Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Mary Adams, you're a fool " The single dimple in a smooth red cheek smiled in answer. "You're repeating yourself, Jane -" "You won't give him one hour's time for just three sittings?" "Not a second for one sitting -" "Hopeless " Mary smiled provokingly, her white teeth gleaming in bstinate good humor. "He's the most distinguished artist in America -" "I've heard so."

Do you have to be a genius to get a first at university? In How to Get a First Thomas Dixon argues that you do not, and sets out to demystify first-class degrees in the arts, humanities and social sciences, clearly articulating the difference between the excellent and the merely competent in undergraduate work. This concise, no-nonsense guidebook will give prospective and current students advice on teaching and learning styles that prevail in university, managing your time and managing your lecturers. In an accessible, and entertaining style, the author looks at subjects such as: making the transition from school to university; developing transferable skills; making use of lectures and seminars; using libraries and the internet; note-taking, essays, seminars and presentations; common mistakes to avoid; writing with clarity and style; revision and examinations. Illustrated with many examples from a range of academic disciplines, How to Get a First is an all-purpose guide to success in academic life.

Quick - a glass of water! A man sprang to his feet, beckoning to an usher. When he reached the seat, the woman had recovered by a supreme effort of will and sat erect, her face flushed with anger at her own weakness. "Thank you, I am quite well now," she said with dignity. The man settled back and the usher returned to his place and stood watching her out of the corners of his eyes, fascinated by her beauty. The church was packed that night with more than two thousand people. The air was hot and foul. The old brick building, jammed in the middle of a block, faced the street with its big bare gable. The ushers were so used to people fainting that they kept water and smelling-salts handy in the anterooms. The Reverend Frank Gordon no longer paused or noticed these interruptions. He had accepted the truth that, while God builds the churches, the devil gets the job to heat, light and ventilate them.