Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

We're all familiar with 'a flock of sheep' but what are the collective nouns for racehorses, pigs, zebras or giraffes? Drawing on a range of sources, from fifteenth-century hunting terms to more recent inventions that have now entered the language, this book collects over 100 examples of the most interesting collective nouns for animals, each illustrated with charming woodcuts by the renowned naturalist engraver of the eighteenth century, Thomas Bewick. Some describe a key characteristic of the animal in question: 'a shrewdness of apes', 'a busyness of ferrets'. Others are delightfully humorous: 'a piddle of puppies', 'a crash of rhinoceroses'. Featuring pets, farmyard animals, big cats and wild beasts, this beautifully presented book is the perfect gift for animal lovers and all those with an interest in this quirky linguistic tradition.

'A murder of crows', 'a charm of goldfinches', 'an ostentation of peacocks': collective nouns for British birds have existed since at least the mid fifteenth century. They are thought to originate in texts about hunting, but have since evolved into evocative, witty and literary expressions, each striving to capture the very essence of the animal they describe. Some are portentous - 'a conspiracy of ravens' perfectly evokes this sinister bird - others convey sound, such as 'a murmuration of starlings' or 'a chattering of choughs'. Yet more reflect with a flourish the beauty of the bird itself: what could be more celebratory than 'a crown of kingfishers', or 'an exaltation of larks'? The best of these imaginative expressions are collected here, illustrated with charming woodcuts by Thomas Bewick, the renowned naturalist engraver of the eighteenth century. Featuring songbirds, aquatic birds, birds of prey and garden favourites, this beautifully presented book will delight both bird-lovers and word-lovers in equal measure.

In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753-1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day.

"A General History of Quadrupeds," first published in 1790, showcases Bewick's groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. "Quadrupeds "reaffirms Bewick's place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today.