Triple bill of crime dramas. In 'Bad Karma' (2012), starring Ray Liotta and Dominic Purcell, a criminal's attempts to go straight are sabotaged by his former partner. Relocating from Sydney to the Gold Coast to start afresh, Molloy (Liotta) is remarkably successful and even finds something approaching domestic bliss with a new girlfriend. Naturally, when his old crime partner Mack (Purcell) tracks him down he finds that Molloy is reluctant to return to his past life. Unfortunately, this doesn't deter the increasingly deranged Mack as he sets about convincing Molloy to help him pull off one last job. In 'The Entitled' (2011) social misfit Paul (Kevin Zegers) is driven to desperate measures when he is turned down for yet another job and his ill mother is given a foreclosure notice on the family home. He enlists the help of two friends to abduct three kids from rich families and hold them ransom for a million dollars each, but the plan goes badly wrong and they soon find themselves in way over their heads. 'Officer Down' (2012) follows Detective David Callahan (Stephen Dorff), known as 'Cal' on the force, who has had a mixed career as a police officer, struggling with drink problems and straying to the wrong side of the law himself at times. When he finds himself caught up in a murder investigation, Cal must attempt to overcome the demons from his own past as well as the challenges of the case.

The scope and depth of family business research have been quickly expanding in the last two decades. The editors and contributors to this book present eight recent studies examining the impact of external or internal family conditions on the innovation, growth, and succession of family firms in Asia. By examining the influence of families on firm behaviors and decisions, researchers have been pushing the boundaries of this field. As researchers develop a better understanding of how families influence their businesses, the family conditions, including the properties and dynamics of families, have been found to play significant roles in the business decisions. In addition, globalization as a pressing issue has brought new opportunities and challenges to families and their businesses. This volume comprises diverse topics, including less commonly examined issues such as kinship, immigrant family enterprises, and family asset management. This book is a rich resource for researchers, students, and family business consultants.

Foreword by Ian Gough This seminal book addresses the critical and urgent question of 'what makes welfare states sustainable?' in the era of climate change. Expert authors challenge traditional perspectives on questions of sustainability which have focused on population ageing, global economic turbulence and on containing current and future public social spending. The chapters present new empirical evidence in the form of in-depth comparative country studies from across Europe, offering an insight into how political actors, social partners and civil society organisations in countries associated with different welfare models address questions of sustainability and the extent to which they balance social, ecological and economic considerations. The editors conclude by mapping out ways in which welfare states can address these increasingly urgent and complex issues and facilitate an eco-social transition towards true sustainability. This book will be an invaluable resource for scholars and students of comparative social policy, environmental politics and policy and climate change. Highlighting the political and structural challenges European societies face in the transition to low carbon economies, this book will also be beneficial for policymakers and practitioners in these areas.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Dit is die woorde wat in Farieda se kop bly draai.

?As jy iets sien wat verkeerd is ? maak dit reg?.

Farieda geniet haar lewe in Colleenhof 111 in Manenberg op die Kaapse Vlakte. Sy het alles wat sy nodig het, al is dit nie veel nie. Sy is life vir haar ouers en die bure en sy geniet dit om skool toe te gaan. Maar haar lewe verander handomkeer wanneer haar pa, Boeta Saliem, skielik sterf?

Colleenhof 111 is die gevoelvolle verhaal van Farieda se kindertyd. Sy beleef die probleme van haar grootwordjare in Manenberg deur die oë van ?n kind ? die onbillikheid van armoede, die misdaad en die bendes ? maar sy leer ook van vriendskap, haar erfenis en die krag van die menslike gees. Die verskeidenheid en die rykdom van die kultuur en daaglikse lewe in Manenberg word noukeurig en kunstig deur die skrywer, MI Davids, verwoord.

Do you remember your fond childhood memories? Those were the innocent days when technology was not a part of our lives yet, games were played outside and the world was not so polluted. Ordinary and classic toys were enough for kids to enjoy. This book will take you back to your happy childhood days with 19 beautiful "innocent" amigurumi toys. Some toys from the book are granny and little helper, grandma and grandpa, lovely girl dolls, rag doll, duck, bunnies, Red Riding Hood, cowgirl and hobby horse, vintage robot, baby doll twins, gardener girl doll and bear.. These all were designed by a different amigurumi designers. AUTHORS: Vivyane is an amigurumi-designer and the person behind "Happy Crochet, Etc" on Instagram. She fell in the crochet cauldron seven years ago. Until then she was drawing and painting a lot but was looking for a new hobby that would re-boost her creativity and give it a new momentum. That is how she discovered the world of amigurumi. Vivyane is a self-taught crocheter who learned through books and videos, and later decided she wanted to create her own crochet designs. Skaiste Kivci is a translator and amigurumi designer based in Lithuania. She has been into handicraft ever since she was a child but she happened to get into the charming, colourful world of amigurumi simply out of wanting to bring joy to her kids and friends by my handmade toys. She feels lucky to find this hobby also brought her to like-minded peers and friends. She is a mom of three and living in Lithuania with her family. Mei Li Lee, better known as Amigurumei, is a self-professed daydreamer who discovered amigurumi by chance. Now she enjoys sharing the joy of the craft with like-minded daydreamers, splitting her hours between being a mom of twin boys and designing magical dolls, each packed with a little unique personality of their own (much like her boys). The former journalist and craft columnist is also the author of Hello Kitty Crochet. Elisa Ems-Domenig has been a crochet artist and designer for the past 6 years. She designs and creates her own cute toy range under the name "Lulu loves the Moon." She lives with her husband, 5 children, and lots of farm animals in the forest at the foot of the Alps in Austria. Sandra Muller lives in France in Lyon with her husband and children. As a textile designer she is passionate about the arts of yarn and creates amigurumi and crochet patterns. Dolls and their dressing and accessories have taken a great place in her collection. She is known as Lucienne Compatine on Instagram.