Offering insights from pioneering new perspectives in addition to well-established traditions of research, this Handbook considers the activities not only of advocacy groups in the environmental, feminist, human rights, humanitarian, and peace sectors, but also the array of religious, professional, and business associations that make up the wider non-governmental organization (NGO) community. Including perspectives from multiple world regions, the book takes account of institutions in the Global South, alongside better-known structures of the Global North. International contributors from a range of disciplines cover all the major aspects of research into NGOs in International Relations to present: a comprehensive overview of the historical evolution of NGOs, the range of structural forms and international networks coverage of major theoretical perspectives illustrations of how NGOs are influential in every prominent issue-area of contemporary International Relations evaluation of the significant regional variations among NGOs and how regional contexts influence the nature and impact of NGOs analysis of the ways NGOs address authoritarianism, terrorism, and challenges to democracy, and how NGOs handle concerns surrounding their own legitimacy and accountability. Exploring contrasting theories, regional dimensions, and a wide range of contemporary challenges facing NGOs, this Handbook will be essential reading for students, scholars, and practitioners alike.

In light of the limited achievements of the Arab Spring and other pro-democracy movements, volume 39 examines and unpacks arguments that these protests represent both a new phase and new prospects for democratic mobilization. The volume engages with new theoretical and methodological perspectives and illuminates novel aspects of transnational social movement dynamics, such as the evolving role of information technology, deterritorialisation and government counter-responses.

The most influential actor of his age, David Garrick (1717-79) shaped the London stage for over three decades as theatre manager at Drury Lane. He popularised a more natural style of acting, and did much to make Shakespeare the most revered English playwright. First published in 1780 and reissued here in the second edition of that year, this two-volume biography was written by Thomas Davies (c.1712-85). Samuel Johnson, a friend of the Garrick family, notably provided Davies with anecdotes and information on Garrick's early life. The work does not dwell on gossip or private life; it offers instead an informed portrait of the stage in Garrick's time. Davies had inhabited this world as a much less successful actor himself, before becoming a bookseller. His work is therefore a direct and valuable witness to theatrical London in the eighteenth century. The first volume covers the years 1717-63.

The most influential actor of his age, David Garrick (1717-79) shaped the London stage for over three decades as theatre manager at Drury Lane. He popularised a more natural style of acting, and did much to make Shakespeare the most revered English playwright. First published in 1780 and reissued here in the second edition of that year, this two-volume biography was written by Thomas Davies (c.1712-85). Samuel Johnson, a friend of the Garrick family, notably provided Davies with anecdotes and information on Garrick's early life. The work does not dwell on gossip or private life; it offers instead an informed portrait of the stage in Garrick's time. Davies had inhabited this world as a much less successful actor himself, before becoming a bookseller. His work is therefore a direct and valuable witness to theatrical London in the eighteenth century. The second volume covers the years 1763-79.

This fascinating and research-led textbook gives students the facts and the tools they need to engage critically with the psychological dimension of the criminal justice system. Accessibly written and packed with the latest psychological research, Forensic Psychology: Fact and Fiction is an engaging and wide-ranging exploration of both foundational and contemporary issues. The book prepares students to weigh up evidence and arguments, and reach their own conclusions about the issues and questions that have led them to study forensic psychology. Forensic Psychology: Fact and Fiction gives students all they need to get to grips with debates about the link between mental fitness and criminal responsibility, the purposes and effectiveness of punishment, and the use of police force, and others. It places psychology at its heart, combining research with legal perspectives to give the full picture. Drawing on global research and examples, students are given insights into what differs and what remains the same across jurisdictions and borders. Real-life case studies illustrate forensic concepts, allowing students to see how psychology is applied to criminal behaviour and the response of society to it. This comprehensive introduction is ideal for undergraduate students taking a course in forensic psychology. Balancing clarity and rigor, the book takes the student on a journey from the fundamental concepts through to the application of psychology to forensic techniques. Accompanying online resources for this title can be found at bloomsburyonlineresources.com/davis-forensic-psychology. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

An uplifting, encouraging reminder that God works through his imperfect people. Evangelism is crucial, it is urgent, it is exciting, it is wonderful. There is nothing more thrilling than to see God at work in people's lives and to see men, women, boys and girls discovering the incredible joy and peace that comes from knowing Jesus. But it is also hard. Really hard. Often, sharing our faith with other people is the area of our Christian lives where we feel at our most useless. The Bible contains a wealth of theological truth that is a powerhouse of encouragement for evangelism, including the basic truths that God is God and you are you. God is who he has always been: infinite, eternal, unchangeable, all-powerful, at work in his world. You are you; you don't need to become someone you are not. God has not called a select group of elite Christians to tell the world about Jesus; he has chosen his weak, insecure, ineloquent people. He has chosen you.

In 1935, the English writer Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and presents original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W. H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the poetry of H. D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this group of writers and artists, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, these figures could better project large-scale geopolitical events and crises.

Offering insights from pioneering new perspectives in addition to well-established traditions of research, this Handbook considers the activities not only of advocacy groups in the environmental, feminist, human rights, humanitarian, and peace sectors, but also the array of religious, professional, and business associations that make up the wider non-governmental organization (NGO) community. Including perspectives from multiple world regions, the book takes account of institutions in the Global South, alongside better-known structures of the Global North. International contributors from a range of disciplines cover all the major aspects of research into NGOs in International Relations to present: a comprehensive overview of the historical evolution of NGOs, the range of structural forms and international networks coverage of major theoretical perspectives illustrations of how NGOs are influential in every prominent issue-area of contemporary International Relations evaluation of the significant regional variations among NGOs and how regional contexts influence the nature and impact of NGOs analysis of the ways NGOs address authoritarianism, terrorism, and challenges to democracy, and how NGOs handle concerns surrounding their own legitimacy and accountability. Exploring contrasting theories, regional dimensions, and a wide range of contemporary challenges facing NGOs, this Handbook will be essential reading for students, scholars, and practitioners alike.

In 1935, the English writer Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and presents original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W. H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the poetry of H. D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this group of writers and artists, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, these figures could better project large-scale geopolitical events and crises.

In the first historical account of international NGOs, from the French Revolution to the present, Thomas Davies places the contemporary debate on transnational civil society in context. In contrast to the conventional wisdom, which sees transnational civil society as a recent development taking place along a linear trajectory, he explores the long history of international NGOs in terms of a cyclical process characterised by three major waves: the era to 1914, the inter-war years, and the period since the Second World War. The breadth of transnational civil society activities explored is unprecedented in its diversity, from business associations to humanitarian organisations, peace groups to socialist movements, feminist organisations to pan- nationalist groups. The geographical scope covered is also extensive, and the analysis is richly supported with reference to a diverse array of previously unexplored sources. By revealing the role of civil society rather than governmental actors in the major trans- formations of the past two-and-a-half centuries, this book is for anyone interested in obtaining a new perspective on world history. The analysis concludes in the second decade of the twenty-first century, providing insights into the trajectory of transnational civil society in the post-9/11 and post-financial crisis eras.