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Taking citizenship as a political position, cultural process, and
intertwining of both, this edited volume examines the role of
visual art and visual culture as sites for the construction and
contestation of both state-sanctioned and cultural citizenships
from the late 1970s to today. Contributors to this book examine an
assortment of visual media-painting, sculpture, photography,
performance, the built environment, new media, and social
practice-within diverse and international communities, such as the
United States, South Africa, Turkey, and New Zealand. Topics
addressed include, but are not limited to, citizenship in terms of:
nation building, civic practices, border zones, transnationalism,
statelessness, and affects of belonging as well as alternate forms
of, or resistance to, citizenship.
Taking citizenship as a political position, cultural process, and
intertwining of both, this edited volume examines the role of
visual art and visual culture as sites for the construction and
contestation of both state-sanctioned and cultural citizenships
from the late 1970s to today. Contributors to this book examine an
assortment of visual media-painting, sculpture, photography,
performance, the built environment, new media, and social
practice-within diverse and international communities, such as the
United States, South Africa, Turkey, and New Zealand. Topics
addressed include, but are not limited to, citizenship in terms of:
nation building, civic practices, border zones, transnationalism,
statelessness, and affects of belonging as well as alternate forms
of, or resistance to, citizenship.
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