This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Wallenstein In Der Dramatischen Dichtung Des Jahrzehnts Seines Todes Theodor Vetter J. Huber, 1894

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: style. We hear of him for the first time in 1540,' he seems to have visited Zurich in 1542, and he is from that period onward, for about thirty-seven years, one of the most interesting correspondents. Hilles left his country, because he was afraid of persecution, and earned his living as a cloth-merchant chiefly at Strasburg, although there are also letters dated from Frankfort, London, or Antwerp. When he writes, his regular topic is, of course, the state of the affairs of the church, but so many items of worldly news, evidently received from trustworthy sources, are inserted, that we get vivid glimpses into the public as well as into the private life of that period. For his Zurich friends the descriptions of Thomas Cromwell's fall and execution (28th July, 1540), of the king's proceeding against Anne of Cleves, of his marriage with Catharine Howard, of the execution of her uncle, the duke of Norfolk and her cousin, Henry Howard Earl ofSurrey,1 the poet, must have been of great interest, at a time when no newspapers or periodicals informed the people of the events of the world. 1 Zwingliana 1899, p. IOO. The accession of King Edward fills him with great joy, for now he may return to his native country and his children, born abroad, are naturalized.2 Six years later, on the 9th of July, 1553, i. e. three days after king Edward's death, Richard Hilles in a letter to Bullinger expresses his deep regret that England had lost that promising sovereign, but he is full of hopes for the future, knowing that Queen Jane (Lady Jane Grey) will protect the new doctrine: "Yet we are not altogether without God's mercy, since he has now ordained such a successor to so pious a king, under whom we have great hopes that we, her subjects, shall nevertheless be able to live a godly, quiet, and t...

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Mit Der Spectator Als Quelle Der Discurse Der Maller. This Book Is In German.

Mit Der Spectator Als Quelle Der Discurse Der Maller. This Book Is In German.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.