Niketas Choniates was in Constantinople when it was burnt and looted by the soldiers of the Fourth Crusade and he wrote a history which has always been the mainstay for anyone wishing to learn about the Comnene dynasty and the Byzantine Empire of the twelfth century. Yet it is a very difficult and puzzling text and, given its significance for the period, is understudied. The author says at the start that he wrote his work hoping that even workers and women would be able to profit from it, yet he wrote those words, and the rest of the history, in a highly convoluted, literary and at times opaque style and language. This examination is an introduction to the history of Niketas, and to the author's views of why this period saw such catastrophe for the Byzantines. It looks at Niketas' thoughts about history-writing, the emperors, and the Comnene dynasty in particular, about the presence of God in man's affairs, and the historian's attitudes to the women of the imperial family.

Although much has been written on Greek and Roman slavery, slave resistance has typically been dismissed as historically insignificant and those revolts that are documented are portrayed as wholly exceptional and resulting from peculiar historical circumstances that had little to do with the intrinsic views or organizational capabilities of the slaves themselves.In this book Theresa Urbainczyk challenges the current orthodoxy and argues that there were many more slave revolts than is usually assumed and they were far from insignificant historically. She carefully dissects ancient and modern interpretations to show that there was every reason for the writers who recorded and re-recorded the slave rebellions and wars to repress or to reconfigure any larger-scale slave resistance as something other than what it was. Further, she shows that we often have the accounts that we do because of the happenstance of certain ancient authors having been particularly interested in creating accounts of them for their own interests. Urbainczyk argues that we need to look beyond the canonical sources and episodes to see a bigger history of long-term resistance of slaves to their enslavement.

Niketas Choniates was in Constantinople when it was burnt and looted by the soldiers of the Fourth Crusade and he wrote a history which has always been the mainstay for anyone wishing to learn about the Comnene dynasty and the Byzantine Empire of the twelfth century. Yet it is a very difficult and puzzling text and, given its significance for the period, is understudied. The author says at the start that he wrote his work hoping that even workers and women would be able to profit from it, yet he wrote those words, and the rest of the history, in a highly convoluted, literary and at times opaque style and language. This examination is an introduction to the history of Niketas, and to the author's views of why this period saw such catastrophe for the Byzantines. It looks at Niketas' thoughts about history-writing, the emperors, and the Comnene dynasty in particular, about the presence of God in man's affairs, and the historian's attitudes to the women of the imperial family.

Although much has been written on Greek and Roman slavery, slave resistance has typically been dismissed as historically insignificant and those revolts that are documented are portrayed as wholly exceptional and resulting from peculiar historical circumstances that had little to do with the intrinsic views or organizational capabilities of the slaves themselves.In this book Theresa Urbainczyk challenges the current orthodoxy and argues that there were many more slave revolts than is usually assumed and they were far from insignificant historically. She carefully dissects ancient and modern interpretations to show that there was every reason for the writers who recorded and re-recorded the slave rebellions and wars to repress or to reconfigure any larger-scale slave resistance as something other than what it was. Further, she shows that we often have the accounts that we do because of the happenstance of certain ancient authors having been particularly interested in creating accounts of them for their own interests. Urbainczyk argues that we need to look beyond the canonical sources and episodes to see a bigger history of long-term resistance of slaves to their enslavement.

For many today Spartacus is Kirk Douglas. The influence of Kubrick's film has been enormous, but Spartacus was famous before 1960. For hundreds of years he has been a byword for resistance, revolution and the fight for freedom. He has given his name to a revolutionary party in Germany and a political group in the USA; he is the subject of several novels and films, and even a ballet. Though only a slave, he is as famous as Julius Caesar. Not much information, and much of it negative, survives about him from the ancient world, yet his reputation has survived this character assassination and he is still famous as a popular hero two thousand years after his death. Theresa Urbainczyk explores the man and the myth in this fascinating short treatment of an icon of revolution.