Jacques Derrida said that deconstruction 'takes place everywhere.' Derridada reexamines the work of artist Marcel Duchamp as one of these places. Tucker suggests that Duchamp belongs to deconstruction as much as deconstruction belongs to Duchamp. Both bear the infra-thin mark of the other. He explores these marks through the themes of time and diffZrance, language and the readymade, and the construction of self-identity through art. This book will be of interest to students and scholars interested in Modernism and the avant-garde. It will be useful for undergraduate students of art history, modernism, and critical theory, as well as for graduate students of philosophy, visual culture studies, and art theory.

Jacques Derrida said that deconstruction "takes place everywhere." Derridada reexamines the work of artist Marcel Duchamp as one of these places. Tucker suggests that Duchamp belongs to deconstruction as much as deconstruction belongs to Duchamp. Both bear the infra-thin mark of the other. He explores these marks through the themes of time and differance, language and the readymade, and the construction of self-identity through art. This book will be of interest to students and scholars interested in Modernism and the avant-garde. It will be useful for undergraduate students of art history, modernism, and critical theory, as well as for graduate students of philosophy, visual culture studies, and art theory.

Writing and Community Action: A Service-Learning Rhetoric and Reader encourages inquiry into community and social action issues, supports community-based research, and shepherds students through a range of service-learning writing projects.

Several chapters offer pragmatic advice for crafting personal, reflective, and analytical essays, while service-learning chapters present experience-tested strategies for doing collaborative writing projects at nonprofit agencies, conducting research on pressing social problems, writing proposals that respond to campus and community concerns, and composing oral histories. The assignments help students to see themselves as writers whose work really matters. Provocative readings spark critical reflection on community service and a range of social concerns (including economic justice, literacy, education, homelessness, race, and identity). Focusing on invention, audience analysis, and the social purposes of writing, Writing and Community Action encourages students to adopt a rhetorical frame of mind.

Hopeful in tone, this book makes clear the ways that writing can serve as action in both academic and community contexts.

From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flaneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps breaking new ground in motion studies and providing a bold new perspective on film history.

Terrence Malick's four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malick's stature in the world of contemporary film. Each of the essays in Terrence Malick: Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malick's films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick: Film and Philosophy engages with Malick's body of work in distinct and independently significant ways: by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films. >

Thomas Dean explores a wide range of fundamental topics in computer science, from digital logic and machine language to artificial intelligence and the World Wide Web, explaining how computers and computer programs work and how the various subfields of computer science are interconnected. Dean touches on a number of questions including: How can a computer learn to recognize junk email? What happens when you click on a link in a browser? How can you program a robot to do two things at once? Are there limits to what computers can do? Dean encourages readers to experiment with short programs and fragments of code written in several languages to strip away the mystery and reveal the underlying computational ideas. The accompanying website (www.cs.brown.edu/tld/talk) provides access to code fragments, tips on finding and installing software, links to online resources, and exercises. Throughout Talking With Computers, Dean conveys his fascination with computers and enthusiasm for working in a field that has changed almost every aspect of our daily lives. Thomas Dean is Professor in the Computer Science Department at Brown University, where he served as Acting Vice President for Computing and Information Services from 2001-2002. He is co-author of Planning and Control (Morgan-Kaufman, 1991) and Artificial Intelligence: Theory and Practice (Addison-Wesley, 1995).

Thomas Dean explores a wide range of fundamental topics in computer science, from digital logic and machine language to artificial intelligence and the World Wide Web, explaining how computers and computer programs work and how the various subfields of computer science are interconnected. Dean touches on a number of questions including: How can a computer learn to recognize junk email? What happens when you click on a link in a browser? How can you program a robot to do two things at once? Are there limits to what computers can do? Dean encourages readers to experiment with short programs and fragments of code written in several languages to strip away the mystery and reveal the underlying computational ideas. The accompanying website (www.cs.brown.edu/tld/talk) provides access to code fragments, tips on finding and installing software, links to online resources, and exercises. Throughout Talking With Computers, Dean conveys his fascination with computers and enthusiasm for working in a field that has changed almost every aspect of our daily lives. Thomas Dean is Professor in the Computer Science Department at Brown University, where he served as Acting Vice President for Computing and Information Services from 2001-2002. He is co-author of Planning and Control (Morgan-Kaufman, 1991) and Artificial Intelligence: Theory and Practice (Addison-Wesley, 1995).

Thom Dean was a perfectly healthy 21-year-old college student enjoying his senior year majoring in English with a minor in Creative Writing at SUNY Fredonia in New York, who was suddenly struck down by a rare condition called lymphocytic myocarditis that was likely caused by a virus that attacked his heart and led to his sudden and completely unexpected death. Thom was an amazing and unique young man who inspired all of those lucky enough to know him, leaving all who loved him shocked and devastated by his sudden passing. Luckily, Thom left us many of his beautiful words through his writing, a part of him that we will cherish forever. This book is our gift to and from Thom, allowing us to share his words and our memories of him with the world. Our hope is that his story will inspire others to live their lives to the fullest and to realize that life is a precious gift that can be gone in an instant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flaneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps - breaking new ground in motion studies and providing a bold new perspective on film history.

Terrence Malick's four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malick's stature in the world of contemporary film. Each of the essays in Terrence Malick: Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malick's films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick: Film and Philosophy engages with Malick's body of work in distinct and independently significant ways: by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films.

Working actively with emotion has been empirically shown to be of central importance in psychotherapy, yet has been underemphasized in much of the writing on cognitive-behavioral therapy (CBT). This state-of-the-art volume brings together leading authorities to describe ways to work with emotion to enrich therapy and achieve more robust outcomes that go beyond symptom reduction. Highlighting experiential techniques that are grounded in evidence, the book demonstrates clinical applications with vivid case material. Coverage includes mindfulness- and acceptance-based strategies, compassion-focused techniques, new variations on exposure-based interventions, the use of imagery to rework underlying schemas, and methods for addressing emotional aspects of the therapeutic relationship.