Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

How should a motorist converse with the police? Should you switch off your headlights when another car approaches? What parts of the engine can you fix with a sheet of emery paper, insulating tape and copper wire? The 1920s heralded the age of motoring with the arrival of the 'affordable' Austin Seven and the increasing popularity of Morris Motors in Britain. Yet the first edition of the Highway Code would not appear for another decade and the rules of the road were rudimentary to say the least. This charming and practical guide provides enduring advice to novice motorists on how to cope with such hazards as skidding, headlight dazzle and sheep on the road, much of which is still instructive on today's car journeys. Many of the author's observations will strike a chord with the modern driver: 'When driving, look on all other drivers as fools...'. Others evoke the style and etiquette of a glamorous bygone era: 'A good chauffeur... will save his employer a great deal of expense'; 'an average speed of twenty miles per hour... allows you and your passengers to see something of the countryside'. Covering such topics as unscrupulous second-hand car dealers, women drivers and 'dashboard delights', this little book provides all the information needed to get maximum enjoyment out of the open road, complete with leisurely picnics and a little light motor-car maintenance.

Invented to entertain Alice Liddell on boat-trips down the river Thames in Oxford, Alice’s Adventures in Wonderland has become one of the most famous and influential works of children’s literature of all time. It is hard to imagine Alice’s Adventures in Wonderland without picturing the illustrations made by Sir John Tenniel for the first edition of the story. Sir John Tenniel (1820–1914) was the principal satirical cartoonist for Punch magazine for over fifty years and much in demand as an illustrator in Victorian Britain. At Lewis Carroll’s request, he illustrated the first edition of Alice’s Adventures in Wonderland, published by Macmillan in 1865. In 1889, he made coloured versions of the drawings for The Nursery Alice, an adaptation of the story created especially for 0-5 year-olds. Ten years later, Gertrude E. Thompson modified Tenniel’s illustrations for a card entitled ‘The New and Diverting Game of Alice in Wonderland’. These unforgettable illustrations, including the Mad Hatter, the Mock Turtle and the Queen of Hearts, among many others, are featured in these special journals. Beautifully produced in hardback with lined paper, coloured page edges, ribbon marker and printed endpapers, this Alice in Wonderland journal is the perfect gift for Wonderland fans.

In 1942, the United States War Department distributed a handbook to American servicemen that advised them on the peculiarities of the "British, their country, and their ways."

Over sixty years later, this newly published reproduction from the rich archives of the Bodleian Library offers a fascinating glimpse into American military preparations for World War II. The guide was intended to alleviate the culture shock for soldiers taking their first trip to Great Britain, or, for that matter, abroad. The handbook is punctuated with endearingly nostalgic advice and refreshingly candid quips such as: "The British don't know how to make a good cup of coffee. You don't know how to make a good cup of tea. It's an even swap."

By turns hilarious and poignant, many observations featured in the handbook remain relevant even today. Reproduced in a style reminiscent of the era, "Instructions for American Servicemen in Britain" is a powerfully evocative war-time memento that offers a unique perspective on the longstanding American-British relationship and reveals amusingly incisive American perceptions of the British character and country.