enzensberger is the real deal: a towering figure in German literature who refuses to let his mind or work be bound by the narrow world of the poetry or fiction section. Panopticon will thrill readers daring enough to accompany him.

In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

Writers' notebooks sometimes prove more revelatory than diaries or intimate journals. At first they might appear to be rag-and-bone shops of ideas, insights, hesitations, doubts, and records of things seen, heard, read, dreamt. But eventually they coalesce into a labyrinthine map of the creative process. Swiss poet Philippe Jaccottet has faithfully kept notebooks for many decades, and the selections that make up the Seedtime volumes have retained a vividness of insight and discovery despite the passage of time. After all, as the poet himself says, his notebooks are "a collection of delicate seeds with which I try to replant my 'spiritual forest.'" Seedtime III, which brings this series to a close, records numerous fleeting thoughts, ephemeral experiences, and philosophical observations from a renowned poet well into his seventies, charting the single steps-sometimes forwards, sometimes back-taken in a lifelong attempt to transcend the limits of art. The inconclusive nature of the notebook entries, their tentativeness and lack of resolution, renders them as intriguing and evocative as some of Jaccottet's best works. In them readers will find a life full of the kind of contemplation that attracts yet eludes most of us in our daily existence.

Tells the heart-wrenching story of a family torn between emigration and immigration and paints evocative portraits of the former Yugoslavia and modern-day Switzerland. In this novel, Melinda Nadj Abonji interweaves two narrative strands, recounting the history of three generations of the Kocsis family and chronicling their hard-won assimilation. Originally part of Serbia's Hungarian-speaking minority in the Vojvodina, the Kocsis family immigrates to Switzerland in the early 1970s when their hometown is still part of the Yugoslav republic. Parents Miklos and Rosza land in Switzerland knowing just one word-"work." And after three years of backbreaking, menial work, both legal and illegal, they are finally able to obtain visas for their two young daughters, Ildiko and Nomi, who safely join them. However, for all their efforts to adapt and assimilate they still must endure insults and prejudice from members of their new community and helplessly stand by as the friends and family members they left behind suffer the maelstrom of the Balkan War. With tough-minded nostalgia and compassionate realism, Fly Away, Pigeon illustrates how much pain and loss even the most successful immigrant stories contain. It is a work that is intensely local, while grounded in the histories and cultures of two distinct communities. Its emotions and struggles are as universal as the human dilemmas it portrays.

Klaus Merz is one of the most prominent, prolific, and versatile Swiss writers working today. Celebrated as a master of concise, condensed sentences, Merz brings depth and resonance to spare narratives with lyrical prose and striking images. Stigmata of Bliss brings together three of Merz's critically acclaimed novellas, offering English readers the perfect introduction to his work. Jacob Asleep introduces a family marked by illness, eccentricity, and a child's death. In A Man's Fate, a moment of inattention on a mountainous hike upends a teacher's life and his understanding of mortality. And finally, The Argentine traces the fluctuations of memory and desire in a man's journey around the world. In each novella, Merz takes readers on a profound and intimate journey. Read as a whole, the works complement, enrich, and echo each other.

Since his first collection of poetry appeared in 1953, Philippe Jaccottet has sought to express the ineffable that lies at the heart of our material world in his essential, elemental poetry. As one of Switzerland's most prominent and prolific men of letters, Jaccottet has published more than a dozen books of poetry and criticism. One of Europe's finest contemporary poets, Jaccottet is a writer of exacting attention. Through keen observations of the natural world, of art, literature, music, and reflections on the human condition, Jaccottet opens his readers' eyes to the transcendent in everyday life. The Second Seedtime is a collection of "things seen, things read, and things dreamed." The volume continues the project Jaccottet began three decades earlier in his first volume of notebooks, Seedtime. Here, again, he gathers flashes of beauty dispersed around him like seeds that may blossom into poems or moments of inspiration. He returns, insistently, to such literary touchstones as Dante, Montaigne, Gongora, Goethe, Kierkegaard, Holderlin, Michaux, Hopkins, Bronte, and Dickinson, as well as musical greats including Bach, Monteverdi, Purcell, and Schubert. The Second Seedtime is the vivid chronicle of one man's passionate engagement with the life of the mind, the spirit, and the natural world.

Klaus Merz is one of the most prominent, prolific, and versatile Swiss writers working today. Celebrated as a master of concise, condensed sentences, Merz brings depth and resonance to spare narratives with lyrical prose and striking images. Stigmata of Bliss brings together three of Merz's critically acclaimed novellas, offering English readers the perfect introduction to his work.Jacob Asleep introduces a family marked by illness, eccentricity, and a child's death. In A Man's Fate, a moment of inattention on a mountainous hike upends a teacher's life and his understanding of mortality. And finally, The Argentine traces the fluctuations of memory and desire in a man's journey around the world. In each novella, Merz takes readers on a profound and intimate journey. Read as a whole, the works complement, enrich, and echo each other.

