'The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is a migrating spirit.' - Nick Cave.

Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world.

Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies.

Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.

In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.

My poetry and writings are unique and different in all aspects of previous written poetry books and details a story of horrific events that I have gone through, after my return from a twelve-year stay in Germany. The books I have written involve many people, such as Hollywood movie stars, the United States government, my children, and prospective wives I attempted to have after my divorce from a previous eighteen years of marriage to a German woman. The events are of me being stalked and pressured into homelessness, denied human rights, and mentally terrorized. The poetry in this book is part of a long story, which has taken to this point eight years of my life. This book is a part of an eleven book series, which contains eight books in English and three in German.

DO WHAT YOU WANT: The Story of Bad Religion reveals the ups and downs of the band's 40-year career. From their beginnings as teenagers jamming in a San Fernando Valley garage dubbed "The Hell Hole" to headlining major music festivals around the world, DO WANT YOU WANT tells the whole story in irreverent style. While DO WHAT YOU WANT tracks down nearly all of Bad Religion's members past and present, the chief storytellers are the four voices that define Bad Religion: Greg Graffin, a Wisconsin kid who sang in the choir and became an L.A. punk rock icon while he was still a teenager; Brett Gurewitz, a high school dropout who founded the independent punk label Epitaph Records and went on to become a record mogul; Jay Bentley, a surfer and skater who gained recognition as much for his bass skills as for his onstage antics; and Brian Baker, a founding member of Minor Threat who joined the band in 1994 and brings a fresh perspective as an intimate outsider. With a unique blend of melodic hardcore and thought-provoking lyrics, Bad Religion paved the way for the punk rock explosion of the 1990s, opening the door for bands like NOFX, The Offspring, Rancid, Green Day, and Blink-182 to reach wider audiences. They showed the world what punk could be, and they continue to spread their message one song, one show, one tour at a time-with no signs of stopping.

Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world.

Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies.

Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.

In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.

Bad Manners is back in season with their original plant-based recipes to show you how to shop and cook smarter in this new world, so cooking at home doesn't have to be boring as f*ck. Hungry as Hell will have your ass back in the kitchen - not just occasionally but as the default. It'll teach you how to cook smart, healthful meals that will benefit you for the rest of your life.

Do What You Want: The Story of Bad Religion reveals the ups and downs of the band's forty-year career. From their beginnings as teenagers jamming in a San Fernando Valley garage dubbed "The Hell Hole" to headlining major music festivals around the world, Do What You Want tells the whole story in irreverent style. While Do What You Want tracks down nearly all of Bad Religion's members past and present, the chief storytellers are the four voices that define Bad Religion: Greg Graffin, a Wisconsin kid who sang in the choir and became an L.A. punk rock icon while he was still a teenager; Brett Gurewitz, a high school dropout who founded the independent punk label Epitaph Records and went on to become a record mogul; Jay Bentley, a surfer and skater who gained recognition as much for his bass skills as for his onstage antics; and Brian Baker, a founding member of Minor Threat who joined the band in 1994 and brings a fresh perspective as an intimate outsider. With a unique blend of melodic hardcore and thought-provoking lyrics, Bad Religion paved the way for the punk rock explosion of the 1990s, opening the door for bands like NOFX, The Offspring, Rancid, Green Day, and Blink-182 to reach wider audiences. They showed the world what punk could be, and they continue to spread their message one song, one show, one tour at a time -- with no signs of stopping.

Track list:

1.
Live for the Music (Live)
Feel Like Makin' Love (Live)
Gone, Gone, Gone (Live)
Burnin' Sky (Live)
Electricland (Live)
Ready for Love (Live)
Crazy Circles (Live)
Seagull (Live)
Rock "N" Roll Fantasy (Live)
Shooting Star (Live)
Movin' on (Live)
Can't Get Enough (Live)
Bad Company (Live)
Rock Steady (Live)

2.
Live for the Music (Live)
Feel Like Makin' Love (Live)
Gone, Gone, Gone (Live)
Burnin' Sky (Live)
Electricland (Live)
Ready for Love (Live)
Crazy Circles (Live)
Seagull (Live)
Rock "N" Roll Fantasy (Live)
Shooting Star (Live)
Movin' on (Live)
Can't Get Enough (Live)
Bad Company (Live)
Rock Steady (Live)

Track Listings
Side A : Feels Like Makin’ Love / Shooting Star
Side B : Soul Of Love / Seagull / Tracking Down A Runway
Side C : Young Blood / Silver, Blue And Gold / Bad Company
Side D : Paul Rogers Interview

Documentary featuring a live performance by alternative rock band Nick Cave and the Bad Seeds as they play tracks from their forthcoming album 'Skeleton Tree'. With the aid of interviews, behind-the-scenes footage and narration from Nick Cave himself, the film also explores the writing and recording process and touches on some of the tragic events which inspired much of the band's new material.