Wie ken nie die seun met die goue hare en die wit hoedjie wat op die groot, wit gans oor Lapland sweef nie? Dis Niels Holgersson, natuurlik.

Niels Holgersson bly op ’n plaas in Swede. Hy is ’n klein niksnut. Eendag gebeur iets vreemds met hom. Hy word in ’n kabouter verander en beland op die rug van ’n mak gans. Saam beleef Niels en die gans Maarten groot avonture. Hulle emigreer saam met die wildeganse na Lapland.

Onderweg maak hulle vriende, soos meneer Emerik die ooievaar en Donsie, die grys gans. Maar hulle moet ligloop vir Smirre, die geslepe jakkals ...

"A beautiful, gentle, rhyming exploration of grief and mourning." - Joe Coelho, Waterstones Children's Laureate The Hare-Shaped Hole is a beautiful, touching, and poignant picture book which gently explores themes of grief and loss. Hertle and Bertle were always a pair, though one was a turtle and one was a hare. They were utterly buddies, and best friends forever and whenever you looked, you would find them together... until quite unexpectedly... the end came. When Hertle disappears for good, Bertle can only see a Hertle-shaped hole where his friend should be. He pleads with it, get angry with it, but the hole still won't bring his Hertle back. It seems like hope is lost... until Gerda the kindly bear finds him. She explains that he must fill the hole with his memories of Hertle. And slowly... Bertle begins to feel a little bit better. Powerful and moving text from children's author and poet John Dougherty is paired perfectly with warm illustrations from the wonderfully talented Thomas Docherty in a thoughtful and sensitive approach to this difficult topic. This moving picture book can be used as part of a gentle conversation about death and grief with children.

One night Joe leaves his window open and with a swirl of leaves and a flap of feathers, the Wild invites him outside to explore the night-time city. Joe learns that animals and plants can thrive even in the most built-up environment, and that with a bit of imagination, a city can be full of surprises.

Exploring the controversial history of an aesthetic - realism - this book examines the role that realism plays in the negotiation of social, political, and material realities from the mid-19th century to the present day. Examining a broad range of literary texts from French, English, Italian, German, and Russian writers, this book provides new insights into how realism engages with themes including capital, social decorum, the law and its politicisation, modern science as a determining factor concerning truth, and the politics of identity. Considering works from Gustave Flaubert, Charles Baudelaire, Emile Zola, Henry James, Charles Dickens, and George Orwell, Docherty proposes a new philosophical conception of the politics of realism in an age where politics feels increasingly erratic and fantastical.

A poignant and witty story about an unlikely friendship; a surprising journey - and the discovery that we can all do the most amazing things, if we only dare to. Snorghs don't have visitors. Snorghs don't share soup. And Snorghs most definitely DO NOT like adventures. But then a bedraggled sailor arrives telling exciting stories of exotic lands - and the Snorgh finds himself going on an adventure after all. A beautiful new cover edition of The Snorgh and the Sailor for new fans and old fans alike Rich, captivating storytelling full of unexpected adventure A reassuring book about welcoming new experiences Stunning, atmospheric artwork by Thomas Docherty, illustrator of The Snatchabook, The Screen Thief and Abracazebra Praise for The Snorgh and the Sailor: "Outstanding - adventurous and quirky" Julia Donaldson

This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication.
Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'.
The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.

Leo the mouse isn't like the other knights. While they like fighting, he'd rather read a book. Leo's parents are keen to turn him into a proper knight, so they pack him off on a mission to tame a dragon. But Leo knows that books are mightier than swords, and he tames not just the dragon, but a troll and a griffin, too - by reading them stories. With its witty rhyming text and glorious, detailed illustrations, THE KNIGHT WHO WOULDN'T FIGHT is a joyful, magical picture book about the power of stories.

In every house, in every bed, A bedtime book was being read... Prepare to tuck into a magical tale about the importance of bedtime stories. One night, all the animals' bedtime story books start disappearing! That's right, no more books at night for the little owls, the small squirrels, hedgehogs or even skunks. Books are just disappearing left and right! One brave rabbit called Eliza sets out to solve the mystery - is it a bat? A bird? Eliza finds that it's a sad little Snatchabook, a small, magical creature who just wants someone to read to him. And that's when a mission is set ... to turn a wrong into right. A heart-warming bedtime story about reading together and imaginative play, written by the fantastic Helen Docherty and illustrated by Thomas Docherty With a wonderful message about including and helping others, perfect for encouraging empathy Helen and Thomas Docherty are the author and illustrator behind The Screen Thief , The Knight Who Wouldn't Fight and Abracazebra

Mood is a phenomenon whose study is inherently interdisciplinary. While it has remained resistant to theorisation, it nonetheless has a substantial influence on art, politics and society. Since its practical omnipresence in every-day life renders it one of the most significant aspects of affect studies, it has garnered an increasing amount of critical attention in a number of disciplines across the humanities, sciences and social sciences in the past two decades. Mood: Interdisciplinary Perspectives, New Theories provides a comprehensive theoretical and empirical exploration of the phenomenon of mood from an interdisciplinary angle. Building on cutting-edge research in this emerging field and bringing together established and new voices, it bridges the existing disciplinary gap in the study of mood and further consolidates this phenomenon as a crucial concept in disciplinary and interdisciplinary study. By combining perspectives and concepts from the literary studies, philosophy, musicology, the social sciences, artistic practice and psychology, the volume does the complexity and richness of mood-related phenomena justice and benefits from the latent connections and synergies in different disciplinary approaches to the study of mood.