“I think in pictures. Poems help me with this. They are like buoys in the sea. I swim to them, from one to the other. In between, without them, I am lost. They are the handholds where something masses together in the infinite expanse.�—Anselm Kiefer The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. Kiefer describes how the central materials of his art—lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink—influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer’s own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

A collection of daring short essays on topical themes, including politics, economics, religion, society. Hans Magnus Enzensberger takes the title for this collection not from Jeremy Bentham's famous prison but from a mid-1930s Cabinet of Curiosities opened in Germany by Karl Valentin. "There," writes Enzensberger, "viewers could admire, along with implements of torture, all manner of abnormalities and sensational inventions." And that's what he offers here: a wide-ranging, surprising look at all manner of strange aspects of our contemporary world. As masterly with the essay as he is with fiction and poetry, Enzensberger here presents complicated thoughts with a light touch, tying new iterations of old ideas to their antecedents, quoting liberally from his forebears, and presenting himself unapologetically as not an expert but a seeker. Enzensberger the essayist works in the mode of Montaigne, unafraid to take his reader in unexpected directions, knowing that the process of exploration is often in itself sufficient reward for following a line of thought. In an era that regularly laments the death of the public intellectual, Enzensberger is the real deal: a towering figure in German literature who refuses to let his mind or work be bound by the narrow world of the poetry or fiction section.

Could you put your beliefs before your family? Epic Annette is the extraordinary true story of Annette Beaumanoir: brilliant and fierce, she was a medical student living in a world at war who, at nineteen years old, joined the French Resistance and saved the lives of two Jewish children in Paris on the eve of their deportation to the camps. As a doctor and mother devoted to justice and equality, Annette was later found guilty of treachery for supporting the Algerian FLN in France and sentenced to ten years in prison. The story of her dramatic escape, trial in absentia and decades in exile, separated from her children, resembles that of the great heroes whose love for individuals had to compete with their destiny and love of humanity. Annette will remain with you forever. With this gripping personal tale of heroism and grief, author Anne Weber joins Homer in her ability to conjure a titan in an epic poem.

A spellbinding short story collection by one of Austria's most critically acclaimed authors. A man becomes obsessed with observing his neighbours. A large family gathers for Christmas only to wait for the one member who never turns up. An old woman lures a man into her house where he finds dolls resembling himself as a boy. Mesmerizing and haunting stories about loss of identity in the modern world. ------- Why Peirene chose to publish this book: 'I love Kafka and here we have a Kafkaesque sense of alienation - not to mention narrative experiments galore! Outwardly normal events slip into drama before they tip into horror. These oblique tales exert a fascinating hold over the reader.' Meike Ziervogel, Publisher

The narrator in Jean-Luc Benoziglio's Privy Portrait has fallen on hard times. His wife and young daughter have abandoned him, he has no work or prospects, he's blind in one eye, and he must move into a horribly tiny apartment with his only possession: a twenty-five-volume encyclopedia. His neighbors, the Shritzkys, are vulgar, narrow-minded, and racist. And because he has no space for his encyclopedia in his cramped room, he stores it in the communal bathroom, and this becomes a major point of contention with his neighbors. The bathroom is also the only place he can find refuge from the Shritzkys' blaring television, and he barricades himself in it to read his encyclopedia, much to the chagrin of the rest of the residents of the building. Darkly amusing, Privy Portrait is the monologue of a man, disoriented by the gaping void of not knowing his own nationality, recounting the final remnants of his own sanity and his life. In this buffoonish, even grotesque, yet deeply pitiful man, Benoziglio explores, with a light yet profound touch, weighty themes such as the roles of family, history, one's moral responsibility towards others, and the fragility of personal identity.

After several years abroad, a young man returns to his hometown to seek the man he calls master. This master, a brilliant philosopher, had made the young man into a disciple before sending him out into the world to put his teachings into practice. Returning three years later, the disciple finds his master has abandoned his wife and child and moved into a squalid one-room flat, cutting himself off completely from his former life. Disillusioned and reeling from the discovery, the young man spends an entire night listening to his master's bitter denunciation of the ideals they once shared. Obscurity, by noted thinker Philippe Jaccottet, is the story of this intense encounter between two men who were once very close and now must grapple with the fractured ideals that separate them. Written in 1960 during Jaccottet's period of poetic paralysis, the novel seeks to harmonize the best and worst of human nature-reconciling despair, falsehood, and lethargy of spirit with the need to remain open to beauty, truth, and the essential goodness of humankind. Translated by Tess Lewis, Obscurity is Jaccottet's only work of fiction, one that will introduce new readers to the multifaceted skills of this major poet. Praise for the French edition "In its haggard sobriety, the account of this tormented soul's monologue is staggering ...a beautiful narrative, written in a resounding, solemn style."-La Table Ronde