Whether investigating refugee parrots, indentured elephants, the pathetic fallacy, or the revolving absurdity of the human role in the "invasive species crisis," Personhood reveals how the unmistakable problem between humans and our nonhuman relatives is too often the derangement of our narratives and the resulting lack of situational awareness. Building on her previous collection, Bird Lovers, Backyard, Thalia Field's essayistic investigations invite us on a humorous, heartbroken journey into how people attempt to control the fragile complexities of a shared planet. The lived experiences of animals, and other historical actors, provide unique literary-ecological responses to the exigencies of injustice and to our delusions of special status.

Leave to Remain is a faux spy-novel possessed by the spirit of Janus: doubleness, duplicity, double-entendres, two-facedness, bridges and doorways-as is only appropriate for a work composed by two writers: one French, one American. Two-faced Janus resurrects into a time-traveling adventure, a tour of double-agents, double-speak, and double-dealings. In their earlier hybrid essay, A Prank of Georges (2010), Thalia Field and Abigail Lang returned us to "the primal force of language: naming" (Susan Howe). In Leave to Remain, a weathered Janus pursues an elusive quest, responding to a world of war, traitors, translations, and the slippery personal and political terrain between friends and enemies. This silly and deadly serious fiction-essay aims at nothing less than a full inquiry into how monstrous we are when we define loyalties and defend definitions, and how we are all double-agents seeking meaning and intelligence. Unafraid of being both timeless and timely, Leave to Remain challenges the reader to play in the world of folded imagery and language.

An enthralling new work by one of America's foremost experimental writers. Thalia Field's inventive new book explores the very condition of being incarnate: how, invested with human form, we experience both suffering and ecstasy from childhood to adulthood to death. As with her previous book published by New Directions, Point and Line (2000), Incarnate defies categorization: it "industriously works the sparsely populated and as yet underdeveloped borderlands between poetry, fiction, theater, and contemporary classical music" (Review of Contemporary Fiction). In Incarnate: Story Material, she continues to reach beyond borders, examining how, trapped in our own stories, we act and react in a world of solidity, perceiving something "other" close at hand. With its amazing variety of poetic and prose-like forms, driven by a fierce and playful intelligence, Incarnate: Story Material challenges and moves us.

Bird Lovers, Backyard continues Thalia Field's interrogation of the act of storytelling and her experimentation with literary genre. Field's illuminating essays, or stories, in poetic form, place scientists, philosophers, animals, even the military, in real and imagined events. Her open questioning brings in subjects as diverse as pigeons, chat rooms, nuclear testing, the building of the Kennedy Space Center, the development of seaside beaches, Konrad Lorenz, the American author and animal trainer Vicki Hearne, and the Swiss zoologist Heini Hediger. Throughout, she intermingles fact and fiction, probing the porous boundaries between human and animal, calling into question "what we are willing to do with words," and spinning a world where life is haunted by echoes. Story and event survive through daring language, and the elegies of history.