Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory. From the twelfth to the fifteenth centuries, French was one of England's main languages of literature, record, diplomacy and commerce and also its only supra-national vernacular. As is now recognised, the large corpus of England'sFrench texts and records is indispensable to understanding England's literary and cultural history, the multilingualism of early England, and European medieval French-language culture in general. This volume presents a full, representative collection of texts and facing translations from England's medieval French. Through its selection of prologues and other excerpts from works composed or circulating in England, the volume presents a body of vernacular literary theory, in which some fifty-five highly various texts, from a range of genres, discuss their own origins, circumstances, strategies, source materials, purposes and audiences. Each entry, newly edited from a single manuscript, is accompanied by a headnote, annotation, and narrative bibliography, while a general introduction and section introductions provide further context and information. Also included are essays on French in England and onthe prosody and prose of insular French; Middle English versions of some of the edited French texts; and a glossary of literary terms. By giving access to a literate culture hitherto available primarily only to Anglo-Norman specialists, this book opens up new possibilities for taking English francophony into account in research and teaching. JOCELYN WOGAN-BROWNE is Thomas F.X. and Theresa Mullarkey Chair in Literature, English Department, Fordham University, New York, and formerly Professor of Medieval Literature, University of York; THELMA FENSTER is Professor Emerita of French and Medieval Studies, Fordham University; DELBERT RUSSELL is Distinguished Professor Emeritus of French, University of Waterloo.

Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory. From the twelfth to the fifteenth centuries, French was one of England's main languages of literature, record, diplomacy and commerce and also its only supra-national vernacular. As is now recognised, the large corpus of England'sFrench texts and records is indispensable to understanding England's literary and cultural history, the multilingualism of early England, and European medieval French-language culture in general. This volume presents a full, representative collection of texts and facing translations from England's medieval French. Through its selection of prologues and other excerpts from works composed or circulating in England, the volume presents a body of vernacular literary theory, in which some fifty-five highly various texts, from a range of genres, discuss their own origins, circumstances, strategies, source materials, purposes and audiences. Each entry, newly edited from a single manuscript, is accompanied by a headnote, annotation, and narrative bibliography, while a general introduction and section introductions provide further context and information. Also included are essays on French in England and onthe prosody and prose of insular French; Middle English versions of some of the edited French texts; and a glossary of literary terms. By giving access to a literate culture hitherto available primarily only to Anglo-Norman specialists, this book opens up new possibilities for taking English francophony into account in research and teaching. Jocelyn Wogan-Browne is Thomas F.X. and Theresa Mullarkey Chair in Literature, Fordham University, New York, and formerly Professor of Medieval Literature, University of York; Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Delbert Russell is Distinguished Professor Emeritus of French, University of Waterloo.

Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

In medieval Europe, the word fama denoted both talk (what was commonly said about a person or event) and an individual's ensuing reputation (one's fama). Although talk by others was no doubt often feared, it was also valued and even cultivated as a vehicle for shaping one's status. People had to think about how to "manage" their fama, which played an essential role in the medieval culture of appearances.At the same time, however, institutions such as law courts and the church, alarmed by the power of talk, sought increasingly to regulate it. Christian moral discourse, literary and visual representation, juristic manuals, and court records reflected concern about talk. This book's authors consider how talk was created and entered into memory. They address such topics as fama's relation to secular law and the preoccupations of the church, its impact on women's lives, and its capacity to shape the concept of literary authorship.

In medieval Europe, the word fama denoted both talk (what was commonly said about a person or event) and an individual's ensuing reputation (one's fama). Although talk by others was no doubt often feared, it was also valued and even cultivated as a vehicle for shaping one's status. People had to think about how to "manage" their fama, which played an essential role in the medieval culture of appearances.At the same time, however, institutions such as law courts and the church, alarmed by the power of talk, sought increasingly to regulate it. Christian moral discourse, literary and visual representation, juristic manuals, and court records reflected concern about talk. This book's authors consider how talk was created and entered into memory. They address such topics as fama's relation to secular law and the preoccupations of the church, its impact on women's lives, and its capacity to shape the concept of literary authorship.