Plant life has figured prominently in Indian culture. Archaeobotanical findings and Vedic texts confirm that plants have been central not only as a commodity (sources of food; materia medica; sacrificial matter; etc.) but also as powerful and enduring symbols. Roots of Wisdom, Branches of Devotion. Plant Life in South Asian Traditions explores how herbs, trees, shrubs, flowers and vegetables have been studied, classified, represented and discussed in a variety of Indian traditions such as Vedism, Hinduism, Jainism, Buddhism, indigenous cultures and Islam. Moving from an analysis of the sentience of plants in early Indian philosophies and scientific literature, the various chapters, divided in four thematic sections, explore Indian flora within devotional and mystic literature (bhakti and Sufism), mythological, ritual and sacrificial culture, folklore, medicine, perfumery, botany, floriculture and agriculture. Arboreal and floral motifs are also discussed as an expression of Indian aesthetics since early coinage to figurative arts and literary figures.Finally, the volume reflects current discourses on environmentalism and ecology as well as on the place of indigenous flora as part of an ancient yet still very much alive sacred geography.

Discussions on non-human animals, other-than-human persons and religion originally emerged within the context of Christian theology, eco-theology and Western-based environmentalism. In response to that, and by adhering to post-modern discourses on, for instance, indigeneity, mimicry and hybridity, the volume explores South Asian cultural manifestations and aspects of localised knowledge in relation to the construction and the Otherisation of the concept of body and behaviour in non-human animals. The study of non-human animals as other-than-human persons (actual animals, but also animal-spirits, animal deities, etc.) has marked a significant shift in the ethics/politics of the academic study of religion. The chapters in this book investigate how South Asian religions, with their sacred narratives, ritualised practices and popular performances, bear witness to the active presence of non-human animals as both culture makers/bearers and symbols of spirituality. Further to that, with bourgeoning debates on religion, indigeneity, eco-theology and environmentalism, the volume urges for a consolidation and promotion of an analysis of the twofold epistemic violence exerted towards animals as subaltern to human animals and to animals in Western and Christian traditions. The book is divided into fifteen chapters, each dealing with non-human animals and the concept of animality in different South Asian traditions, or various aspects of the same tradition. The structure of the book reflects that of what is probably the most popular collection of folk tales on animals in South Asia, the Pancatantra. Like the original text, the volume is divided into five books (tantras) whose single stories (our chapters) act as sub-strings inscribed in larger narrative frames. As in the original Pancatantra, the principal themes of each book are signalled by key words which provide the link between successive narrative cycles. Such a structural arrangement creates the backbone for the main body of the book allowing for an articulate, clear and reasoned discussion of single themes, such as 1) non-human animals as divine portents in situations of imbalance; 2) non-human animals as restorers of order and symbols of cultural identity; 3) non-human animals as exemplary beings and spiritual teachers in sacred narratives; 4) non-human animals as symbols of love and object of human reverence; 5) non-human animals as portents symbolising the life cycle, including its inevitable end. In the conclusion, the editors summarise what has been achieved with this academic 'narrative' and reflect constructively on its outcomes as well as future developments with respect to past and present scholarship.

Soulless Matter, Seats of Energy: Metals, Gems and Minerals in South Asian Traditions investigates the way in which Indian culture has represented inorganic matter and geological formations such as mountains and the earth itself. The volume is divided into four sections, each discussing from different angles the manifold dimensions occupied by minerals, gems and metals in traditions such as Hinduism, Jainism, Buddhism and Sikhism. The various chapters offer a rigorous analysis of a variety of texts from different South Asian regions from a range of perspectives such as history, philology, philosophy, hermeneutics and ethnography. The themes discussed include literature (myth and epics), ritual, ethics, folklore, and sciences such as astrology, medicine, alchemy and cosmetics. The volume critically reflects on the concept of "inanimate world" and shows how Indian traditions have variously interpreted the concept of embodied life and lifelessness.Ranging from worldviews and disciplines which regard metals, minerals, gems as alive, sentient or inhabited by divine presences and powers to ideas which deny matter possesses life and sentience, the Indian Subcontinent proves to be a challenge for taxonomic investigations but at the same time provides historians of religions and philosophers with stimulating material.

