The frequency with which people move home has important implications for national economic performance and the well-being of individuals and families. Much contemporary social and migration theory posits that the world is becoming more mobile, leading to the recent 'mobilities turn' within the social sciences. Yet, there is mounting evidence to suggest that this may not be true of all types of mobility, nor apply equally to all geographical contexts. For example, it is now clear that internal migration rates have been falling in the USA since at least the 1980s. To what extent might this trend be true of other developed countries? Drawing on detailed empirical literature, Internal Migration in the Developed World examines the long-term trends in internal migration in a variety of more advanced countries to explore the factors that underpin these changes. Using case studies of the USA, UK, Australia, Japan, Sweden, Germany and Italy, this pioneering book presents a critical assessment of the extent to which global structural forces, as opposed to national context, influence internal migration in the Global North. Internal Migration in the Developed World fills the void in this neglected aspect of migration studies and will appeal to a wide disciplinary audience of researchers and students working in Geography, Migration Studies, Population Studies and Development Studies.

The frequency with which people move home has important implications for national economic performance and the well-being of individuals and families. Much contemporary social and migration theory posits that the world is becoming more mobile, leading to the recent 'mobilities turn' within the social sciences. Yet, there is mounting evidence to suggest that this may not be true of all types of mobility, nor apply equally to all geographical contexts. For example, it is now clear that internal migration rates have been falling in the USA since at least the 1980s. To what extent might this trend be true of other developed countries? Drawing on detailed empirical literature, Internal Migration in the Developed World examines the long-term trends in internal migration in a variety of more advanced countries to explore the factors that underpin these changes. Using case studies of the USA, UK, Australia, Japan, Sweden, Germany and Italy, this pioneering book presents a critical assessment of the extent to which global structural forces, as opposed to national context, influence internal migration in the Global North. Internal Migration in the Developed World fills the void in this neglected aspect of migration studies and will appeal to a wide disciplinary audience of researchers and students working in Geography, Migration Studies, Population Studies and Development Studies.

Examines the Protestant origins of motherhood and the child consumer Throughout history, the responsibility for children's moral well-being has fallen into the laps of mothers. In The Moral Project of Childhood, the noted childhood studies scholar Daniel Thomas Cook illustrates how mothers in the nineteenth-century United States meticulously managed their children's needs and wants, pleasures and pains, through the material world so as to produce the "child" as a moral project. Drawing on a century of religiously-oriented child care advice in women's periodicals, he examines how children ultimately came to be understood by mothers-and later, by commercial actors-as consumers. From concerns about taste, to forms of discipline and punishment, to play and toys, Cook delves into the social politics of motherhood, historical anxieties about childhood, and early children's consumer culture. An engaging read, The Moral Project of Childhood provides a rich cultural history of childhood.

Ours is a culture defined by marketing and acquiring. Virtually every activity in our lives is experienced through purchases, from layettes to caskets. The landscape is studded with logos, brand names, and billboards. Branded and On Display examines the work of artists who explore specific strategies of branding and presentation in their response to this pervasively commoditized environment. Representing a range of media - sculpture, video, installation, sound, painting, and photography - the work is compelling and provocative, nudging us to "re-view" our culture with an appraising eye. There is an exhilarating range of concerns and media represented by artists Ai Weiwei, Conrad Bakker, Amy Barkow, Ashley Bickerton, Michael Blum, Louis Cameron, Diller + Scofidio, Terence Gower, Laurie Hogin, Pierre Huyghe, Clay Ketter, Ryan McGinness, Donna Nield, Haim Steinbach, Tempi & Wolf, Yuken Teruya, Hank Willis Thomas, Brian Ulrich, Siebren Versteeg, and Zhao Bandi. Daniel Thomas Cook is a sociologist of advertising and communication at the University of Illinois at Urbana-Champaign. Nine stories by Dung Kai-cheung, an author and teacher of creative writing in Hong Kong, were translated by Winnie Won Yin Wong. Other contributors include Ginger Gregg Duggan, Judith Hoos Fox, Cele C. Otnes, and Linda M. Scott.