This issue of Thoracic Surgery Clinics of North America focuses on Pulmonary Metastasectomy. Articles will include: Biology of Pulmonary Metastases; Preoperative Evaluations and Indications for Metastasectomy; Open Approaches to Pulmonary Metastases: Thoracotomy and Sternotomy; Ablative Approaches for Pulmonary Metastases: RFA, microwave, SBRT; Role of Lymphadenectomy with Pulmonary Metastasectomy; Results of Pulmonary Resection: Colorectal Carcinoma; Results of Pulmonary Resection: Sarcoma and Germ Cell Tumors; Isolated Lung Perfusion; Immunotherapy; Medical Management of Pulmonary Metastases: Is There a Role for Surgery?; Thoracoscopic Management of Pulmonary Metastases; Results of Pulmonary Resection: Other Epithelial Malignancies; Thoracoscopic Lung Suffusion; and more!

Ever since its premiere in 1994, Thomas Ades' first string quartet, Arcadiana has been captivating audiences with its evocations of vanishing, vanished, and imaginary idylls. Of all the work's movements it is O Albion that has most captured the imagination of listeners: seventeen sighing, devotissimo bars that, in only three minutes, conjure a whole emotional world. This arrangement for SSAATTBB voices was created by Jim Clements for vocal group Voces8, who recorded it for Decca in 2018. It sets a line from William Blake's Visions of the Daughters of Albion: 'The Daughters of Albion hear her woes, and echo back her sighs.' A piano part is included for rehearsal.

Thomas Ades is feted from Los Angeles to London, from New York to Berlin, as the musician who has done more than any other living composer to connect contemporary music with wider audiences. His operas, orchestral pieces and chamber works have already stood the test of repeated performances, productions and continued critical acclaim. But this celebrated composer, conductor and pianist is notoriously secretive about his creative process, about what lies behind his compositional impulse. The poetry, technique and biography that fuel his most successful and shattering works, such as his operas Powder Her Face and The Tempest, or his orchestral works Asyla and Tevot, have remained hidden and unexplained. Until now. In conversation with Tom Service - the writer with whom he has had the closest relationship in his career - Ades opens up for the first time about how he creates his music, where it comes from, and what it means. In these provocative and challenging interviews, Ades connects his music with influences from a huge historical and cultural spectrum - from Sephardic Jewish folk music to 80s electronica, from the films of Luis Bunuel and pre-Columbian art to the soundtracks of Al-Qaeda training videos - and offers a unique insight into the crucible of his composition."