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The Model as Performance - Staging Space in Theatre and Architecture (Hardcover): Thea Brejzek, Lawrence Wallen The Model as Performance - Staging Space in Theatre and Architecture (Hardcover)
Thea Brejzek, Lawrence Wallen; Series edited by Joslin McKinney, Scott Palmer, Stephen A Di Benedetto
R3,977 Discovery Miles 39 770 Ships in 10 - 15 working days

The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment. The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

The Model as Performance - Staging Space in Theatre and Architecture (Paperback): Thea Brejzek, Lawrence Wallen The Model as Performance - Staging Space in Theatre and Architecture (Paperback)
Thea Brejzek, Lawrence Wallen; Series edited by Joslin McKinney, Scott Palmer, Stephen A Di Benedetto
R1,202 Discovery Miles 12 020 Ships in 10 - 15 working days

The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschi's dome models and Bel Geddes' Futurama, Mies van der Rohe's mock ups and Zumthor's atmospheric models, Anna Viebrock's life size boxes and Herzog & de Meuron's miniature styrofoam exhibits. The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

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