With a focus on building phonics skills, this collection includes seven fun stories with colourful illustrations. It is ideal for children who are developing early reading skills. Find out what's so important about Ron Rabbit's egg, what happens to the Doll in the in and learn about animals in the Animal Quiz! Tips for reading together explain the letter patterns that each story focuses on and identify any words children may find tricky, helping you to get the most out of the collection. Former Children's Laureate and author of The Gruffalo, Julia Donaldson, has captivated children all over the world with her lively and engaging stories. Songbirds is a phonics programme carefully created by Julia to support children who are learning to read and is used in schools to inspire a love of reading. There are eight Songbirds story collections for you to enjoy. Featuring much-loved characters, great authors, engaging storylines and fun activities, Read with Oxford offers an exciting range of carefully levelled reading books to build your child's reading confidence. Find practical advice, free eBooks and fun activities to help your child progress on oxfordowl.co.uk. Let's get them flying!

Anna het 'n lewendige verbeelding met drome wat vir haar werklik voel. Een oggend word sy wakker en besef dat sy haar droom nie kan onthou nie. Saam met haar hond reis sy deur haar drome op soek na die verlore droom. Hulle ontmoet reuse, vampiere, en 'n herhalende droom. Oplaas vind Anna die antwoord: haar droom was nader as wat sy gedink het. Sy klim weer in die snoesige bed en sien uit na nog interessante drome.

"A beautiful, gentle, rhyming exploration of grief and mourning." - Joe Coelho, UK Children's Laureate The Hare-Shaped Hole is a beautiful, touching, and poignant picture book which gently explores themes of grief and loss. Hertle and Bertle were always a pair, though one was a turtle and one was a hare. They were utterly buddies, and best friends forever, and whenever you looked, you would find them together... until quite unexpectedly... the end came. When Hertle disappears for good, Bertle can only see a Hertle-shaped hole where his friend should be. He pleads with it, get angry with it, but the hole still won't bring his Hertle back. It seems like hope is lost... until Gerda the kindly bear finds him. She explains that he must fill the hole with his memories of Hertle. And slowly... Bertle begins to feel a little bit better. Powerful and moving text from children's author and poet John Dougherty is paired perfectly with warm illustrations from the wonderfully talented Thomas Docherty in a thoughtful and sensitive approach to this difficult topic. This moving picture book can be used as part of a gentle conversation about loss with children.

Look out! There's a Snaffle about, and she'll eat your screen as a snack! When the Snaffle arrives in the city, she just wants to play, but everyone's too busy staring at their screens. The Snaffle discovers that she likes screens, too - as a snack! When she chomps down every last screen in the city, that's when the fun really starts . . . Screens away, it's time to play in this warm, funny, and very timely tale from the creators of The Snatchabook. A brightly illustrated rhyming tale for the whole family to enjoy! Helen and Thomas Docherty are the author and illustrator behind The Snatchabook, The Knight Who Wouldn't Fight and Abracazebra

Mood is a phenomenon whose study is inherently interdisciplinary. While it has remained resistant to theorisation, it nonetheless has a substantial influence on art, politics and society. Since its practical omnipresence in every-day life renders it one of the most significant aspects of affect studies, it has garnered an increasing amount of critical attention in a number of disciplines across the humanities, sciences and social sciences in the past two decades. Mood: Interdisciplinary Perspectives, New Theories provides a comprehensive theoretical and empirical exploration of the phenomenon of mood from an interdisciplinary angle. Building on cutting-edge research in this emerging field and bringing together established and new voices, it bridges the existing disciplinary gap in the study of mood and further consolidates this phenomenon as a crucial concept in disciplinary and interdisciplinary study. By combining perspectives and concepts from the literary studies, philosophy, musicology, the social sciences, artistic practice and psychology, the volume does the complexity and richness of mood-related phenomena justice and benefits from the latent connections and synergies in different disciplinary approaches to the study of mood.

Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism's fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of 'reserve', a mode of commitment that eschews fundamentalism of all kinds.

Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism's fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of 'reserve', a mode of commitment that eschews fundamentalism of all kinds.

Contemporary criticism of Donne has tended to ignore the historical culture and ideology that conditioned his writings, reinforcing the traditionally accepted model of the poet as a humanist of ethical, cultural and political individualism. In this title, first published in 1986, Thomas Docherty challenges this with a more rigorously theoretical reading of Donne, particularly in relation to the specific culture of the late Renaissance in Europe. Docherty locates Donne's poetry at the crux of the various scientific, legal, domestic and rhetorical discourses that surrounded and informed it. With a broadly post-structuralist approach, this reissue will benefit literature students with an interest in the wider study and context of John Donne's work.

Contemporary criticism of Donne has tended to ignore the historical culture and ideology that conditioned his writings, reinforcing the traditionally accepted model of the poet as a humanist of ethical, cultural and political individualism. In this title, first published in 1986, Thomas Docherty challenges this with a more rigorously theoretical reading of Donne, particularly in relation to the specific culture of the late Renaissance in Europe. Docherty locates Donne's poetry at the crux of the various scientific, legal, domestic and rhetorical discourses that surrounded and informed it. With a broadly post-structuralist approach, this reissue will benefit literature students with an interest in the wider study and context of John Donne's work.

This reader provides a selection of articles and essays by leading figures in the postmodernism debate.

This book deals with the arguments over postmodernism. Going beyond the post-structuralist controversy in its interdisciplinary scope, postmodernism questions the fundamental civil, political, ethical and cultural criteria which make criticism and theory available, legitimate, or, indeed, impossible. Yet since the key texts are widely scattered, the broad range of arguments remain relatively unknown.