The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.

"To understand why people say 'Dear old Kansas " is to understand that Kansas is no mere geographical expression, but a 'state of mind, ' a religion, and a philosophy in one," writes historian Carl Becker in the classic 1910 essay that leads off this volume. Like Becker, the twelve other essayists and four poets try to map the spiritual topography of Kansas and explain why this particular patch of prairie is so dear. They share the conviction that Kansas represents something powerful, something significant, something noteworthy. The seventeen selections are put into perspective by Thomas Fox Averill's headnotes and introductory essay, which makes its own contribution to our understanding of Kansas. The essays and poems (all previously published except for the last essay) are arranged chronologically, from the earliest (1910) to the most recent (1990). Illustrated with woodcuts from the Prairie Print-makers.

Falling under the spell of these short stories by O. Henry Award-winning author Thomas Fox Averill, a reader might well wonder: What in the world is ordinary? If there really are "just plain folks" anywhere at all, they'd surely be in the solid Midwestern Kansas of Averill's fiction. And yet the "ordinary" people we meet in these stories lead us into one startling encounter after another with the mystery, the magic, and, yes, the transcendence that even the most mundane life secretly holds. In writing that has been called "lyrical" ("New York Times"), "compelling" ("Kansas City Star"), and "voluptuous" ("Booklist"), Averill explores the relationship between fathers and sons, the dead and the living, the natural and the unnatural. With crystalline clarity he reveals the ordinary and the extraordinary genius of a place, a time, a solitary soul embedded in the minutiae of the everyday: a young boy hunting for a runaway horse; a couple ostracized in their small town; a grieving high school basketball star; a child with a voice purer than a tuning fork; a gay son seeking his father's acceptance; two boys playing bocce with the parish priest for high stakes--the secret of their birth. If there is magic in love, in acceptance, in sorrow and solace in all the usual places, then these stories find that magic with ordinary genius.