As Prime Minister for three years and Home Secretary for six years, Theresa May confronted a series of issues in which the abuse of power led to devastating results for individuals and significantly damaged the reputation of, and trust in, public institutions and politicians. From the Hillsborough and Grenfell tragedies, to the Daniel Morgan case and parliamentary scandals, the powerful repeatedly chose to use their power not in the interests of the powerless but to serve themselves or to protect the organisation to which they belonged. The Abuse of Power is a searing exposé of injustice and an impassioned call to exercise power for the greater good. Drawing on examples from domestic and international affairs she was personally involved in at the highest level, including Stop and Search and the Salisbury Poisonings, the former prime minister argues for a radical rethink in how we approach our politics and public life.

Human degradation of the environment has been documented by scholars across a range of disciplines: the global temperature of the planet continues to rise, abandoned industrial sites stain once vibrant communities, and questions about the purity of our water and foods linger. In the shadow of these material conditions, concerned citizens have reacted by issuing critiques against careless consumerism and excessive lifestyles. Their hope is to illustrate and inspire alternative ways of living. As part of such efforts and activism, some have turned to performance as a means to investigate matters further, pose challenges and questions, and enact new ways of being and thinking in a globalized world. Performance on Behalf of the Environment is a collection of essays from a diverse group of scholars that explore critically the strengths, limitations, and processes of what can be termed environmental performances.

As Prime Minister for three years and Home Secretary for six years, Theresa May confronted a series of issues in which the abuse of power led to devastating results for individuals and significantly damaged the reputation of, and trust in, public institutions and politicians. From the Hillsborough and Grenfell tragedies, to the Daniel Morgan case and parliamentary scandals, the powerful repeatedly chose to use their power not in the interests of the powerless but to serve themselves or to protect the organisation to which they belonged. The Abuse of Power is a searing exposé of injustice and an impassioned call to exercise power for the greater good. Drawing on examples from domestic and international affairs she was personally involved in at the highest level, including Stop and Search and the Salisbury Poisonings, the former prime minister argues for a radical rethink in how we approach our politics and public life.

After a devastating fish kill on the Klamath River, tribal members and theatre artist Theresa May developed a play to give voice to the central spiritual and cultural role of salmon in tribal life. Salmon Is Everything presents the script of that play, along with essays by artists and collaborators that illuminate the process of creating and performing theatre on Native and environmental issues. Salmon Is Everything simultaneously illuminates the logistics of a crisis in the third largest watershed in the Pacific Northwest-the premature death of more than 30,000 salmon on the Lower Klamath River in 2002-and documents what happened when one community decided to use art to amplify the experiences of its members. The fish kill had unprecedented impact throughout the watershed, and for many tribal communities it signified an ongoing loss of traditional cultural practices. But in the political and ecological upheaval that followed, the role of salmon in tribal life went largely unacknowledged, which inspired the collaboration between May and members of the Yurok, Hoopa Valley, and Karuk tribes, as well as farmers, ranchers, and others invested in the Klamath watershed. Salmon is Everything will appeal to readers interested in the environmental and cultural history of the Pacific Northwest and the ecological and civil challenges its communities face. For artists and activists, it's a useful case study. Salmon is Everything offers a unique interdisciplinary resource for high school and college level courses in environmental studies, Native American studies, and theatre arts education. New materials in this second edition include additional essays by Native faculty and actors, an updated introduction by the author, minor textual corrections throughout, and a new online resource guide.