Plant life has figured prominently in Indian culture. Archaeobotanical findings and Vedic texts confirm that plants have been central not only as a commodity (sources of food; materia medica; sacrificial matter; etc.) but also as powerful and enduring symbols. Roots of Wisdom, Branches of Devotion. Plant Life in South Asian Traditions explores how herbs, trees, shrubs, flowers and vegetables have been studied, classified, represented and discussed in a variety of Indian traditions such as Vedism, Hinduism, Jainism, Buddhism, indigenous cultures and Islam. Moving from an analysis of the sentience of plants in early Indian philosophies and scientific literature, the various chapters, divided in four thematic sections, explore Indian flora within devotional and mystic literature (bhakti and Sufism), mythological, ritual and sacrificial culture, folklore, medicine, perfumery, botany, floriculture and agriculture. Arboreal and floral motifs are also discussed as an expression of Indian aesthetics since early coinage to figurative arts and literary figures. Finally, the volume reflects current discourses on environmentalism and ecology as well as on the place of indigenous flora as part of an ancient yet still very much alive sacred geography.

Soulless Matter, Seats of Energy: Metals, Gems and Minerals in South Asian Traditions investigates the way in which Indian culture has represented inorganic matter and geological formations such as mountains and the earth itself. The volume is divided into four sections, each discussing from different angles the manifold dimensions occupied by minerals, gems and metals in traditions such as Hinduism, Jainism, Buddhism and Sikhism. The various chapters offer a rigorous analysis of a variety of texts from different South Asian regions from a range of perspectives such as history, philology, philosophy, hermeneutics and ethnography. The themes discussed include literature (myth and epics), ritual, ethics, folklore, and sciences such as astrology, medicine, alchemy and cosmetics. The volume critically reflects on the concept of "inanimate world" and shows how Indian traditions have variously interpreted the concept of embodied life and lifelessness.Ranging from worldviews and disciplines which regard metals, minerals, gems as alive, sentient or inhabited by divine presences and powers to ideas which deny matter possesses life and sentience, the Indian Subcontinent proves to be a challenge for taxonomic investigations but at the same time provides historians of religions and philosophers with stimulating material.

Discussions on non-human animals, other-than-human persons and religion originally emerged within the context of Christian theology, eco-theology and Western-based environmentalism. In response to that, and by adhering to post-modern discourses on, for instance, indigeneity, mimicry and hybridity, the volume explores South Asian cultural manifestations and aspects of localised knowledge in relation to the construction and the Otherisation of the concept of body and behaviour in non-human animals. The study of non-human animals as other-than-human persons (actual animals, but also animal-spirits, animal deities, etc.) has marked a significant shift in the ethics/politics of the academic study of religion. The chapters in this book investigate how South Asian religions, with their sacred narratives, ritualised practices and popular performances, bear witness to the active presence of non-human animals as both culture makers/bearers and symbols of spirituality. Further to that, with bourgeoning debates on religion, indigeneity, eco-theology and environmentalism, the volume urges for a consolidation and promotion of an analysis of the twofold epistemic violence exerted towards animals as subaltern to human animals and to animals in Western and Christian traditions. The book is divided into fifteen chapters, each dealing with non-human animals and the concept of animality in different South Asian traditions, or various aspects of the same tradition. The structure of the book reflects that of what is probably the most popular collection of folk tales on animals in South Asia, the Pancatantra. Like the original text, the volume is divided into five books (tantras) whose single stories (our chapters) act as sub-strings inscribed in larger narrative frames. As in the original Pancatantra, the principal themes of each book are signalled by key words which provide the link between successive narrative cycles. Such a structural arrangement creates the backbone for the main body of the book allowing for an articulate, clear and reasoned discussion of single themes, such as 1) non-human animals as divine portents in situations of imbalance; 2) non-human animals as restorers of order and symbols of cultural identity; 3) non-human animals as exemplary beings and spiritual teachers in sacred narratives; 4) non-human animals as symbols of love and object of human reverence; 5) non-human animals as portents symbolising the life cycle, including its inevitable end. In the conclusion, the editors summarise what has been achieved with this academic 'narrative' and reflect constructively on its outcomes as well as future developments with respect to past and present scholarship.